World Music in Music Libraries

World Music in Music Libraries
Author: Carl John Rahkonen
Publisher: Scarecrow Press
Total Pages: 98
Release: 1994
Genre: Language Arts & Disciplines
ISBN:

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Provides useful information about the nature of world music, reference services relating to world music, collection development for and access to collections of world music, the role of ethnomusicological archives, and world music in the public library.

Music, Libraries, and the Academy

Music, Libraries, and the Academy
Author: James P. Cassaro
Publisher: A-R Editions, Inc.
Total Pages: 279
Release: 2007-01-01
Genre: Music
ISBN: 0895796120

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This collection of articles dedicated to the memory of Lenore Coral divides into three sections that focus on her scholarly interests: music of the eighteenth century, music libraries and collections, and new approaches to the musical canon. Many of the seventeen contributions included in the volume are the result of the individual author's connection with Lenore, or were projects that she had been directly involved with, either as dissertation advisor, committee member, or interested observer. The senior scholars and music librarians represented here are testament to the impact of her intellect and influence.

Music in the World

Music in the World
Author: Timothy D. Taylor
Publisher: University of Chicago Press
Total Pages: 256
Release: 2017-04-11
Genre: Music
ISBN: 022644239X

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In music studies, Timothy D. Taylor is known for his insightful essays on music, globalization, and capitalism. Music in the World is a collection of some of Taylor’s most recent writings—essays concerned with questions about music in capitalist cultures, covering a historical span that begins in the late nineteenth and early twentieth centuries and continues to the present. These essays look at shifts in the production, dissemination, advertising, and consumption of music from the industrial capitalism of the nineteenth century to the globalized neoliberal capitalism of the past few decades. In addition to chapters on music, capitalism, and globalization, Music in the World includes previously unpublished essays on the continuing utility of the concept of culture in the study of music, a historicization of treatments of affect, and an essay on value and music. Taken together, Taylor’s essays chart the changes in different kinds of music in twentieth- and twenty-first-century music and culture from a variety of theoretical perspectives.

Music Library and Research Skills

Music Library and Research Skills
Author: Jane Gottlieb
Publisher: Oxford University Press, USA
Total Pages: 0
Release: 2017
Genre: Music
ISBN: 9780190267940

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Concise and engaging, this text covers a wide range of reference sources for research in all genres of music. Through this practical introduction to the key concepts of music research, students will develop a firm understanding of the tools used to gather data, including what types of sourcesexist, how they are arranged, and how they may best be used to do research.

Music on the Move

Music on the Move
Author: Danielle Fosler-Lussier
Publisher: University of Michigan Press
Total Pages: 323
Release: 2020-06-10
Genre: Music
ISBN: 0472126784

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Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding; and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. As music crosses cultural, linguistic, and political boundaries, it continually changes. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation. With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music’s travels—with or without its makers—including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Highly accessible, jargon-free, and media-rich, Music on the Move is suitable for students as well as general-interest readers.

The Music Division

The Music Division
Author: Library of Congress
Publisher:
Total Pages: 32
Release: 1972
Genre:
ISBN:

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Doctoral Dissertations in Musicology

Doctoral Dissertations in Musicology
Author: American Musicological Society
Publisher: Philadelphia, PA (201 S. 34th St., Philadelphia 19104) : American Musicology Society ; [S.l.] : International Musicology Society
Total Pages: 570
Release: 1984
Genre: Dissertations, Academic
ISBN:

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Music by Black Women Composers

Music by Black Women Composers
Author: Helen Walker-Hill
Publisher: Center for Black Music Rsrch
Total Pages: 128
Release: 1995
Genre: Music
ISBN: 9780929911045

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Unusual Sounds

Unusual Sounds
Author: David Hollander
Publisher:
Total Pages: 0
Release: 2018
Genre: Music
ISBN: 9781944860127

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Unusual Sounds is a deep dive into the hidden musical universe of Library Music, featuring histories, interviews, and extraordinary visuals from the field's most celebrated creators.

A Guide to Library Research in Music

A Guide to Library Research in Music
Author: Pauline Shaw Bayne
Publisher: Scarecrow Press
Total Pages: 296
Release: 2008
Genre: Education
ISBN: 9780810862111

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A Guide to Library Research in Music introduces the process and techniques for researching and writing about music. This informative textbook provides concrete examples of different types of writing, offering a thorough introduction to music literature. It clearly describes various information-searching techniques and library-based organizational systems and introduces the array of music resources available. Pauline Shaw Bayne has cleanly organized the material in three succinct parts, allowing for three independent tracks of study. Part I treats essentials of the research process. It explains starting point resources like library catalogs, dictionaries, and bibliographies; addresses scholarly documentation, the use of style manuals, and basics of copyright; and provides samples of common written research products. Part 2 develops skills and strategies for library and Internet-based research, describing database structures and library catalogs, subject searching in catalogs and journal indexes, keyword searching techniques, related-record searching and citation databases, and the use of experts, the Internet, and thematic catalogs. In Part 3, Bayne describes music uniform titles and select resources that follow the organization of a music library, such as score collections, books and journals in music literature, and music teaching publications. Each chapter concludes with learning exercises to aid the students' concept application and skill development. Appendixes provide short cuts to specific topics in library organizational systems, including Library of Congress Subject Headings and Classification. The concluding bibliography provides a quick overview of music literature and resources, emphasizing electronic and print publications since 2000, but including standard references that all music researchers should know.