Wangechi Mutu - I Am Speaking, are You Listening?
Author | : Claudia Schmuckli |
Publisher | : |
Total Pages | : 0 |
Release | : 2021 |
Genre | : |
ISBN | : 9781636810058 |
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Author | : Claudia Schmuckli |
Publisher | : |
Total Pages | : 0 |
Release | : 2021 |
Genre | : |
ISBN | : 9781636810058 |
Author | : Claudia Schmuckli |
Publisher | : Delmonico Books |
Total Pages | : 176 |
Release | : 2021-09 |
Genre | : Art |
ISBN | : 9781636810058 |
Between Afrofuturism, fantasy and postcolonialism: the most comprehensive monograph to date on the fantastical worlds of Wangechi Mutu Wangechi Mutu takes viewers on journeys of material, psychological and sociopolitical transformation; this volume explores her most recent groundbreaking work. Over the past two decades, Mutu has created chimerical constellations of powerful female characters, hybrid beings and fantastical landscapes. With a rare understanding of the need for powerful new mythologies beyond simple binaries and stereotypes, Mutu breaches common distinctions between human, animal, plant and machine. An artist who calls both Nairobi and New York City home, Mutu moves voraciously between cultural traditions to challenge colonialist, racist and sexist worldviews with her visionary projection of an alternate universe informed by Afrofuturism, posthumanism and feminism. This dazzling book accompanies a presentation of Mutu's new work on view at the Legion, along with a greater selection from her landmark oeuvre. It is the most comprehensive book on the artist to date.
Author | : Max Hollein |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2019-02-12 |
Genre | : Art |
ISBN | : 3791358154 |
This book showcases Julian Schnabel's diverse body of work from the past three decades and celebrates the scale and virtuosic materiality of his oeuvre. Julian Schnabel is one of the most important and groundbreaking artists working today. Since his breakthrough in the late 1970's, he has created works that have been exhibited at and collected by major museums throughout the world. Through evocative Polaroid, black-and-white, and color photography, Julian Schnabel: Symbols of Actual Life chronicles the artist's 2018 installation at the Legion of Honor in San Francisco, his first major presentation on the West Coast in more than thirty years. The volume is supplemented by an enlightening introduction to the work by Max Hollein, an interview with Schnabel, and a gallery of related site-specific works. Published in assocation with the Fine Arts Museums of San Francisco
Author | : Desiree C. Bailey |
Publisher | : Yale University Press |
Total Pages | : 93 |
Release | : 2021-04-13 |
Genre | : Poetry |
ISBN | : 0300256531 |
The 115th volume of the Yale Series of Younger Poets is a lyrical and polyvocal exploration of what it means to fight for yourself “Bailey invites us to see what twenty-first-century life is like for a young woman of the Black diaspora in the long wake of a history of slavery, brutality, and struggling for freedoms bodily and psychological.” —Carl Phillips, from the Foreword The 115th volume of the Yale Series of Younger Poets, What Noise Against the Cane is a lyric quest for belonging and freedom, weaving political resistance, Caribbean folklore, immigration, and the realities of Black life in America. Desiree C. Bailey begins by reworking the epic in an oceanic narrative of bondage and liberation in the midst of the Haitian Revolution. The poems move into the contemporary Black diaspora, probing the mythologies of home, belief, nation, and womanhood. Series judge Carl Phillips observes that Bailey’s “poems argue for hope and faith equally. . . . These are powerful poems, indeed, and they make a persuasive argument for the transformative powers of steady defiance.”
Author | : |
Publisher | : David Zwirner Books |
Total Pages | : 97 |
Release | : 2019-09-17 |
Genre | : Art |
ISBN | : 1644230151 |
Kerry James Marshall is one of America’s greatest living painters. History of Painting presents a groundbreaking body of new work that engages with the history of the medium itself. In History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as force us to reexamine how artworks are received in the world and in the art market. In the paintings in this book, Marshall’s critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life. Essays by Teju Cole and Hal Foster help readers navigate the artist’s masterful vision, decoding complexly layered works such as Untitled (Underpainting) (2018) and Marshall’s own artistic philosophy. This catalogue is published on the occasion of Marshall’s eponymous exhibition at David Zwirner, London, in 2018.
Author | : Marlon James |
Publisher | : Penguin |
Total Pages | : 436 |
Release | : 2009-02-19 |
Genre | : Fiction |
ISBN | : 1101011319 |
From the author of the National Book Award finalist Black Leopard, Red Wolf and the WINNER of the 2015 Man Booker Prize for A Brief History of Seven Killings "An undeniable success.” — The New York Times Book Review A true triumph of voice and storytelling, The Book of Night Women rings with both profound authenticity and a distinctly contemporary energy. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they- and she-will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age they see her as the key to their plans. But when she begins to understand her own feelings, desires, and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman, and risks becoming the conspiracy's weak link. But the real revelation of the book-the secret to the stirring imagery and insistent prose-is Marlon James himself, a young writer at once breathtakingly daring and wholly in command of his craft.
Author | : Lucia Farinati |
Publisher | : Doormats |
Total Pages | : 216 |
Release | : 2017-05-23 |
Genre | : Art |
ISBN | : 9780997874402 |
The Force of Listening explores the role of listening in the contemporary intersection of art and activism and asks what potential for transformation it might facilitate. Written as a constructed montage in dialogic form, 'The Force of Listening' draws from conversations with artists, activists, and political thinkers which took place during 2013-2014, in the aftermath of the wave of protests and occupations against austerity. Members of Ultra-red, Precarious Workers Brigade and feminist consciousness-raising groups, artists Ayreen Anastas and Rene Gabri, media theorist Nick Couldry and philosopher Adriana Cavarero meet on the page to discuss questions of listening. Conversations cover themes such as collectivity, solidarity and resonance, the politics of voice, the challenges of institutional frameworks and reflections on the Occupy movement. In particular, 'The Force of Listening' traces a legacy from feminist theory and consciousness-raising practices through the narration of first-hand experience (from Pat Caplan and Anna Sherbany) and discussions on ethics and politics of listening. In so doing, it inserts a vital component that often gets missed in debates on the sonic and explores how attention and interconnection might exist in the face of current structures of neoliberal governance and the instrumentalized modes of being it fosters."
Author | : Zakiyyah Iman Jackson |
Publisher | : NYU Press |
Total Pages | : 329 |
Release | : 2020-05-19 |
Genre | : Literary Criticism |
ISBN | : 1479890049 |
Argues that blackness disrupts our essential ideas of race, gender, and, ultimately, the human Rewriting the pernicious, enduring relationship between blackness and animality in the history of Western science and philosophy, Becoming Human: Matter and Meaning in an Antiblack World breaks open the rancorous debate between black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae, and the oratory of Frederick Douglass, Zakiyyah Iman Jackson both critiques and displaces the racial logic that has dominated scientific thought since the Enlightenment. In so doing, Becoming Human demonstrates that the history of racialized gender and maternity, specifically antiblackness, is indispensable to future thought on matter, materiality, animality, and posthumanism. Jackson argues that African diasporic cultural production alters the meaning of being human and engages in imaginative practices of world-building against a history of the bestialization and thingification of blackness—the process of imagining the black person as an empty vessel, a non-being, an ontological zero—and the violent imposition of colonial myths of racial hierarchy. She creatively responds to the animalization of blackness by generating alternative frameworks of thought and relationality that not only disrupt the racialization of the human/animal distinction found in Western science and philosophy but also challenge the epistemic and material terms under which the specter of animal life acquires its authority. What emerges is a radically unruly sense of a being, knowing, feeling existence: one that necessarily ruptures the foundations of "the human."
Author | : Alexander Ghedi Weheliye |
Publisher | : Duke University Press |
Total Pages | : 335 |
Release | : 2014-08-20 |
Genre | : Social Science |
ISBN | : 0822376490 |
Habeas Viscus focuses attention on the centrality of race to notions of the human. Alexander G. Weheliye develops a theory of "racializing assemblages," taking race as a set of sociopolitical processes that discipline humanity into full humans, not-quite-humans, and nonhumans. This disciplining, while not biological per se, frequently depends on anchoring political hierarchies in human flesh. The work of the black feminist scholars Hortense Spillers and Sylvia Wynter is vital to Weheliye's argument. Particularly significant are their contributions to the intellectual project of black studies vis-à-vis racialization and the category of the human in western modernity. Wynter and Spillers configure black studies as an endeavor to disrupt the governing conception of humanity as synonymous with white, western man. Weheliye posits black feminist theories of modern humanity as useful correctives to the "bare life and biopolitics discourse" exemplified by the works of Giorgio Agamben and Michel Foucault, which, Weheliye contends, vastly underestimate the conceptual and political significance of race in constructions of the human. Habeas Viscus reveals the pressing need to make the insights of black studies and black feminism foundational to the study of modern humanity.