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| Author | : Alexa Sand |
| Publisher | : Cambridge University Press |
| Total Pages | : 433 |
| Release | : 2014-03-31 |
| Genre | : Art |
| ISBN | : 1107032229 |
Focuses on one of the most attractive features of late medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her prayer-book.
| Author | : Alexa Kristen Sand |
| Publisher | : |
| Total Pages | : 408 |
| Release | : 2014 |
| Genre | : |
| ISBN | : 9781107727847 |
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 366 |
| Release | : 2018-12-10 |
| Genre | : History |
| ISBN | : 9004380124 |
Christ, Mary, and the Saints: Reading Religious Subjects in Medieval and Renaissance Spain offers an innovative, theoretically nuanced contribution to the study of devotional subjects in medieval and Golden Age Iberian art and literature.
| Author | : Jessica Brantley |
| Publisher | : University of Chicago Press |
| Total Pages | : 491 |
| Release | : 2008-09-15 |
| Genre | : Religion |
| ISBN | : 0226071340 |
Just as twenty-first-century technologies like blogs and wikis have transformed the once private act of reading into a public enterprise, devotional reading experiences in the Middle Ages were dependent upon an oscillation between the solitary and the communal. In Reading in the Wilderness, Jessica Brantley uses tools from both literary criticism and art history to illuminate Additional MS 37049, an illustrated Carthusian miscellany housed in the British Library. This revealing artifact, Brantley argues, closes the gap between group spectatorship and private study in late medieval England. Drawing on the work of W. J. T. Mitchell, Michael Camille, and others working at the image-text crossroads, Reading in the Wilderness addresses the manuscript’s texts and illustrations to examine connections between reading and performance within the solitary monk’s cell and also outside. Brantley reimagines the medieval codex as a site where the meanings of images and words are performed, both publicly and privately, in the act of reading.
| Author | : Robert Allan Maxwell |
| Publisher | : Penn State Press |
| Total Pages | : 290 |
| Release | : 2010 |
| Genre | : Art |
| ISBN | : 0271036362 |
"Brings together the disciplines of art, music, and history to explore the importance of the past to conceptions of the present in the central Middle Ages"--Provided by publisher.
| Author | : Natalie Wigg-Stevenson |
| Publisher | : SCM Press |
| Total Pages | : 144 |
| Release | : 2021-02-28 |
| Genre | : Religion |
| ISBN | : 033405947X |
Academic theology is in need of a new genre. In "Transgressive Devotion" Natalie Wigg-Stevenson articulates a theological vision of that genre as performance art. She argues that theology done as performance art stops trying to describe who God is, and starts trying to make God appear. Recognising that the act of studying theology or practicing ministry is always a performance, where the boundaries between what we see, feel, experience and learn are not just blurred but potentially invisible, Wigg-Stevenson brings together ethnographic theological fieldwork, historical and contemporary Christian theological traditions, and performance artworks themselves. A daring vision of theology which will energise anybody feeling ‘boxed in’ by the discipline, Transgressive Devotion blurs borders between orthodoxy, heterodoxy and heresy to reveal how the very act of doing theology makes God and humanity vulnerable to each other. This is theology which is a liturgy of Divine incantation. In other words: this is theology which is also prayer.
| Author | : Conrad Rudolph |
| Publisher | : John Wiley & Sons |
| Total Pages | : 1040 |
| Release | : 2019-05-07 |
| Genre | : Art |
| ISBN | : 1119077729 |
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
| Author | : Jeffrey F. Hamburger |
| Publisher | : Princeton University Press |
| Total Pages | : 616 |
| Release | : 1998-04-12 |
| Genre | : Art |
| ISBN | : |
A bew interpretation of the role of the visual arts in the spiritual lives of women in late medieval monastic communities. The Visual and the Visionary adds a new dimension to the study of female spirituality, with its nuanced account of the changing roles of images in medieval monasticism from the twelfth century to the Reformation. In nine essays embracing the histories of art, religion, and literature, Jeffrey Hamburger explores the interrelationships between the visual arts and female spirituality in the context of the cura monialium, the pastoral care of nuns. Used as instruments of instruction and inspiration, images occupied a central place in debates over devotional practice, monastic reform, and mystical expression. Far from supplementing a history of art from which they have been excluded, the images made by and for women shaped that history decisively by defining novel modes of religious expression, above all, the relationship between sight and subjectivity. With this book, the study of female piety and artistic patronage becomes an integral part of the general history of medieval art and spirituality.
| Author | : Laura Weigert |
| Publisher | : Cambridge University Press |
| Total Pages | : 311 |
| Release | : 2015-12-30 |
| Genre | : History |
| ISBN | : 1316412121 |
This book revives what was unique, strange and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Laura Weigert brings together a wealth of visual artifacts and practices to explore this tradition of late medieval performance located not in 'theaters' but in churches, courts, and city streets and squares. By stressing the theatricality rather than the realism of fifteenth-century visual culture and the spectacular rather than the devotional nature of its effects, she offers a new way of thinking about late medieval representation and spectatorship. She shows how images that ostensibly document medieval performance instead revise its characteristic features to conform to a playgoing experience that was associated with classical antiquity. This retrospective vision of the late medieval performance tradition contributed to its demise in sixteenth-century France and promoted assumptions about medieval theater that continue to inform the contemporary disciplines of art and theater history.
| Author | : Jeffrey F. Hamburger |
| Publisher | : Princeton University Press |
| Total Pages | : 464 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : 0691124760 |
The Mind's Eye focuses on the relationships among art, theology, exegesis, and literature--issues long central to the study of medieval art, yet ripe for reconsideration. Essays by leading scholars from many fields examine the illustration of theological commentaries, the use of images to expound or disseminate doctrine, the role of images within theological discourse, the development of doctrine in response to images, and the place of vision and the visual in theological thought. At issue are the ways in which theologians responded to the images that we call art and in which images entered into dialogue with theological discourse. In what ways could medieval art be construed as argumentative in structure as well as in function? Are any of the modes of representation in medieval art analogous to those found in texts? In what ways did images function as vehicles, not merely vessels, of meaning and signification? To what extent can exegesis and other genres of theological discourse shed light on the form, as well as the content and function, of medieval images? These are only some of the challenging questions posed by this unprecedented and interdisciplinary collection, which provides a historical framework within which to reconsider the relationship between seeing and thinking, perception and the imagination in the Middle Ages.
