Women's Literary Creativity and the Female Body

Women's Literary Creativity and the Female Body
Author: D. Hoeveler
Publisher: Springer
Total Pages: 223
Release: 2007-11-12
Genre: Literary Criticism
ISBN: 0230609236

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This volume addresses one aspect of a challenging topic: what does it mean for women to create within particular literary and cultural contexts? How is the female body written on textuality? In short, how is the female body analogous to the geographical space of land? How have women inhabited their bodies as people have lived in nation-states?

A Room of One's Own

A Room of One's Own
Author: Ellen Bayuk Rosenman
Publisher: Macmillan Reference USA
Total Pages: 158
Release: 1995
Genre: Language Arts & Disciplines
ISBN:

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. Along with preliminary chapters discussing the essay in the context of Woolf's own history and how it was received by critics, Rosenman devotes a fascinating chapter to the importance of the very new and few women's colleges in England at the time Woolf wrote A Room of One's Own, which derived from speeches she gave at the two women's colleges in Oxford a year before.

The Flesh Made Word

The Flesh Made Word
Author: Helena Michie
Publisher: Oxford University Press
Total Pages: 190
Release: 1987-03-12
Genre: Literary Criticism
ISBN: 0198021151

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Helena Michie's provocative new work looks at how women's bodies are portrayed in a variety of Victorian literary and non-literary genres--from painting, poems, and novels, to etiquette, books, sex manuals, and pornography. After identifying a series of codes and taboos that govern the depiction of women in such activities as eating and working, she then turns to the physical descriptions of Victorian heroines, focusing on those parts of their bodies that are erased, and on those that become fetishized in conventional description. Her vivid analysis moves forward in time with a consideration of 20th-century "second wave" feminism and a discussion of the poetics of the body as articulated by feminist writers on both sides of the Atlantic. Making use of feminist, poststructuralist, and psychoanalytic accounts of the figure of woman, and the relation of the body to the text, The Flesh Made Word offers fresh readings of works by writers as diverse as the Bront"es, Dickens, Eliot, Gaskell, Trollope, Hardy, Adrienne Rich, Olga Broumas, Audre Lorde, and Louise Gluck.

Female Stories, Female Bodies

Female Stories, Female Bodies
Author: Lidia Curti
Publisher: Bloomsbury Publishing
Total Pages: 250
Release: 1998-01-19
Genre: Social Science
ISBN: 1349262072

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This interdisciplinary book explores women's narratives in a wide variety of media and genre, from soap opera and film to the post-modern novel and Shakespearian drama. Adopting an innovative feminist perspective, it focuses particularly on the themes of hybridity and monstrosity in language and the body. In doing so, it raises issues to do with closure and temporal and spatial dislocation, drawing on themes of passion, paranoia and desire.

Producing Women

Producing Women
Author: Michele White
Publisher: Routledge
Total Pages: 247
Release: 2015-03-02
Genre: Social Science
ISBN: 1317680243

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Producing Women examines the ways femininity is produced through new media. Michele White considers how women are constructed, produce themselves as subjects, form vital production cultures on sites like Etsy, and deploy technological processes to reshape their identities and digital characteristics. She studies the means through which women market traditional female roles, are viewed, and produce and restructure their gendered, raced, eroticized, and sexual identities. Incorporating a range of examples across numerous forms of media—including trash the dress wedding photography, Internet how-to instructions about zombie walk brides, nail polish blogging, DIY crafting, and reborn doll production—Producing Women elucidates women’s production cultures online, and the ways that individuals can critically study and engage with these practices.

The Fragmented Female Body and Identity

The Fragmented Female Body and Identity
Author: Pamela B. June
Publisher: Peter Lang
Total Pages: 172
Release: 2010
Genre: American fiction
ISBN: 9781433110504

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The Fragmented Female Body and Identity explores the symbol of the wounded and scarred female body in selected postmodern, multiethnic American women's novels, namely Toni Morrison's Beloved, Theresa Hak Kyung Cha's Dictée, Phyllis Alesia Perry's Stigmata, Gayl Jones's Corregidora, Emma Pérez's Gulf Dreams, Paula Gunn Allen's The Woman Who Owned the Shadows, and Kathy Acker's Blood and Guts in High School and Empire of the Senseless. In each of these novels, disjointed, postmodern writing reflects the novel's focus on fragmented female bodies. The wounded and scarred body emerges from various, often intersecting, forms of oppression, including patriarchy, racism, and heteronormativity. This book emphasizes the different and nuanced forms of oppression each woman faces. However, while the fragmented body symbolizes oppression and pain, it also catalyzes resistance through recognition. When female characters recognize some element of a shared oppression, they form bonds with one another. These feminist unities, as a response to multiple forms of oppression, become viable means for resistance and healing.

Beyond Bodies

Beyond Bodies
Author: Daphne M. Grace
Publisher: Rodopi
Total Pages: 248
Release: 2014-05-01
Genre: Literary Criticism
ISBN: 9401210799

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“Articulations and expressions of gender can be destabilising, transgressive, revolutionary and radical, encompassing both a painful legacy of oppression and a joyous exploration of new experience.” Analysing key texts from the 19th to 21st centuries, this book explores a range of British and Anglophone authors to contextualise women’s writing and feminist theory with ongoing debates in consciousness studies. Discussing writers who strive to redefine the gendered world of “sexualized” space, whether internal or external, mental or physical, this book argues how the “delusion” of gender difference can be addressed and challenged. In literary theory and in representations of the female body in literature, identity has increasingly become a shifting, multiple, renegotiable—and controversial—concept. While acknowledging historical and cultural constructions of sexuality, “writing the body” must ultimately incorporate knowledge of human consciousness. Here, an understanding of consciousness from contemporary science (especially quantum theory)—as the fundamental building block of existence, beyond the body—allows unique insights into literary texts to elucidate the problem of subjectivity and what it means to be human. Including discussion of topics such as feminism and androgyny, agency and entrapment, masculinities and masquerade, insanity and emotion, and individual and social empowerment, this study also creates a lively engagement with the literary process as a means of fathoming the “enigma” of consciousness. Daphne Grace is Professor of English, specializing in postcolonial and transnational literature, gender and women’s studies, in addition to British literature of the 19th to 21st centuries. She currently teaches at the University of the Bahamas, and has also previously taught at Sussex University, England, and Eastern Mediterranean University in Cyprus.

American Women Short Story Writers

American Women Short Story Writers
Author: Julie Brown
Publisher: Taylor & Francis
Total Pages: 404
Release: 1995
Genre: Literary Collections
ISBN: 9780815313380

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First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Liminality, Hybridity, and American Women's Literature

Liminality, Hybridity, and American Women's Literature
Author: Kristin J. Jacobson
Publisher: Springer
Total Pages: 323
Release: 2018-05-04
Genre: Literary Criticism
ISBN: 3319738518

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This book highlights the multiplicity of American women’s writing related to liminality and hybridity from its beginnings to the contemporary moment. Often informed by notions of crossing, intersectionality, transition, and transformation, these concepts as they appear in American women’s writing contest as well as perpetuate exclusionary practices involving class, ethnicity, gender, race, religion, and sex, among other variables. The collection’s introduction, three unit introductions, fourteen individual essays, and afterward facilitate a process of encounters, engagements, and conversations within, between, among, and across the rich polyphony that constitutes the creative acts of American women writers. The contributors offer fresh perspectives on canonical writers as well as introduce readers to new authors. As a whole, the collection demonstrates American women’s writing is “threshold writing,” or writing that occupies a liminal, hybrid space that both delimits borders and offers enticing openings.

Birthing a Nation

Birthing a Nation
Author: Susan J. Rosowski
Publisher: U of Nebraska Press
Total Pages: 266
Release: 1999-01-01
Genre: Literary Criticism
ISBN: 9780803239357

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Birthing a Nation is about national identity and the American West. If it is a truism that facing west was the American male version of invoking the Muse, what happened if you were female? Most past interpretations of western American literature have echoed Frederick Jackson Turner?s frontier hypothesis, emphasizing the conflict of wilderness and civilization, the hero of rugged individualism, the act of returning to origins and reemerging as the reborn American Adam. In this reading of western American women writers who responded to the challenge to give birth to a nation, Susan J. Rosowski proposes an alternative, more hopeful affirmation of our cultural history and perhaps our cultural destiny. ø Rosowski begins by tracing the birth metaphor through three and a half centuries of American letters. She reexamines the premises underlying the telling of the literary West and posits a female model of creativity at the genesis of American literature. She follows four authors on a multigenerational journey, beginning with Margaret Fuller in 1843, moving on a generation later to Willa Cather, advancing to Jean Stafford, and ending with Marilynne Robinson. In her reading of these writers who most directly and deeply believed in literature as a serious and noble form of art and who wrote to influence how the country perceived itself, Rosowski contributes to the ongoing process of remapping the literary landscape