William Grant Still

William Grant Still
Author: Catherine Parsons Smith
Publisher: University of Illinois Press
Total Pages: 138
Release: 2008
Genre: African American composers
ISBN: 0252033221

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In this compact introduction to the life and work of eminent African American composer William Grant Still (1895-1978), Catherine Parsons Smith tracks the composer's interrelated careers in popular and concert music. Still merged both musical traditions in his work, studying composition with George W. Chadwick at the New England Conservatory, collaborating with Langston Hughes on "Troubled Island," and working as a commercial arranger and composer on Broadway and radio during the Harlem Renaissance. Still also played in the pit band for "Shuffle Along," served as recording director for the first black-owned record label, Black Swan, and arranged music for artists such as Sophie Tucker, Paul Whiteman, and Artie Shaw. Best known for his "Afro-American Symphony" and other works that drew heavily on black American musical heritage, Still struggled against financial hardship and declining attention to his work, which he attributed to political and racist conspiracies. This "dean of Afro-American composers" created his own, unique version of musical modernism, influencing commercial music, symphonic music, and opera in the process."

William Grant Still

William Grant Still
Author: Michael J. Dabrishus
Publisher: Bloomsbury Publishing USA
Total Pages: 350
Release: 1996-08-20
Genre: Music
ISBN: 0313036446

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Presenting the life and professional career of The Dean of Afro-American Composers, this is the first comprehensive book on the writings by and about Still, the compositions with manuscript sources, the performances of Still's works, and the reviews of those performances. It includes a touching personal reminiscence by his daughter Judith Anne. The full resources of the extensive collection known as The William Grant Still and Verna Arvey Papers at the University of Arkansas Libraries, Fayetteville, give this book the distinction of being the first one about Still that utilizes diaries, letters, scrapbooks, and family papers to provide information on his works and performances. Still performed, composed, and arranged in the commercial music field before he began to write orchestral works and opera. He is called the Dean of Afro-American Composers because of his pioneering efforts on behalf of American music and his achievements as an African American. Still was the first African American to write a symphony that was performed by a major symphony orchestra in the United States, the first to conduct a major symphony orchestra, the first to conduct a major symphony in the Deep South, the first to direct a white radio orchestra, the first to have an opera produced by a major company, and the first to have an opera televised over a national network. His career tells an important story about the development of an American style of music.

William Grant Still

William Grant Still
Author: William Grant Still
Publisher:
Total Pages: 144
Release: 1998
Genre: Composers
ISBN:

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The New Negroes and Their Music

The New Negroes and Their Music
Author: Jon Michael Spencer
Publisher: Univ. of Tennessee Press
Total Pages: 204
Release: 1997
Genre: History
ISBN: 9780870499678

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Spencer's discussion encompasses the music and writings of a wide range of important figures, including James Weldon Johnson, Harry T. Burleigh, Roland Hayes, Marian Anderson, Alain Locke, William Grant Still, R. Nathaniel Dett, and Dorothy Maynor. He argues that the singular accomplishment of the Harlem Renaissance composers and musicians was to achieve a "two-tiered mastery" promoted by Johnson, Locke, the Harmon award, and Crisis and Opportunity magazines.

The New Encyclopedia of Southern Culture: Religion

The New Encyclopedia of Southern Culture: Religion
Author: Charles Reagan Wilson
Publisher: Univ of North Carolina Press
Total Pages: 276
Release: 2006
Genre: History
ISBN:

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New Encyclopedia of Southern Culture: Volume 1: Religion

Sounds of War

Sounds of War
Author: Annegret Fauser
Publisher: OUP USA
Total Pages: 385
Release: 2013-05-30
Genre: Music
ISBN: 0199948038

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Classical music in 1940s America had a cultural relevance and ubiquitousness that is hard to imagine today. No other war mobilized and instrumentalized culture in general and music in particular so totally, so consciously, and so unequivocally as World War II. Through author Annegret Fauser's in-depth, engaging, and encompassing discussion in context of this unique period in American history, Sounds of War brings to life the people and institutions that created, performed, and listened to this music.