Weirdsville USA

Weirdsville USA
Author: Paul A. Woods
Publisher: Plexus Publishing
Total Pages: 230
Release: 2000
Genre: Biography & Autobiography
ISBN:

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In his wildly varied career, David Lynch has experienced cult adulation, mainstream success, virtual rejection by the film industry, and a renaissance in which he created a style that can only be called Weird Americana. Weirdsville U.S.A. charts Lynch s work from his experimental art school years and the midnight movie hit Eraserhead, the mainstream success of The Elephant Man and the commercial failure of Dune, the birth of Weird Americana with Blue Velvet and Twin Peaks and the neo-noir mystery Lost Highway, to the present day and the film The Straight Story and TV series Mulholland Drive."

Weirdsville

Weirdsville
Author: Willem Wennekers
Publisher:
Total Pages: 110
Release: 2007
Genre:
ISBN:

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David Lynch

David Lynch
Author: Reba Wissner
Publisher: Taylor & Francis
Total Pages: 125
Release: 2024-04-16
Genre: Music
ISBN: 1040095399

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Director David Lynch is best known for films that channel the uncanny and the weird into a distinct "Lynchian" aesthetic, in which sound and music play a key role: Lynch not only writes his intended sounds into the script but also often takes on the role of creating the sounds himself. This concise study explores what makes Lynch’s sonic imprint distinct, breaking down three different sound styles that create Lynch’s sound aesthetic across his films. Showing how sound offers new insights into the aesthetic and narrative work of Lynch’s filmmaking, this book highlights new dimensions in the work of a key American auteur and deconstructs the process of building a unique sound world.

The American Weird

The American Weird
Author: Julius Greve
Publisher: Bloomsbury Publishing
Total Pages: 275
Release: 2020-10-01
Genre: Literary Criticism
ISBN: 1350141216

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Hitherto classified as a form of genre fiction, or as a particular aesthetic quality of literature by H. P. Lovecraft, the weird has now come to refer to a broad spectrum of artistic practices and expressions including fiction, film, television, photography, music, and visual and performance art. Largely under-theorized so far, The American Weird brings together perspectives from literary, cultural, media and film studies, and from philosophy, to provide a thorough exploration of the weird mode. Separated into two sections – the first exploring the concept of the weird and the second how it is applied through various media – this book generates new approaches to fundamental questions: Can the weird be conceptualized as a generic category, as an aesthetic mode or as an epistemological position? May the weird be thought through in similar ways to what Sianne Ngai calls the zany, the cute, and the interesting? What are the transformations it has undergone aesthetically and politically since its inception in the early twentieth century? Which strands of contemporary critical theory and philosophy have engaged in a dialogue with the discourses of and on the weird? And what is specifically “American” about this aesthetic mode? As the first comprehensive, interdisciplinary study of the weird, this book not only explores the writings of Lovecraft, Caitlín Kiernan, China Miéville, and Jeff VanderMeer, but also the graphic novels of Alan Moore, the music of Captain Beefheart, the television show Twin Peaks and the films of Lily Amirpour, Matthew Barney, David Lynch, and Jordan Peele.

The Architecture of David Lynch

The Architecture of David Lynch
Author: Richard Martin
Publisher: Bloomsbury Publishing
Total Pages: 367
Release: 2014-10-23
Genre: Architecture
ISBN: 1472520238

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From the Red Room in Twin Peaks to Club Silencio in Mulholland Drive, the work of David Lynch contains some of the most remarkable spaces in contemporary culture. Richard Martin's compelling study is the first sustained critical assessment of the role architecture and design play in Lynch's films. Martin combines original research at Lynchian locations in Los Angeles, London and Lódz with insights from architects including Adolf Loos, Le Corbusier and Jean Nouvel and urban theorists such as Jane Jacobs and Edward Soja. In analyzing the towns, cities, homes, roads and stages found in Lynch's work, Martin not only reveals their central importance for understanding this controversial and distinctive film-maker, but also suggests how Lynch's films can provide a deeper understanding of the places and spaces in which we live.

The Spectre of Sound

The Spectre of Sound
Author: Kevin Donnelly
Publisher: Bloomsbury Publishing
Total Pages: 192
Release: 2019-07-25
Genre: Music
ISBN: 1839020628

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This book is a major new study - dealing with notions of film music as a device that desires to control its audience, using a most powerful thing: emotion. The author emphasises the manipulative and ephemeral character of film music dealing not only with traditional orchestral film music, but also looks at film music's colonisation of television, and discusses pop music in relation to films, and the historical dimensions to ability to possess audiences that have so many important cultural and aesthetic effects. It challenges the dominant but limited conception of film music as restricted to film by looking at its use in television and influence in the world of pop music and the traditional restriction of analysis to 'valued' film music, either from 'name' composers' or from the 'golden era' of Classical Hollywood. Focusing on areas as diverse as horror, pop music in film, ethnic signposting, television drama and the soundtrack without a film- this is an original study which expands the range of writing on the subject.

Headpress Guide to the Counter Culture

Headpress Guide to the Counter Culture
Author: Temple Drake
Publisher: Critical Vision
Total Pages: 260
Release: 2004
Genre: Education
ISBN: 9781900486354

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An indispensable sampling of the vast assortment of publications which exist as an adjunct to the mainstream press, or which promote themes and ideas that may be defined as pop culture, alternative, underground or subversive. Updated and revised from the pages of the critically acclaimed Headpress journal, this is an enlightened and entertaining guide to the counter culture - including everything from cult film, music, comics and cutting-edge fiction, by way of its books and zines, with contact information accompanying each review.

The Impossible David Lynch

The Impossible David Lynch
Author: Todd McGowan
Publisher: Columbia University Press
Total Pages: 284
Release: 2007
Genre: Biography & Autobiography
ISBN: 9780231139557

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Todd McGowan studies Lynch's talent for blending the bizarre and the normal to emphasise the odd nature of normality itself. In Lynch's movies, fantasy becomes a means through which the viewer is encouraged to build a revolutionary relationship with the world.

The Weird Zone

The Weird Zone
Author: Tony Abbott
Publisher: Open Road Media
Total Pages: 332
Release: 2018-07-10
Genre: Juvenile Fiction
ISBN: 1504054741

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Think your town is weird? Step into Grover’s Mill—known to the local kids as the “Weird Zone”—from the award-winning author of the Secrets of Droon series. There’s no place like home. Seriously, there’s no place like the bizarre town of Grover’s Mill, home to friends Liz, Holly, Sean, Jeff, and Mike—but also to aliens, monsters, dinosaurs, giant robots, and a potato capable of mind control. It could have something to do with the location—in the middle of a triangle containing a secret UFO testing base, a dinosaur burial ground, and a cheesy horror movie studio. Whatever the reason, enter at your own risk . . . Zombie Surf Commandos from Mars!: When disgusting alien zombies start rising from the lake, Holly, Liz, and Jeff must escape—or their brains will become an afternoon snack. The Incredible Shrinking Kid!: After a blast of purple light zaps Holly’s brother, Sean—shrinking him to four inches—the friends need to make sure he doesn’t end up in an evil toy-store owner’s collection. The Beast from Beneath the Cafeteria!: Liz and her friends battle a dinosaur with a craving for junk food—and an appetite for destruction. Attack of the Alien Mole Invaders!: Not to make a mountain out of a molehill—but a colony of giant moles from outer space has tunneled under Grover’s Mill. With the help of a secret government invention, Jeff and Holly must stop them in their tracks. The Brain That Wouldn’t Obey!: Mike is sure he’s going to win the school science fair with his potato-powered radio, “Potadio.” But when his invention is electrocuted to life and takes over the minds of the teachers and students, it’s boy vs. spud. Gigantopus from Planet X!: When Sean and Holly must battle a gigantic robot octopus controlled by an evil alien, it sucks big-time. Cosmic Boy Versus Mezmo Head!: After an alien blasts Jeff with an X-ray on his way to audition for his school’s outer space version of The Wizard of Oz, his favorite childhood toy, a Cosmic Boy space helmet, gets stuck on his head. The space invader has his own mind-controlling Mezmo head helmet, and now the two will butt heads . . . or, uh, helmets. Revenge of the Tiki Men!: There’s no time to lounge around—huge Tiki heads with a grudge against Grover’s Mill are turning the town back into a jungle. It’s up to the kids to fend off a total disaster.

Authorship and the Films of David Lynch

Authorship and the Films of David Lynch
Author: Antony Todd
Publisher: Bloomsbury Publishing
Total Pages: 224
Release: 2012-02-28
Genre: Performing Arts
ISBN: 0857721127

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This important new contribution to studies on authorship and film explores the ways in which shared and disputed opinions on aesthetic quality, originality and authorial essence have shaped receptions of Lynch's films. It is also the first book to approach David Lynch as a figure composed through language, history and text. Tracing the development of Lynch's career from cult obscurity with Eraserhead, to star auteur through the release of Blue Velvet, and TV phenomenon Twin Peaks, Antony Todd examines how his idiosyncratic style introduced the term 'Lynchian' to the colloquial speech of new Hollywood and helped establish Lynch as the leading light among contemporary American auteurs. Todd explores contemporary manners and attitudes for artistic reputation building, and the standards by which Lynch's reputation was dismantled following the release of Wild at Heart and Twin Peaks: Fire Walk with Me, only to be reassembled once more through films such as Lost Highway, Mulholland Dr. and INLAND EMPIRE. In its account of the experiences at play in the encounter between ephemera, text and reader, this book reveals how authors function for pleasure in the modern filmgoer's everyday consumption of films.