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| Author | : John L. Flynn |
| Publisher | : McFarland |
| Total Pages | : 336 |
| Release | : 1992 |
| Genre | : Performing Arts |
| ISBN | : |
This reference examines 372 vampire films from 1896 to 1992. Each entry gives the year of release, production credits, actors, and a synopsis of the film and its importance to the genre. Also included are alternate titles and the original titles of non-English films. With 93 b&w photographs. Annotat
| Author | : Jennifer Bringle |
| Publisher | : The Rosen Publishing Group, Inc |
| Total Pages | : 66 |
| Release | : 2011-01-15 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 1448812267 |
Traces the history of vampires in movies and television.
| Author | : Adam Woog |
| Publisher | : Capstone |
| Total Pages | : 80 |
| Release | : 2011 |
| Genre | : Vampire films |
| ISBN | : 1601522118 |
Vampire movies have a long and rich history, from what was probably the first one (in 1896), through the classics of the early-twentieth century (Nosferatu, Bela Lugosi's version of Dracula), and on to the present-day mania for Twilight and other modern takes. In between there have been hundreds of versions and variations, including American Sign Language vampires, comedies, space vampires, and much more. This book explores the lore of vampire films, why they remain perennially popular with audiences, and themes that run through the history of these cinematic bloodsuckers.
| Author | : Tim Kane |
| Publisher | : McFarland |
| Total Pages | : 241 |
| Release | : 2006-10-19 |
| Genre | : Performing Arts |
| ISBN | : 0786426764 |
Vampires have been a fixture of film since Bela Lugosi brought Bram Stoker's Dracula to life on the big screen in 1931. Over the decades the genre has been far from static, as vampire narratives changed and evolved with the appetites of their viewing public. First depicted as formally dressed villains, vampires would later be portrayed as supernatural beings with some human characteristics, and still later as sympathetic figures. Focusing on 19 representative films and television productions, this critical study tracks the evolutionary changes of the screen vampire. It explores the factors that cause a genre to change and examines the alternating cycles of audience expectation. The author identifies three distinct modes of depiction: the Malignant Cycle (1931-1948), comprised primarily of the Universal films; the Erotic Cycle (1957-1985), which encompasses Hammer films and popular television shows such as Dark Shadows; and the Sympathetic Cycle (1987-present) including recent offerings such as The Lost Boys, Interview with the Vampire and Buffy the Vampire Slayer. Each film is evaluated in seven key areas including the act of the vampire biting the victim; process of the victim's infection; physical appearance and demeanor of the vampire and the vampire expert; and the eventual destruction of the vampire. Appendices include a complete filmography of the films examined. Instructors considering this book for use in a course may request an examination copy here.
| Author | : Leon Hunt |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 288 |
| Release | : 2013-12-02 |
| Genre | : Performing Arts |
| ISBN | : 0857735438 |
The vampire and the zombie, the two most popular incarnations of the undead, are brought together for a forensic critical investigation in Screening the Undead. Both have a long history in popular fiction, film, television, comics and games; the vampire also remains central to popular culture today, from literary 'paranormal romance' to cult TV and movie franchises - by turns romantic, tortured, grotesque, countercultural, a goth icon or lonely outsider. The zombie can shamble or, nowadays, sprint with alarming velocity, and even dance. It frequently lends itself to metaphor and can stand in for fascism or ecological disaster, but is perhaps most frequently a harbinger and instrument of the apocalypse. Leading writers on Horror and cult media consider the sexy vampire and the grotesque zombie, as well as hybrid figures who do not fit neatly into either category. These are examined across a range of contexts, from the Swedish vampire to the Afro-American Blacula, from the lesbian vampire to the gay zombie, from the Spanish Knights Templar riding skeletal horses to dancing Japanese zombies. Screening the Undead sheds new light on these two icons of terror - and desire - whose popular longevity has taken them 'Beyond Life'.
| Author | : Elena M. Watson |
| Publisher | : McFarland |
| Total Pages | : 389 |
| Release | : 2013-05-03 |
| Genre | : Performing Arts |
| ISBN | : 1476611602 |
Midnight, 1954. A striking woman in a torn black dress slinks down a cobwebbed, candelabra'd corridor. She stops, shrieks hysterically into the camera, then solemnly says, "Good evening, I am Vampira." Her real name is Maila Nurmi and she was the first in a long line of television horror movie hosts, commonly seen on independent stations' late-night "grade Z" offerings dressed as some zany ghoul or mad scientist. This book covers the major hosts in detail, along with styles and show themes. Merchandise tie-in and fan reactions are also chronicled. The appendices list film and record credits.
| Author | : Lea Cassandra Weller BA |
| Publisher | : Lulu.com |
| Total Pages | : 132 |
| Release | : 2013-06-21 |
| Genre | : Fiction |
| ISBN | : 1304135896 |
An investigation of the modification and transformation of the vampire; contending that the vampire has evolved from a figure of fear to one of domestication and compassion. Researching into vampires and taking into account the historical evolution and contemporary significance this book will explore myth, repressed memories, desires and primordial images giving rise to the archetypal hero that is the modern vampire. With reference to Sigmund Freud's models and using Carl Jung's framework, including the collective i.e. the Shadow, Id, Ego, Superego will be explored in order to investigate this change from 'Beast to Beauty'. Studying cultural archetypes in relation to belief and historical evidence and following Freudian and Jungian approaches to psychoanalysis provides a pragmatic base for understanding the human psyche. The vampire show the evolution from a figure of fear to a figure of compassion and domestication.
| Author | : Dale Hudson |
| Publisher | : Edinburgh University Press |
| Total Pages | : 296 |
| Release | : 2017-05-18 |
| Genre | : Performing Arts |
| ISBN | : 1474423108 |
The figure of the vampire serves as both object and mode of analysis for more than a century of Hollywood filmmaking. Never dying, shifting shape and moving at unnatural speed, as the vampire renews itself by drinking victims' blood, so too does Hollywood renew itself by consuming foreign styles and talent, moving to overseas locations, and proliferating in new guises. In Vampires, Race, and Transnational Hollywoods, Dale Hudson explores the movement of transnational Hollywood's vampires, between low-budget quickies and high-budget franchises, as it appropriates visual styles from German, Mexican and Hong Kong cinemas and off-shores to Canada, Philippines, and South Africa. As the vampire's popularity has swelled, vampire film and television has engaged with changing discourses around race and identity not always addressed in realist modes. Here, teen vampires comfort misunderstood youth, chador-wearing skateboarder vampires promote transnational feminism, African American and Mexican American vampires recover their repressed histories. Looking at contemporary hits like True Blood, Twilight, Underworld and The Strain, classics such as Universal's Dracula and Dracula, and miscegenation melodramas like The Cheat and The Sheik, the book reconfigures Hollywood historiography and tradition as fundamentally transnational, offering fresh interpretations of vampire media as trans-genre sites for political contestation.
| Author | : Brad Middleton |
| Publisher | : By Light Unseen Media |
| Total Pages | : 788 |
| Release | : 2015-02-05 |
| Genre | : Performing Arts |
| ISBN | : 1935303481 |
Vampires are ubiquitous in our popular culture--from movies to television, in fiction and art, and even within the hallowed halls of academia. But in the not-so-distant past, these undead creatures held more fear than fascination; they lived in the shadows and were the stuff of nightmares. In 1897, Bram Stoker introduced Dracula to the Western world--and our concept of vampires was changed forever. For over sixty years, the undead have bled the television airwaves, appearing in every type of programming imaginable. Un-Dead TV catalogues over one thousand unique vampire appearances—and is the first book of its kind to explore this phenomenon to the extent that it truly deserves.
| Author | : Anne Rice |
| Publisher | : Ballantine Books |
| Total Pages | : 369 |
| Release | : 1991-09-13 |
| Genre | : Fiction |
| ISBN | : 0345337662 |
The spellbinding classic that started it all, from the #1 New York Times bestselling author—the inspiration for the hit television series “A magnificent, compulsively readable thriller . . . Rice begins where Bram Stoker and the Hollywood versions leave off and penetrates directly to the true fascination of the myth—the education of the vampire.”—Chicago Tribune Here are the confessions of a vampire. Hypnotic, shocking, and chillingly sensual, this is a novel of mesmerizing beauty and astonishing force—a story of danger and flight, of love and loss, of suspense and resolution, and of the extraordinary power of the senses. It is a novel only Anne Rice could write.
