Acting the Right Part

Acting the Right Part
Author: Xiaomei Chen
Publisher: University of Hawaii Press
Total Pages: 488
Release: 2002-01-31
Genre: Performing Arts
ISBN: 9780824824839

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Acting the Right Part is a cultural history of huaju (modern Chinese drama) from 1966 to 1996. Xiaomei Chen situates her study both in the context of Chinese literary and cultural history and in the context of comparative drama and theater, cultural studies, and critical issues relevant to national theater worldwide. Following a discussion of the marginality of modern Chinese drama in relation to other genres, periods, and cultures, early chapters focus on the dynamic relationship between theater and revolution. Chosen during the Cultural Revolution as the exclusive artistic vehicle to promote proletariat art, "model theater" raises important questions about the complex relationships between women, memory, nation/state, revolution, and visual culture. Throughout this study, Chen argues that dramatic norms inform both theatrical performance and everyday political behavior in contemporary China.

Acting in Film

Acting in Film
Author: Michael Caine
Publisher: Hal Leonard Corporation
Total Pages: 131
Release: 2000-02-01
Genre: Performing Arts
ISBN: 1476842752

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(Applause Books). A master actor who's appeared in an enormous number of films, starring with everyone from Nicholson to Kermit the Frog, Michael Caine is uniquely qualified to provide his view of making movies. This revised and expanded edition features great photos, with chapters on: Preparation, In Front of the Camera Before You Shoot, The Take, Characters, Directors, On Being a Star, and much more. "Remarkable material ... A treasure ... I'm not going to be looking at performances quite the same way ... FASCINATING!" Gene Siskel

Sense of Agency: Examining Awareness of the Acting Self

Sense of Agency: Examining Awareness of the Acting Self
Author: Nicole David
Publisher: Frontiers Media SA
Total Pages: 240
Release: 2015-07-24
Genre: Ego (Psychology)
ISBN: 2889196240

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The sense of agency is defined as the sense of oneself as the agent of one's own actions. This also allows oneself to feel distinct from others, and contributes to the subjective phenomenon of self-consciousness (Gallagher, 2000). Distinguishing oneself from others is arguably one of the most important functions of the human brain. Even minor impairments in this ability profoundly affect the individual’s functioning in society as demonstrated by psychiatric and neurological syndromes involving agency disturbances (Della Sala et al., 1991; Franck et al., 2001; Frith, 2005; Sirigu et al., 1999). But the sense of agency also plays a role for cultural and religious phenomena such as voodoo, superstition and gambling, in which individuals experience subjective control over objectively uncontrollable entities (Wegner, 2003). Furthermore, it plays into ethical and law questions concerning responsibility and guilt. For these reasons a better understanding of the sense of agency has been important for neuroscientists, clinicians, philosophers of mind and the general society alike. Significant progress has been made in this regard. For example, philosophical scrutiny has helped establish the conceptual boundaries of the sense of agency (Bayne, 2011; Gallagher, 2000, 2012; Pacherie 2008; Synofzik et al., 2008) and scientific investigations have shed light on the neurocognitive basis of sense of agency including the brain regions supporting sense of agency (Chambon et al., 2013; David et al., 2007; Farrer et al., 2003, 2008; Spengler et al., 2009; Tsakiris et al., 2010; Yomogida et al., 2010). Despite this progress there remain a number of outstanding questions such as: • Are there cross-cultural differences in the sense of agency? • How does the sense of agency develop in infants or change across the lifespan? • How does social context influence sense of agency? • What neural networks support sense of agency (i.e., connectivity and communication between brain regions)? • What are the temporal dynamics with respect to neural processes underlying the sense of agency (i.e. the what and when of agency processing)? • How can different cue models of the sense of agency be further specified and empirically supported, especially with regards to cue integration/ weighting? • What are the applications of sense of agency research (clinically, engineering etc.)? The concept of the sense of agency offers intriguing avenues for knowledge transfer across disciplines and interdisciplinary empirical approaches, especially in addressing the afore-mentioned outstanding questions. The aim of the present research topic is to promote and facilitate such interdisciplinarity for a better understanding of why and how we typically experience our own actions so naturally and undoubtedly as “ours” and what goes awry when we do not. We, thus, welcome contributions from, for example, (i) neuroscience and psychology (including development psychology/ neuroscience), (ii) psychiatry and neurology, (iii) philosophy, (iv) robotics, and (v) computational modeling. In addition to empirical or scientific studies of the sense of agency, we also encourage theoretical contributions including reviews, models, and opinions.

Acting Class

Acting Class
Author: Milton Katselas
Publisher: Phoenix Books
Total Pages: 272
Release: 2008-10-01
Genre: Performing Arts
ISBN: 1614670005

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Previously only available to Katselas’ students at the prestigious Beverly Hills Playhouse, Acting Class presents the concepts and methods that have helped lead a generation of actors to success on stage, in cinema, and on television. Now for the first time, this all-encompassing book is available to the general public, taking readers and sitting them in the legendary acting class of Milton Katselas, where he not only covers techniques and methods, but also includes valuable discussions on the attitude any artist needs to fulfill his or her dream.

Acting

Acting
Author: Rodney B. Whatley
Publisher: Waveland Press
Total Pages: 216
Release: 2022-07-13
Genre: Performing Arts
ISBN: 1478649623

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Many books on acting for beginners approach the subject in an abstract, theoretical way. Rodney Whatley designed Acting: Year One around the environment in which many acting students learn the craft—the college classroom. Skills and concepts are laid out in 31 lessons, mirroring the structure of a 15-week course. Whatley’s down-to-earth, accessible writing engages students, meeting them where they are in their acting journey. The exercises accompanying the text make it easy for instructors to apply what their students read directly in class. Sample grading sheets are included throughout the book, benefiting instructors as well as students, who can learn what criteria they’ll be graded on.

The Invisible Actor

The Invisible Actor
Author: Yoshi Oida
Publisher: Bloomsbury Publishing
Total Pages: 123
Release: 2020-10-01
Genre: Drama
ISBN: 1350148288

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The Invisible Actor presents the captivating and unique methods of the distinguished Japanese actor and director, Yoshi Oida. While a member of Peter Brook's theatre company in Paris, Yoshi Oida developed a masterful approach to acting that combined the oriental tradition of supreme and studied control with the Western performer's need to characterise and expose depths of emotion. Written with Lorna Marshall, Yoshi Oida explains that once the audience becomes openly aware of the actor's method and becomes too conscious of the actor's artistry, the wonder of performance dies. The audience must never see the actor but only his or her performance. Throughout Lorna Marshall provides contextual commentary on Yoshi Oida's work and methods. In a new foreword to accompany the Bloomsbury Revelations edition, Yoshi Oida revisits the questions that have informed his career as an actor and explores how his skilful approach to acting has shaped the wider contours of his life.

Acting (Re)Considered

Acting (Re)Considered
Author: Phillip B. Zarrilli
Publisher: Routledge
Total Pages: 416
Release: 2005-06-28
Genre: Performing Arts
ISBN: 1134575432

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Acting (Re)Considered is an exceptionally wide-ranging collection of theories on acting, ideas about body and training, and statements about the actor in performance. This second edition includes five new essays and has been fully revised and updated, with discussions by or about major figures who have shaped theories and practices of acting and performance from the late nineteenth century to the present. The essays - by directors, historians, actor trainers and actors - bridge the gap between theories and practices of acting, and between East and West. No other book provides such a wealth of primary and secondary sources, bibliographic material, and diversity of approaches. It includes discussions of such key topics as: * how we think and talk about acting * acting and emotion * the actor's psychophysical process * the body and training * the actor in performance * non-Western and cross-cultural paradigms of the body, training and acting. Acting (Re)Considered is vital reading for all those interested in performance.

The Acting Book

The Acting Book
Author: John Abbott
Publisher:
Total Pages: 0
Release: 2012
Genre: PERFORMING ARTS
ISBN: 9781848421448

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The third of John Abbott's essential guides to acting introduces young actors to the best performance techniques, old and new.

Acting the Part

Acting the Part
Author: Z.R. Ellor
Publisher: HarperCollins
Total Pages: 252
Release: 2022-12-06
Genre: Young Adult Fiction
ISBN: 006315790X

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This delightfully tropey teen romance perfect for fans of Ashley Poston and Lyla Lee follows a queer teen actor navigating their gender identity—while pretending to date their co-star. Queer actor Lily Ashton has found fame playing lesbian warrior Morgantha on the hit TV show Galaxy Spark. Lily knows how little representation queer girls have, so when the showrunners reveal that Morgantha’s on-screen love interest, Alietta, is going to be killed off, Lily orchestrates an elaborate fake-dating scheme with the standoffish actress who plays her, to generate press and ensure a happy ending for the #Morganetta ship. But while playing a doting girlfriend on- and off-screen, Lily struggles with whether a word like “girl” applies to them at all. Lily’s always been good at playing a part. But are they ready to share their real self, even if it means throwing everything they’ve fought for away?

Acting in Musical Theatre

Acting in Musical Theatre
Author: Rocco Dal Vera
Publisher: Routledge
Total Pages: 429
Release: 2015-09-07
Genre: Performing Arts
ISBN: 1317911962

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Acting in Musical Theatre remains the only complete course in approaching a role in a musical. It covers fundamental skills for novice actors, practical insights for professionals, and even tips to help veteran musical performers refine their craft. Updates in this expanded and revised second edition include: A brand new companion website for students and teachers, including Powerpoint lecture slides, sample syllabi, and checklists for projects and exercises. Learning outcomes for each chapter to guide teachers and students through the book’s core ideas and lessons New style overviews for pop and jukebox musicals Extensive updated professional insights from field testing with students, young professionals, and industry showcases Full-colour production images, bringing each chapter to life Acting in Musical Theatre’s chapters divide into easy-to-reference units, each containing group and solo exercises, making it the definitive textbook for students and practitioners alike.