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| Author | : T. Pintchman |
| Publisher | : Springer |
| Total Pages | : 242 |
| Release | : 2011-08-29 |
| Genre | : Social Science |
| ISBN | : 0230119921 |
Offering multilayered explorations of Hindu understandings of the Feminine, both human and divine, this book emphasizes theological and activist methods and aims over historical, anthropological, and literary ones.
| Author | : Devdutt Pattanaik |
| Publisher | : Simon and Schuster |
| Total Pages | : 220 |
| Release | : 2000-09-01 |
| Genre | : Body, Mind & Spirit |
| ISBN | : 1594775370 |
The first exhaustive collection of goddess mythologies from India. • Explores the evolution of goddess worship in India over 4,000 years. • Stunning color photographs illustrate many stories of goddess lore never before available in one collection. In India it is said that there is a goddess in every village, a nymph in every lake. Demonesses stand guard on village frontiers, ogresses howl on crossroads, and untamed forests resound with the laughter of celestial virgins. It is a land of mysterious Apsaras and seductive Yakshinis, of terrifying Dakinis and wise Yoginis--each with a story to tell. In this wide-reaching exploration of ancient Hindu lore and legends, author Devdutt Pattanaik discovers how earth, women and goddesses have been perceived over 4,000 years. Some of the tales recounted are revered classics, others are common and folklorish, often held in disdain by priests. Until now, most have remained hidden, isolated in distant hamlets or languishing in forgotten libraries, overwhelmed by the din of masculine sagas. As the tales come to light through word and stunning color imagery, the author identifies the five faces given to the eternal feminine as man sought to unlock the mysteries of life: the female half of existence is at first identified with Nature, gradually deified and eventually objectified. She comes to be seen as the primal mother, fountainhead of life and nurturance. The all-giving mother then transforms into the dancing nymph, a seductress offering worldly pleasures that bind man in the cycle of life. As this nymph is domesticated, the dominant image of woman becomes the chaste wife with miraculous powers. Finally the submissive consort redefines herself as the wild and terrifying goddess who does battle, drinks blood, and demands appeasement. Exploring mysteries of gender and biology, and shedding light on the roots of taboos and traditions practiced in India today, the author shows how the image of the Mother Goddess can be both worshipped and feared when she carries the face of mortal woman.
| Author | : David Kinsley |
| Publisher | : Motilal Banarsidass Publ. |
| Total Pages | : 296 |
| Release | : 1998 |
| Genre | : Religion |
| ISBN | : 9788120803947 |
Hindu Goddesses is a valuable sourcebook and reference work for students and scholars of Hindu goddesses and of Hinduism in general. Each goddess is dealt with as an independent deity with a coherent mythology, theology and, in some cases, cult of her own. Within the complex, diverse, and rich goddess traditions of Hinduism, one can find suggestions of nearly every important theme in the Hindu religion. In many ways, this book is as much a study of the Hindu tradition itself as it is a study of one aspect of that tradition. No other living religious tradition has displayed such an ancient, continuous, and diverse history of goddess worship.
| Author | : Linda Johnsen |
| Publisher | : Yes International Publishers |
| Total Pages | : 140 |
| Release | : 1994 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780936663098 |
This book takes us along on a search for the feminine face of God. We travel with Linda Johnsen for a fascinating investigation of the great women saints of India who manifest the divine in their lives. Together with her we comb the scriptures, meet the holy ones, and are led, step by step, to sit in awe at the feet of six remarkable, contemporary women.
| Author | : Anway Mukhopadhyay |
| Publisher | : Routledge |
| Total Pages | : 210 |
| Release | : 2018-04-20 |
| Genre | : Social Science |
| ISBN | : 1351063529 |
The Great Goddess, in her various puranic and tantric forms, is often figured as sitting on a corpse which is identified as Shiva-as-shava (God Shiva, the consort of the Devi and an iconic representation of the Absolute without attributes, the Nirguna Brahman). Hence, most of the existing critical works and ethnographic studies on Shaktism and the tantras have focused on the theological and symbolic paraphernalia of the corpses which operate as the asanas (seats) of the Devi in her various iconographies. This book explores the figurations of the Goddess as corpse in several Hindu puranic and Shakta-tantric texts, popular practices, folk belief systems, legends and various other cultural phenomena based on this motif. It deals with a more intricate and fundamental issue than existing works on the subject: how and why is the Devi – herself - figured as a corpse in the Shakta texts, belief systems and folk practices associated with the tantras? The issues which have been raised in this book include: how does death become a complement to life within this religious epistemology? How does one learn to live with death, thereby lending new definitions and new epistemic and existential dimensions to life and death? And what is the relation between death and gender within this kind of figuration of the Goddess as death and dead body? Analysing multiple mythic narratives, hymns and scriptural texts where the Devi herself is said to take the form of the Shava (the corpse) as well as the Shakti who animates dead matter, this book focuses not only on the concept of the theological equivalence of the Shava (Shiva as corpse) and the Shakti (Energy) in tantras but also on the status of the Divine Mother as the Great Bridge between the apparently irreconcilable opposites, the mediatrix between Spirit and Matter, death and life, existence-in-stasis and existence-in-kinesis. This book makes an important contribution to the fields of Hindu Studies, Goddess Spirituality, South Asian Religions, Women and Religion, India, Studies in Shaktism and Tantra, Cross-cultural Religious Studies, Gender Studies, Postcolonial Spirituality and Ecofeminism.
| Author | : Alf Hiltebeitel |
| Publisher | : NYU Press |
| Total Pages | : 292 |
| Release | : 2000-11 |
| Genre | : Religion |
| ISBN | : 9780814736197 |
American and Indian scholars of religion, anthropology, women's studies, and psychology look at the complex relationship between the living worship of female divinities and women in India. In keeping with the multiplicity, especially of Hinduism but also Buddhism and Jainism, the anthology presents a number of sometimes conflicting views rather than a consistent account. Only authors are indexed. c. Book News Inc.
| Author | : Francis X. Clooney |
| Publisher | : Oxford University Press on Demand |
| Total Pages | : 279 |
| Release | : 2005 |
| Genre | : Religion |
| ISBN | : 0195170377 |
The Virgin Mary has long been the object of both devotional and scholarly interest, and recent years have seen a proliferation of studies on Hindu goddess-worship traditions. Despite the parallels between the two, however, no one has yet undertaken a book-length comparison of these traditions. In Divine Mother, Blessed Mother, Francis Clooney offers the first extended comparative study of Hindu goddesses and the Virgin Mary. Clooney is almost unique in the field of Hindu studies as a Christian theologian with the linguistic and philosophical expertise necessary to produce sophisticated comparative analyses. Building on his previous work in comparative theology, he sheds new light not only on these individual traditions but also on the nature of gender and the divine.
| Author | : David R. Kinsley |
| Publisher | : Motilal Banarsidass Publ. |
| Total Pages | : 188 |
| Release | : 1995 |
| Genre | : Social Science |
| ISBN | : 9788120813151 |
FOR SALE IN SOUTH ASIA ONLY
| Author | : John Stratton Hawley |
| Publisher | : Motilal Banarsidass Publ. |
| Total Pages | : 380 |
| Release | : 1998 |
| Genre | : Religion |
| ISBN | : 9788120814912 |
The monotheistic religions of Judaism, Christianity, and Islam have severely limited the portrayal of the divine as feminine. But in Hinduism "God" very often means "Goddess." This extraordinary collection explores twelve different Hindu goddesses, all of whom are in some way related to Devi, the Great Goddess. They range from the liquid goddess-energy of the River Ganges to the possessing, entrancing heat of Bhagavati and Seranvali. They are local, like Vindhyavasini, and global, like Kali; ancient, like Saranyu, and modern, like "Mother India." The collection combines analysis of texts with intensive fieldwork, allowing the reader to see how goddesses are worshiped in everyday life. In these compelling essays, the divine feminine in Hinduism is revealed as never before--fascinating, contradictory, powerful.
| Author | : Sumathi Ramaswamy |
| Publisher | : Duke University Press |
| Total Pages | : 402 |
| Release | : 2010-04-09 |
| Genre | : History |
| ISBN | : 0822391538 |
Making the case for a new kind of visual history, The Goddess and the Nation charts the pictorial life and career of Bharat Mata, “Mother India,” the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country’s diverse communities. Soon after Mother India’s emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Filled with illustrations, including 100 in color, The Goddess and the Nation draws on visual studies, gender studies, and the history of cartography to offer a rigorous analysis of Mother India’s appearance in painting, print, poster art, and pictures from the late nineteenth century to the present. By exploring the mutual entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history; they actively make it. In The Goddess and the Nation, she teaches us about pictorial ways of learning the form of the nation, of how to live with it—and ultimately to die for it.
