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| Author | : John H. Esling |
| Publisher | : Cambridge University Press |
| Total Pages | : 327 |
| Release | : 2019-06-20 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1108498426 |
Offers a new model of vocal tract articulation that explains laryngeal and oral voice quality, both auditorily and visually, through language examples and familiar voices.
| Author | : Raymond D. Kent |
| Publisher | : Singular |
| Total Pages | : 516 |
| Release | : 2000 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
This comprehensive book explores the many facets of measuring voice quality. Voice quality is a concept that is widely recognized and applied, yet very difficult to define in a way that is universally satisfactory. A number of experts consider such topics as perceptual assessment, instrumental (objective) assessment, and various voice states and disorders. Contributors with a wide scope of experience present perspectives and ideas on how voice quality can be assessed with improved validity and reliability.
| Author | : John Laver |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 234 |
| Release | : 1979-01-01 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027209960 |
The characteristic voice quality of a speaker conveys to listeners a wealth of information about his physical, psychological and social attributes. For this reason, voice quality is of interest to a wide range of disciplines, including linguistics, phonetics and speech science, speech pathology, sociology, psychology, medicine, and communication engineering. Literature on voice quality is, consequently, scattered through a correspondingly wide range of publications. While this bibliography is unlikely to be exhaustive, it aims to be comprehensive. Exceptions to this are purely medical literature and literature on speech pathology; also, although a number of different languages are represented, works in English received the principal coverage.
| Author | : John Laver |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 235 |
| Release | : 1979-01-01 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 902728122X |
The characteristic voice quality of a speaker conveys to listeners a wealth of information about his physical, psychological and social attributes. For this reason, voice quality is of interest to a wide range of disciplines, including linguistics, phonetics and speech science, speech pathology, sociology, psychology, medicine, and communication engineering. Literature on voice quality is, consequently, scattered through a correspondingly wide range of publications. While this bibliography is unlikely to be exhaustive, it aims to be comprehensive. Exceptions to this are purely medical literature and literature on speech pathology; also, although a number of different languages are represented, works in English received the principal coverage.
| Author | : Avi Perry |
| Publisher | : Cambridge University Press |
| Total Pages | : 19 |
| Release | : 2007 |
| Genre | : Computers |
| ISBN | : 0521855950 |
Publisher description
| Author | : Ute Jekosch |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 208 |
| Release | : 2005-12-16 |
| Genre | : Science |
| ISBN | : 3540288600 |
Foundations of Voice and Speech Quality Perception starts out with the fundamental question of: "How do listeners perceive voice and speech quality and how can these processes be modeled?" Any quantitative answers require measurements. This is natural for physical quantities but harder to imagine for perceptual measurands. This book approaches the problem by actually identifying major perceptual dimensions of voice and speech quality perception, defining units wherever possible and offering paradigms to position these dimensions into a structural skeleton of perceptual speech and voice quality. The emphasis is placed on voice and speech quality assessment of systems in artificial scenarios. Many scientific fields are involved. This book bridges the gap between two quite diverse fields, engineering and humanities, and establishes the new research area of Voice and Speech Quality Perception.
| Author | : Rachael-Anne Knight |
| Publisher | : Cambridge University Press |
| Total Pages | : 902 |
| Release | : 2021-12-02 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1108596568 |
Phonetics - the study and classification of speech sounds - is a major sub-discipline of linguistics. Bringing together a team of internationally renowned phoneticians, this handbook provides comprehensive coverage of the most recent, cutting-edge work in the field, and focuses on the most widely-debated contemporary issues. Chapters are divided into five thematic areas: segmental production, prosodic production, measuring speech, audition and perception, and applications of phonetics. Each chapter presents an historical overview of the area, along with critical issues, current research and advice on the best practice for teaching phonetics to undergraduates. It brings together global perspectives, and includes examples from a wide range of languages, allowing readers to extend their knowledge beyond English. By providing both state-of-the-art research information, and an appreciation of how it can be shared with students, this handbook is essential both for academic phoneticians, and anyone with an interest in this exciting, rapidly developing field.
| Author | : Ute Jekosch |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 236 |
| Release | : 2005-08-02 |
| Genre | : Computers |
| ISBN | : 9783540240952 |
Foundations of Voice and Speech Quality Perception starts out with the fundamental question of: "How do listeners perceive voice and speech quality and how can these processes be modeled?" Any quantitative answers require measurements. This is natural for physical quantities but harder to imagine for perceptual measurands. This book approaches the problem by actually identifying major perceptual dimensions of voice and speech quality perception, defining units wherever possible and offering paradigms to position these dimensions into a structural skeleton of perceptual speech and voice quality. The emphasis is placed on voice and speech quality assessment of systems in artificial scenarios. Many scientific fields are involved. This book bridges the gap between two quite diverse fields, engineering and humanities, and establishes the new research area of Voice and Speech Quality Perception.
| Author | : John H. Esling |
| Publisher | : Cambridge University Press |
| Total Pages | : 327 |
| Release | : 2019-06-20 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1108579639 |
The first description of voice quality production in forty years, this book provides a new framework for its study: The Laryngeal Articulator Model. Informed by instrumental examinations of the laryngeal articulatory mechanism, it revises our understanding of articulatory postures to explain the actions, vibrations and resonances generated in the epilarynx and pharynx. It focuses on the long-term auditory-articulatory component of accent in the languages of the world, explaining how voice quality relates to segmental and syllabic sounds. Phonetic illustrations of phonation types and of laryngeal and oral vocal tract articulatory postures are provided. Extensive video and audio material is available on a companion website. The book presents computational simulations, the laryngeal and voice quality foundations of infant speech acquisition, speech/voice disorders and surgeries that entail compensatory laryngeal articulator adjustment, and an exploration of the role of voice quality in sound change and of the larynx in the evolution of speech.
| Author | : Reuven Tsur |
| Publisher | : John Benjamins Publishing Company |
| Total Pages | : 466 |
| Release | : 2022-06-03 |
| Genre | : Literary Criticism |
| ISBN | : 9027257833 |
This book is a collection of studies providing a unique view on two central aspects of poetry: sounds and emotive qualities, with emphasis on their interactions. The book addresses various theoretical and methodological issues related to topics like sound symbolism, poetic prosody, and voice quality in recited poetry. The authors examine how these sound-related phenomena contribute to the generation of emotive qualities and how these qualities are perceived by readers and listeners. The book builds upon Reuven Tsur’s theoretical research and supplements it from an experimental angle. It also engages in methodological debates with prevalent scientific approaches. In particular, it emphasises the importance of proper theory in empirical literary studies and the role of the personal traits of the reader in literary analysis. The intended readership of this book consists mainly of literary scholars, but it might also appeal to researchers from disciplines such as linguistics, psychology, and brain science.
