Violence in Francophone African and Caribbean Women's Literature

Violence in Francophone African and Caribbean Women's Literature
Author: Chantal Kalisa
Publisher: U of Nebraska Press
Total Pages: 236
Release: 2009-01-01
Genre: Literary Criticism
ISBN: 0803226888

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Chantal Kalisa examines the ways in which women writers lift taboos imposed on them by their society and culture and challenge readers with their unique perspectives on violence. Comparing women from different places and times, Kalisa treats types of violence such as colonial, familial, linguistic, and war-related, specifically linked to dictatorship and genocide. She examines Caribbean writers Michele Lacrosil, Simone Schwartz-Bart, Gisèle Pineau, and Edwidge Danticat, and Africans Ken Begul, Calixthe Beyala, Nadine Bar, and Monique Ilboudo. She also includes Sembène Ousmane and Frantz Fanon.

Violence in Caribbean Literature

Violence in Caribbean Literature
Author: Véronique Maisier
Publisher: Lexington Books
Total Pages: 171
Release: 2014-12-11
Genre: Literary Criticism
ISBN: 0739197134

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Violence in Caribbean Literature: Stories of Stones and Blood, this book looks at the scene of the throwing of a stone found in five novels, and uses it as a starting point to an examination of the turmoil of history in the Caribbean, the colonial education imposed on Caribbean populations, the gendered relations that exist today in the Caribbean region, the political status and aspirations of Caribbean nations, and the psychological impact of colonization on Caribbean minds. The trope of the stone and the analysis of the violence it delivers provide the thread that conducts the linked readings of these novels, written by Dominican Jean Rhys, Trinidadian Merle Hodge, Guadeloupean Gisèle Pineau, Martinican Patrick Chamoiseau, and Jamaican-American Michelle Cliff. The analytical and critical readings of these writers’ novels complement each other, and draw out their commonalities, echoes, and differences, while the juxtaposition of Anglophone and Francophone novels from different Caribbean nations contributes to a polyphonic understanding of the region. While the book offers diversity in the range of countries and languages represented, and in the interdisciplinarity of the scholarly fields that intersect in its cultural discussions, it maintains its coherence by the unifying theme of violence and its representations in Caribbean literature.

Postcolonial Violence, Culture and Identity in Francophone Africa and the Antilles

Postcolonial Violence, Culture and Identity in Francophone Africa and the Antilles
Author: Lorna Milne
Publisher: Peter Lang
Total Pages: 240
Release: 2007
Genre: Foreign Language Study
ISBN: 9783039103300

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This collection of essays derives from a conference on Violence, Culture and Identity held in St. Andrews in June 2003. It examines postcolonial cultures and identities by investigating the way in which violence is represented by Francophone creative artists.

Of Suffocated Hearts and Tortured Souls

Of Suffocated Hearts and Tortured Souls
Author: Valérie Orlando
Publisher: After the Empire: The Francophone World and Postcolonial France
Total Pages: 224
Release: 2003
Genre: Literary Criticism
ISBN:

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Female characters who suffer madness and insanity are strikingly prominent in novels by women writers of Africa and the Caribbean. To find out why there are so many 'suffocated hearts and tortured souls' in this literature, Valerie Orlando, who has long studied Francophone text and culture, here closely reads the work of Aminata Sow Fall, Mariama B%, Myrian Warner-Vieyra, and Simone Schwarz-Bart, among others. In these women's novels, Orlando finds, madness is the manifestation of a split identity, and in this study she sets herself the task of interrogating the nature of that identity. Francophone women novelists of Africa and the Caribbean--though they come from countries whose unique experiences of colonialism, revolution, and postcolonial regimes have shaped specific and discrete cultures--express a common search for a meaningful relationship between their experience as women to the history and destiny of their nations. Only when 'woman'' is understood not as an ahistorical object but as a subject whose lived body is entwined with political, cultural, and economic structures, Orlando argues, will insanity finally give way to clarity of being. Interweaving literary citations with theoretical discussion, Suffocated Hearts and Tortured Souls is just as much a masterful explication of profoundly affecting literary work as it is an essential addition to feminist scholarship and theory.

Reading/Speaking/Writing the Mother Text; Essays on Caribbean Women's Writing

Reading/Speaking/Writing the Mother Text; Essays on Caribbean Women's Writing
Author: Cristina Herrera
Publisher: Demeter Press
Total Pages: 246
Release: 2015-08-01
Genre: Literary Collections
ISBN: 1772580279

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While scholarship on Caribbean women’s literature has grown into an established discipline, there are not many studies explicitly connected to the maternal subject matter, and among them only a few book-length texts have focalized motherhood and maternity in writings by Caribbean women. Reading/Speaking/Writing the Mother Text: Essays on Caribbean Women’s Writing encourages a crucial dialogue surrounding the state of motherhood scholarship within the Caribbean literary landscape, to call for attention on a theme that, although highly visible, remains understudied by academics. While this collection presents a similar comparative and diasporic approach to other book-length studies on Caribbean women’s writing, it deals with the complexity of including a wider geographical, linguistic, ethnic and generic diversity, while exposing the myriad ways in which Caribbean women authors shape and construct their texts to theorize motherhood, mothering, maternity, and mother-daughter relationships.

Rewriting the Return of Africa

Rewriting the Return of Africa
Author: Anne M. François
Publisher: Lexington Books
Total Pages: 147
Release: 2011-08-16
Genre: Literary Criticism
ISBN: 0739148265

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Rewriting The Return to Africa: Voices of Francophone Caribbean Women Writers examines the ways Guadeloupean women writers Maryse Condé, Simone Schwarz-Bart and Myriam Warner-Vieyra demystify the theme of the return to Africa as opposed to the its masculinist version by Négritude male writers from the 1930s to 1960s. Négritude, a cultural and literary movement, drew much of its strength from the idea of a mythical or cultural reconnection with the African past allegorized as a mother figure. In contrast these women writers, of the post-colonial era who are to large extent heirs of Négritude, differ sharply from their male counterparts in their representation of Africa. In their novels, the continent is not represented as a propitious mother figure but a disappointing father figure. This study argues that these women writers' subversion of the metaphorical figure of Africa and its transformation is tied to their gender. The women novelists are indeed critical of a female allegorization of the land that is reminiscent of a colonial or nationalist project and a simplistic representation of motherhood that does not reflect the complexities of the Diaspora's relation to origins and identity. Unlike the primary male writers of the Négritude movement, theycarefully "gendered" the notion of return by choosing female protagonists who made their way back to the Motherland in search of identity. I argue that writing is a more suitable space for the female subject seeking identity because it allows her to havea voice and become subject rather than object as that was the case with the Négritude writers. The women writers' shattering of the image of Mother Africa and subsequently that of Father Africa highlights the complex relationship between Africa and the Diaspora from a female point of view. It shifts the identity quest of the characters towards the Caribbean, which emerges as the real problematic mother: a multi-faceted, fragmented figure that reflects the constitutive clash that occurred in the archipelago between Europe, Africa, and the Americas where the issues of race, gender, class, culture, ethnicity, history, and language are very complex.

Come Weep With Me

Come Weep With Me
Author: Joyce C. Harte
Publisher: Cambridge Scholars Publishing
Total Pages: 260
Release: 2021-02-19
Genre: Literary Criticism
ISBN: 1527566404

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This groundbreaking anthology represents the critical inquiry of literary scholars into the trope of loss and mourning in the work of women writers from the Caribbean archipelago. There is a great deal of recent scholarly interest in the relationship of loss and mourning yet there are no books specifically devoted to an examination of this trope in the works of Caribbean women writers. To fill this gap, this collection of original essays examines subjects that encompass the brutality of slavery, oppressive dictatorships, AIDS, and the catastrophe of the Mount Pele volcano that appear in the writings of women from the English, Spanish and French speaking Caribbean. It is an important addition to the contemporary discourse on loss and mourning. The project is an exciting and vital one because it brings together a multiplicity of perspectives and critical approaches to examine the works of writers such as Jean Rhys, Jamaica Kincaid, Julia Alvarez and Maryse Condé. What emerges is a complex portrait of loss, mourning and remembrance that both enriches and challenges customary discourses of loss, mourning and melancholia.

Writing through the Visual and Virtual

Writing through the Visual and Virtual
Author: Renée Larrier
Publisher: Lexington Books
Total Pages: 427
Release: 2015-11-12
Genre: Literary Criticism
ISBN: 1498501648

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Writing Through the Visual and Virtual: Inscribing Language, Literature, and Culture in Francophone Africa and the Caribbean interrogates conventional notions of writing. The contributors—whose disciplines include anthropology, art history, education, film, history, linguistics, literature, performance studies, philosophy, sociology, translation, and visual arts—examine the complex interplay between language/literature/arts and the visual and virtual domains of expressive culture. The twenty-five essays explore various patterns of writing practices arising from contemporary and historical forces that have impacted the literatures and cultures of Benin, Cameroon, Côte d’Ivoire, Egypt, Guadeloupe, Haiti, Martinique, Morocco, Niger, Reunion Island, and Senegal. Special attention is paid to how scripts, though appearing to be merely decorative in function, are often used by artists and performers in the production of material and non-material culture to tell “stories” of great significance, co-mingling words and images in a way that leads to a creative synthesis that links the local and the global, the “classical” and the “popular” in new ways

Mediating Violence from Africa

Mediating Violence from Africa
Author: George MacLeod
Publisher: U of Nebraska Press
Total Pages: 248
Release: 2023
Genre: History
ISBN: 1496230639

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Mediating Violence from Africa explores how African and non-African Francophone authors, filmmakers, editors, and scholars have packaged, interpreted, and filmed the violent histories of post-Cold War Francophone Africa. This violence, much of which unfolded in front of Western television cameras, included the use of child soldiers facilitated by the Soviet Union's castoff Kalashnikov rifles, the rise of Islamist terrorism in West Africa, and the horrific genocide against the Tutsis in Rwanda. Through close readings of fictionalized child-soldier narratives, cinematic representations of Islamist militants, genocide survivor testimony, and Western scholarship, George S. MacLeod analyzes the ways Francophone African authors and filmmakers, as well as their editors and scholarly critics, negotiate the aesthetic, political, cultural, and ethical implications of making these traumatic stories visible. MacLeod argues for the need to periodize these productions within a "post-Cold War" framework to emphasize how shifts in post-1989 political discourse are echoed, contested, or subverted by contemporary Francophone authors, filmmakers, and Western scholars. The questions raised in Mediating Violence from Africa are of vital importance today. How the world engages with and responds to stories of recent violence and loss from Africa has profound implications for the affected communities and individuals. More broadly, in an era in which stories and images of violence, from terror attacks to school shootings to police brutality, are disseminated almost instantly and with minimal context, these theoretical questions have implications for debates surrounding the ethics of representing trauma, the politicization of memory, and Africa's place in a global (as opposed to a postcolonial or Euro-African) economic and political landscape.