Victorian Painters: The text

Victorian Painters: The text
Author: Christopher Wood
Publisher: Antique Collectors Club Dist
Total Pages: 604
Release: 1995
Genre: Art
ISBN:

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Contains 11,000 entries

Victorian Painting

Victorian Painting
Author: Lionel Lambourne
Publisher: Phaidon Press
Total Pages: 512
Release: 2003-09-23
Genre: Art
ISBN: 9780714843599

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Victorian Paintingis a comprehensive survey of one of the most fertile and varied eras in the history of painting. It embraces not just the United Kingdom, but also English-speaking countries linked to Britain by cultural ties of empire and emigration, such as the United States, Canada, Australia, New Zealand and Africa. Long regarded as a backwater of sentiment and outmoded academic convention that was bypassed by the mainstream of development in Western art, Victorian painting is now wholeheartedly enjoyed in its own right. Unfettered by old prejudices, Lionel Lambourne presents a vivid panorama of an age of unparalleled energy and creativity. Wealth, optimism, education and self-confidence created a huge demand for art, and a remarkable array of talent emerged to meet it. Producing works in a wide variety of styles, subjects and media, many artists became rich celebrities, while the profession as a whole enjoyed unprecedented public esteem. The author tackles this protean subject by dividing it into themes that reflect its richness and variety. Chapters are devoted to such topics as Mural/ History Painting, the Nude, the Portrait, Sporting Painting, Genre Scenes and Women Painters; and social themes such as the Fallen Woman, Social Realism, Travel and Emigration; as well as movements such as the Pre-Raphaelites. Written with a light touch, full of illuminating anecdotes, and with 600 color illustrations, Victorian Paintingis beautiful, highly entertaining and informative. It is also an invaluable reference work since, in addition to many famous and well-loved images, it presents a wealth of fine work by lesser-known artists, and explores the byways as well as highways of Victorian art, demonstrating the astounding range and depth of talent of the age.

Dictionary of British Art

Dictionary of British Art
Author: Christopher Wood
Publisher:
Total Pages: 595
Release: 1998
Genre: Art
ISBN: 9781851491711

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Dictionary of British Art

Dictionary of British Art
Author: Christopher Wood
Publisher:
Total Pages: 594
Release: 1995
Genre:
ISBN:

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Victorian Narrative Painting

Victorian Narrative Painting
Author: Julia Thomas
Publisher: Tate
Total Pages: 116
Release: 2000-09
Genre: Art
ISBN:

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Victorian narrative paintings offer a unique insight into the 19th century. The plight of women, the affects of the class system, and the onslaught of industry are all forced upon the attention of the viewer. Within each picture there is a story to uncover, either optimistic, educational, or tragic. Hugely popular in the Victorian period, the paintings tell much about how the Victorians viewed themselves and those whose "transgressive" practices threatened their respectability. An illustrated introduction decodes the conventions used in narrative painting, from literary and artistic allusions to the use of symbolism. The stories contained in works by William Holman Hunt, William Powell Frith, Richard Redgrave, John Everett Millais, and many others are uncovered in detailed examinations of their paintings.

Victorian Fairy Painting

Victorian Fairy Painting
Author: Jeremy Maas
Publisher:
Total Pages: 166
Release: 1997
Genre: Art
ISBN:

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Published to accompany exhibition held at The Royal Academy of Arts, London, 13/11/97 - 8/2/98.

Painting Women

Painting Women
Author: Deborah Cherry
Publisher: Psychology Press
Total Pages: 275
Release: 1993
Genre: Art
ISBN: 9780415060530

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Looks at the experience of women painters within the oppressive confines of the Victorian patriarchy. Using biographies, journals and letters Cherry shows how their working lives were shaped by the social order of difference.

The Woman Painter in Victorian Literature

The Woman Painter in Victorian Literature
Author: PH D Antonia Losano
Publisher:
Total Pages: 316
Release: 2021-01-29
Genre:
ISBN: 9780814257364

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The nineteenth century saw a marked rise both in the sheer numbers of women active in visual art professions and in the discursive concern for the woman artist in fiction, the periodical press, art history, and politics. The Woman Painter in Victorian Literature argues that Victorian women writers used the controversial figure of the woman painter to intervene in the discourse of aesthetics. These writers were able to assert their own status as artistic producers through the representation of female visual artists. Women painters posed a threat to the traditional heterosexual erotic art scenarios--a male artist and a male viewer admiring a woman or feminized art object. Antonia Losano traces an actual movement in history in which women writers struggled to rewrite the relations of gender and art to make a space for female artistic production. She examines as well the disruption female artists caused in the socioeconomic sphere. Losano offers close readings of a wide array of Victorian writers, particularly those works classified as noncanonical--by Anne Thackeray Ritchie, Margaret Oliphant, Anne Brontë, and Mrs. Humphrey Ward--and a new look at better-known novels such as Jane Eyre and Daniel Deronda, focusing on the pivotal social and aesthetic meanings of female artistic production in these texts. Each of the novels considered here is viewed as a contained, coherent, and complex aesthetic treatise that coalesces around the figure of the female painter.

The Making of Women Artists in Victorian England

The Making of Women Artists in Victorian England
Author: Jo Devereux
Publisher: McFarland
Total Pages: 265
Release: 2016-08-02
Genre: Art
ISBN: 1476626049

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When women were admitted to the Royal Academy Schools in 1860, female art students gained a foothold in the most conservative art institution in England. The Royal Female College of Art, the South Kensington Schools and the Slade School of Fine Art also produced increasing numbers of women artists. Their entry into a male-dominated art world altered the perspective of other artists and the public. They came from disparate levels of society--Princess Louise, the fourth daughter of Queen Victoria, studied sculpture at the National Art Training School--yet they all shared ambition, talent and courage. Analyzing their education and careers, this book argues that the women who attended the art schools during the 1860s and 1870s--including Kate Greenaway, Elizabeth Butler, Helen Allingham, Evelyn De Morgan and Henrietta Rae--produced work that would accommodate yet subtly challenge the orthodoxies of the fine art establishment. Without their contributions, Victorian art would be not simply the poorer but hardly recognizable to us today.