Write It Pitch It Sell Your Screenplay

Write It Pitch It Sell Your Screenplay
Author: DMA-Donna Michelle Anderson
Publisher: Planet DMA
Total Pages:
Release: 2015-08-12
Genre:
ISBN: 9780978715021

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Written by a former story analyst-turned-development executive, this updated edition of "The 1-3-5 Story Structure Made Simple System" guides entertainment industry professionals through the industry standard steps of writing, developing, pitching and selling a screenplay - from the buyer's point of view.

How to Sell Your Screenplay

How to Sell Your Screenplay
Author: Lydia Wilen
Publisher: Square One Publishers, Inc.
Total Pages: 324
Release: 2001
Genre: Language Arts & Disciplines
ISBN: 9780757000027

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This handbook lets readers in on the rules of winning the game. Written by two veteran screenwriters, this is a complete guide to getting a screenplay seen, read, and sold.

Selling Your Screenplay

Selling Your Screenplay
Author: Ashley Scott Meyers
Publisher:
Total Pages: 0
Release: 2007
Genre: Motion picture authorship
ISBN: 9781601451484

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Selling Your Screenplay is a step-by-step guide to getting your screenplay sold and produced. Learn how to get your script into the hands of the producers and directors who can turn your story into a movie.

Selling a Screenplay

Selling a Screenplay
Author: Syd Field
Publisher: Delta
Total Pages: 304
Release: 2009-12-30
Genre: Reference
ISBN: 0307570649

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- Breaks Down the Business of Screenwriting - Explains What the Buyer Looks For - Shows You What to Do to Get in the Door - Tackles the Pitching Process - Provides Personal Insights from Famous Screenwriters Everybody has a story to tell. Everybody wants to write the great American screenplay. But what do you do after it’s written? How do you sell it? Studio honchos. Development Executives. Independent Producers. What do they want? Do you need an agent or manager to get it into production? Selling a screenplay can mean earning $250,000 or more, so competition is fierce. Syd Field gives you an insider’s look at the movie and TV industry, packed with essential tips from the pros. Selling a Screenplay is a must-have guide for every screenwriter, filled with frank real-life advice from Hollywood’s most powerful deal makers and most celebrated screenwriters. They all started somewhere.

Selling Your Story in 60 Seconds

Selling Your Story in 60 Seconds
Author: Michael Hauge
Publisher:
Total Pages: 0
Release: 2014-04
Genre: Performing Arts
ISBN: 9781615932030

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Your career can be made in 60 seconds - if you make the right pitch! Master the Elevator Pitch, even when you've got less than 60 seconds. Get your screenplay or Novel read by the major power of Hollywood - guaranteed!

The Writer's Guide to Selling Your Screenplay

The Writer's Guide to Selling Your Screenplay
Author: Cynthia Whitcomb
Publisher: Watson-Guptill Publications
Total Pages: 204
Release: 2002
Genre: Language Arts & Disciplines
ISBN:

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With the average screenplay selling for $100,000 or more, every writer knows that movies are where the money is. In The Writer's Guide to Selling Your Screenplay, veteran screenwriter Cynthia Whitcomb reveals everything today's aspiring screenwriter needs to know about selling a movie script to Hollywood, cable TV, or network television. Readers will find proven, award-winning strategies for getting the right people to look at your work, marketing a spec script, making a splash at pitch meetings, and much more. Plus, they'll discover what today's top agents and producers look for in a script, the types of deals you can expect to make, as well as an appendix of agents who specialize in handling scriptwriters.

How to Write what You Want and Sell what You Write

How to Write what You Want and Sell what You Write
Author: Skip Press
Publisher: Career PressInc
Total Pages: 223
Release: 1995
Genre: Reference
ISBN: 9781564141521

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Not loaded with theory, Skip's invaluable book contains concise, easily understood and applied advice for both writing and marketing any kind of book, article, story, play, screen-play, report, proposal or anything else you can think of.How to Write What You Want and Sell What You Write is for every writer or wannabe who needs to sort out his or her desires, capabilities and strengths and, even more importantly, learn the particular formats for the kind of writing in which he or she is interested.

How to Sell Your Screenplay

How to Sell Your Screenplay
Author: Lydia Wilen
Publisher: Square One Publishers, Inc.
Total Pages: 324
Release: 2012-07-18
Genre: Performing Arts
ISBN: 0757050026

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In today’s topsy-turvy world of film production, getting a screenplay sold and produced is no easy task. How to Sell Your Screenplay not only lets you in on the rules, but also lets you in on the secrets of winning the game. Written by two veteran screenwriters, this book is a complete guide to getting your screenplay seen, read, and sold. It begins with an insider’s look at how the business works. Later chapters guide you in putting your script into the proper format to make a professional first impression, introduce you to the roles of the industry “players,” help you prepare a perfect pitch, and provide you with a proven system for query submission. Throughout, tips from experts will show you how to swim with the sharks without getting eaten by them.

Writing for the Green Light

Writing for the Green Light
Author: Scott Kirkpatrick
Publisher: CRC Press
Total Pages: 202
Release: 2015-03-02
Genre: Performing Arts
ISBN: 1317704207

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Tailor your screenplay to sell. Find out what Hollywood script readers, producers, and studio executives want in a screenplay (and why) from someone who’s been there. Discover what it takes to begin a lasting career as a screenwriter. Peppered with interviews from established professionals, Writing for the Green Light: How to Make Your Script the One Hollywood Notices gives you a sharp competitive edge by showcasing dozens of everyday events that go on at the studios but are rarely if ever discussed in most screenwriting books. With his behind-the-scenes perspective, Scott Kirkpatrick shows you why the system works the way it does and how you can use its unwritten rules to your advantage. He answers such questions as: Who actually reads your script? How do you pique the interest of studios and decision makers? What do agents, producers, and production companies need in a script? How much is a script worth? What are the best genres for new writers and why? What are real steps you can take to ‘break in’ to television writing? How do you best present or pitch a project without looking desparate? How do you negotiate a contract without an agent? How do you exude confidence and seal your first deal? These and other insights are sure to give you and your screenplay a leg-up for success in this competitive landscape!

Good in a Room

Good in a Room
Author: Stephanie Palmer
Publisher: Crown Currency
Total Pages: 290
Release: 2008-03-11
Genre: Business & Economics
ISBN: 0385525281

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Whether you work in Hollywood or not, the fact is that selling ideas is really difficult to do. The reason the pitching secrets of the most successful writers and directors are relevant is because these people have evolved an advanced method for selling ideas. Whether you’re a screenwriter, a journalist with an idea for a story, an entrepreneur with a business plan, an inventor with a blueprint, or a manager with an innovative solution, if you want other people to invest their time, energy, and money in your idea, you face an uphill battle…. When I was at MGM, the hardest part of my job was not cutthroat studio politics or grueling production schedules. The toughest part of my job was whenever I had to say “No” to an idea that was almost there. I had to say no a lot. Every buyer does. The buyer’s work is to say yes to projects that are ready, not almost ready. And no matter how good the script is, if the seller can’t pitch it in a compelling way, how can the buyer see the potential? How can he get his colleagues on board? How can he recommend the seller to his superiors? The fact is that poor pitches doom good projects. It happens all the time. The ideas, products and services that are pitched more effectively… win. That’s just how the game is played. No sense getting upset over it. Instead, let’s accept the challenge and learn the strategies and tactics that will allow us (and our ideas) to succeed. -From GOOD IN A ROOM Business consultant and former MGM Director of Creative Affairs Stephanie Palmer reveals the techniques used by Hollywood’s top writers, producers, and directors to get financing for their projects - and explains how you can apply these techniques to be more successful in your own high-stakes meetings. Because, as Palmer has found, the strategies used to sell yourself and your ideas in Hollywood not only work in other businesses, they often work better. Whether you are a manager or executive with an innovative proposal, a professional with a hot concept, a salesperson selling to a potential client or investor, or an entrepreneur with a business plan, GOOD IN A ROOM shows you how to: Master the five stages of the face-to-face meeting Avoid the secret dealbreakers of the first ninety seconds Be confident in high-pressure situations Present yourself better and more effectively than you ever have before Whether you want to ask for a raise, grow your client list, launch a new business or find financing for a creative project, you must not only present your ideas in a compelling way - you must also sell yourself, as well. GOOD IN A ROOM shows you how to construct a winning presentation and deliver the kind of performance that will get your project greenlighted, whatever industry you are in.