Vision, Memory and Media

Vision, Memory and Media
Author: Andreas Brøgger
Publisher: Liverpool University Press
Total Pages: 99
Release: 2010-01-01
Genre: Art
ISBN: 1846316375

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The relationship among vision, memory, and media is of burgeoning interest to the arts, cultural studies, and sciences. This comprehensive introduction to the subject couples recent scientific research on memory with a broad cultural discussion about vision and media in the technological age. It features contributions by—and interviews with—artists and leading experts, among them Ali Hossaini, Lindsay Seers, media ecology expert Andrew Hoskins, and American cultural critic Norman Klein, illustrated by the works of contemporary artists whose practice exemplifies this dynamic. Clear, comprehensive, and up-to-date, Vision, Memory and Media presents the latest scientific and theoretical debates relating to memory studies, vision, and media.

Brain, Vision, Memory

Brain, Vision, Memory
Author: Charles G. Gross
Publisher: MIT Press
Total Pages: 284
Release: 1999-07-26
Genre: Medical
ISBN: 9780262571357

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In these engaging tales describing the growth of knowledge about the brain—from the early Egyptians and Greeks to the Dark Ages and the Renaissance to the present time—Gross attempts to answer the question of how the discipline of neuroscience evolved into its modern incarnation through the twists and turns of history. Charles G. Gross is an experimental neuroscientist who specializes in brain mechanisms in vision. He is also fascinated by the history of his field. In these tales describing the growth of knowledge about the brain from the early Egyptians and Greeks to the present time, he attempts to answer the question of how the discipline of neuroscience evolved into its modern incarnation through the twists and turns of history. The first essay tells the story of the visual cortex, from the first written mention of the brain by the Egyptians, to the philosophical and physiological studies by the Greeks, to the Dark Ages and the Renaissance, and finally, to the modern work of Hubel and Wiesel. The second essay focuses on Leonardo da Vinci's beautiful anatomical work on the brain and the eye: was Leonardo drawing the body observed, the body remembered, the body read about, or his own dissections? The third essay derives from the question of whether there can be a solely theoretical biology or biologist; it highlights the work of Emanuel Swedenborg, the eighteenth-century Swedish mystic who was two hundred years ahead of his time. The fourth essay entails a mystery: how did the largely ignored brain structure called the "hippocampus minor" come to be, and why was it so important in the controversies that swirled about Darwin's theories? The final essay describes the discovery of the visual functions of the temporal and parietal lobes. The author traces both developments to nineteenth-century observations of the effect of temporal and parietal lesions in monkeys—observations that were forgotten and subsequently rediscovered.

Media, Memory, and the First World War

Media, Memory, and the First World War
Author: David Williams
Publisher: McGill-Queen's Press - MQUP
Total Pages: 334
Release: 2009
Genre: Literary Criticism
ISBN: 0773576525

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Of interest to historians, classicists, media and digital theorists, literary scholars, museologists, and archivists, Media, Memory, and the First World War is a comparative study that shows how the dominant mode of communication in a popular culture - from oral traditions to digital media - shapes the structure of memory within that culture.

Digital Memory Studies

Digital Memory Studies
Author: Andrew Hoskins
Publisher: Routledge
Total Pages: 280
Release: 2017-09-27
Genre: Social Science
ISBN: 1317267419

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Digital media, networks and archives reimagine and revitalize individual, social and cultural memory but they also ensnare it, bringing it under new forms of control. Understanding these paradoxical conditions of remembering and forgetting through today’s technologies needs bold interdisciplinary interventions. Digital Memory Studies seizes this challenge and pioneers an agenda that interrogates concepts, theories and histories of media and memory studies, to map a holistic vision for the study of the digital remaking of memory. Through the lenses of connectivity, archaeology, economy, and archive, contributors illuminate the uses and abuses of the digital past via an array of media and topics, including television, videogames and social media, and memory institutions, network politics and the digital afterlife.

Media and Memory

Media and Memory
Author: Joanne Garde-Hansen
Publisher: Edinburgh University Press
Total Pages: 184
Release: 2011-06-29
Genre: Social Science
ISBN: 0748647074

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How do we rely on media for remembering? In exploring the complex ways that media converge to support our desire to capture, store and retrieve memories, this textbook offers analyses of representations of memorable events, media tools for remembering and forgetting, media technologies for archiving and the role of media producers in making memories. Theories of memory and media are covered alongside an accessible range of case studies focusing on memory in relation to radio, television, pop music, celebrity, digital media and mobile phones. Ethnographic and production culture research, including interviews with members of the public and industry professionals, is also included. Offering a comprehensive introduction to the connections and disconnections in the study of media and memory, this is the perfect textbook for media studies students.

Media and Memory

Media and Memory
Author: Joanne Garde-Hansen
Publisher: Edinburgh University Press
Total Pages: 185
Release: 2011-06-29
Genre: Social Science
ISBN: 0748688889

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Covers the variety of complex ways that media engage with memory.

Perception of visual advertising in different media: from attention to distraction, persuasion, preference and memory

Perception of visual advertising in different media: from attention to distraction, persuasion, preference and memory
Author: Jaana Simola
Publisher: Frontiers Media SA
Total Pages: 125
Release: 2015-02-24
Genre: Physiology
ISBN: 2889194167

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This Research Topic aims to showcase the state of the art in visual advertising research. Although visual processes are a central component of consumer behavior, they have been largely neglected in models explaining consumer perception of advertising. Rather than being the mere input into the cognitive or affective systems, the visual processes both voluntarily and involuntarily affect the amount and quality of information that is passed into further mental processing. Moreover, advertisements provide a well- designed, rich and stimulating environment to study visual processes in real-life conditions. Consumers encounter thousands of advertisement messages per day. Previous research on visual perception of advertising mostly considers print advertising. However, advertising messages increasingly appear in a variety of formats and in different media. Part of these messages are still conveyed through traditional media, such as newspapers, magazines, television, as well as outdoor and supermarket advertising. In addition, the amount and diversity of visual marketing stimuli is rapidly growing in terms of different advertising formats appearing in online and social media, smartphones and tablets. This challenges the marketing professionals and academics to better understand the impact of marketing on consumers. At the same time, the technical development of the research methods allows better opportunities to investigate advertising perception in different environments. Traditionally, papers investigating the psychological processes underlying advertising perception are published in journals widespread across different disciplines, such as marketing, applied psychology and human computer interaction journals. With this Research Topic, we aim to create a forum in which experts in different fields define the state of the art and future directions of the research on the visual aspects of marketing. We include reviews and original research papers involving both empirical and theoretical studies on visual perception of advertising across different media.

Picturing the Family

Picturing the Family
Author: Silke Arnold-de Simine
Publisher: Routledge
Total Pages: 248
Release: 2020-08-04
Genre: Art
ISBN: 1000211525

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Whether pasted into an album, framed or shared on social media, the family photograph simultaneously offers a private and public insight into the identity and past of its subject. Long considered a model for understanding individual identity, the idea of the family has increasingly formed the basis for exploring collective pasts and cultural memory. Picturing the Family investigates how visual representations of the family reveal both personal and shared histories, evaluating the testimonial and social value of photography and film.Combining academic and creative, practice-based approaches, this collection of essays introduces a dialogue between scholars and artists working at the intersection between family, memory and visual media. Many of the authors are both researchers and practitioners, whose chapters engage with their own work and that of others, informed by critical frameworks. From the act of revisiting old, personal photographs to the sale of family albums through internet auction, the twelve chapters each present a different collection of photographs or artwork as case studies for understanding how these visual representations of the family perform memory and identity. Building on extensive research into family photographs and memory, the book considers the implications of new cultural forms for how the family is perceived and how we relate to the past. While focusing on the forms of visual representation, above all photographs, the authors also reflect on the contextualization and ‘remediation’ of photography in albums, films, museums and online.

The Past in Visual Culture

The Past in Visual Culture
Author: Jilly Boyce Kay
Publisher: McFarland
Total Pages: 262
Release: 2017-01-26
Genre: History
ISBN: 1476626898

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In recent years digital technology has made available an inconceivably vast archive of old media. Images of the past--accessed with the touch of a finger--are now intertwined with those of the present, raising questions about how visual culture affects our relationship with history and memory. This collection of new essays contributes to a growing debate about how the past and its media are appropriated in the modern world. Focusing on a range of visual cultures, the essays explore the intersection of film, television, online and print media and visual art--platforms whose boundaries are increasingly hard to define--and the various ways we engage the past in an environment saturated with the imagery of previous eras. Topics include period screen fiction, nonfiction media histories and memories, cinematic nostalgia and recycling, and the media as both purveyors and carriers of memory.

Mediation, Remediation, and the Dynamics of Cultural Memory

Mediation, Remediation, and the Dynamics of Cultural Memory
Author: Astrid Erll
Publisher: Walter de Gruyter
Total Pages: 265
Release: 2009-07-14
Genre: Literary Criticism
ISBN: 3110217384

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This collection of essays brings together two major new developments in cultural memory studies: firstly, the shift away from static models of cultural memory, where the emphasis lies on cultural products, in the direction of more dynamic models where the emphasis lies instead on the cultural and social processes involved in the ongoing production of shared views of the past; and secondly, the growing interest in the role of the media, and their role beyond that of mere storage, within these dynamics. The specific concern of this collection is linking the use of media to the larger socio-cultural processes involved in collective memory-making. The focus rests in particular on two aspects of media use: the basic dynamics of “mediation” and “remediation”. The key questions are: What role do media play in the production and circulation of cultural memories? How do mediation, remediation and intermediality shape objects and acts of cultural remembrance? How can new, emergent media redefine or transform what is collectively remembered? The essays of this collection focus on social, historical, religious, and artistic media-memories. The authors analyze the memory-making impact of news media, the mediation and remediation of lieux de mémoire, the medial representation of colonial and postcolonial, of Holocaust and Second World War memories, and finally the problematization of these very processes in artistic media forms, such as novels and movies.