USA Noir

USA Noir
Author: Dennis Lehane
Publisher: Akashic Books
Total Pages: 619
Release: 2013-10-14
Genre: Fiction
ISBN: 1617751995

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“All the heavy hitters, from Michael Connelly in Los Angeles to Joyce Carol Oates in suburban New Jersey . . . an important anthology.”—The New York Times Book Review (Editors’ Choice) Features Dennis Lehane’s story “Animal Rescue,” the inspiration for the movie The Drop starring Tom Hardy. Launched with the summer 2004 award-winning bestseller Brooklyn Noir, the groundbreaking Akashic Noir series now includes over sixty volumes and counting. The stories in USA Noir “represent the best of the U.S.-based anthologies, and the list of contributors include virtually anyone who’s made the best-seller list with a work of crime fiction in the last decade . . . a must-have anthology” (Booklist, starred review). Featuring stories by: Dennis Lehane, Don Winslow, Michael Connelly, George Pelecanos, Susan Straight, Jonathan Safran Foer, Laura Lippman, Pete Hamill, Joyce Carol Oates, Lee Child, T. Jefferson Parker, Lawrence Block, Terrance Hayes, Jerome Charyn, Jeffery Deaver, Maggie Estep, Bayo Ojikutu, Tim McLoughlin, Barbara DeMarco-Barrett, Reed Farrel Coleman, Megan Abbott, Elyssa East, James W. Hall, J. Malcolm Garcia, Julie Smith, Joseph Bruchac, Pir Rothenberg, Luis Alberto Urrea, Domenic Stansberry, John O’Brien, S.J. Rozan, Asali Solomon, William Kent Krueger, Tim Broderick, Bharti Kirchner, Karen Karbo, and Lisa Sandlin. One of Zoom Street Magazine’s Favorite Books of 2014 One of “100 Best Books for Readers Young and Old,” HispanicBusiness.com “Perhaps the single most impressive feature of the collection is its range of voices, from Joyce Carol Oates’ faux innocent young family to Megan Abbott’s impressionable high school kids to the chorus of peremptory voices S.J. Rozan plants in a haunted thief’s head. Eat your heart out, Walt Whitman: These are the folks who hear America singing, and moaning and screaming.”—Kirkus Reviews

A Panorama of American Film Noir (1941-1953)

A Panorama of American Film Noir (1941-1953)
Author: Raymond Borde
Publisher: City Lights Books
Total Pages: 284
Release: 2002
Genre: Performing Arts
ISBN: 9780872864122

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This first book published on film noir established the genre--a classic, at last in translation.

French and American Noir

French and American Noir
Author: Alistair Rolls
Publisher: Springer
Total Pages: 241
Release: 2009-08-21
Genre: Literary Criticism
ISBN: 0230244823

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A longstanding misconception surrounding the term French noir suggests that the post-war French thriller and film noir were a development of, or response to, a pre-existing American tradition. This book challenges this misconception, examining the complexity of this trans-Atlantic exchange and refocusing debate to include a Franco-French lineage.

USA Noir

USA Noir
Author: Lee Child
Publisher: CulturBooks
Total Pages: 344
Release: 2019-02-28
Genre: Fiction
ISBN: 3959881363

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Ein packendes literarisches Länderporträt Spannende Geschichten herausragender Autor/innen Ein abenteuerlicher Roadtrip quer durch die USA »Eine bessere Kurzgeschichtensammlung ist schwer zu finden – egal in welchem Genre.« Publishers Weekly Von Küste zu Küste: 14 herausragende Autorinnen und Autoren – von den Superstars der Szene bis zu literarischen Geheimtipps – nehmen Sie mit auf eine abenteuerliche Reise quer durch die USA. Vom brodelnden New York und den dicht besiedelten Städten der Ostküste über die Berge und Städte des Landesinneren bis zu den mythendurchdrungenen und hitzeflimmernden Metropolen der Westküste. Starke Literatur, die berührend und spannend von den Schattenseiten des amerikanischen Traums erzählt. Von einer bunt schillernden Gegenwart voller ungewöhnlicher Milieus abseits der üblichen Touristenpfade. Von Tagträumern, Zockern, Kriegsveteranen, Aussteigern, Billigjobbern, korrupten Polizisten, Trickbetrügern, Drogenhändlern, Privatdetektiven und ganz normalen Menschen, die in Situationen geraten, die sie nicht mehr kontrollieren können. 14 kraftvolle, dichte Geschichten mit ungewöhnlichen Settings und Figuren – so abwechslungsreich und aufregend wie die USA selbst. Die Reihe: »USA Noir« ist nach »Berlin Noir« und »Paris Noir« der dritte Teil einer Reihe internationaler Noir-Anthologien mit exklusiv geschriebenen Originalgeschichten. Jede Story spielt in einem anderen Viertel einer Stadt oder einer anderen Gegend eines Landes. Es sind packende literarische Städte- und Länderporträts mit ungewöhnlichen, breit gefächerten Einblicken. Weitere Teile sind geplant. »Das Konzept der Noir-Reihe überzeugt.« TIPP Berlin

USA Noir

USA Noir
Author: Jonathan Safran Foer
Publisher:
Total Pages: 356
Release: 2018-10-08
Genre: Fiction
ISBN: 9783959881029

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International Noir

International Noir
Author: Homer B. Pettey
Publisher: Edinburgh University Press
Total Pages: 272
Release: 2014-11-11
Genre: Performing Arts
ISBN: 0748691111

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Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book explores the influence of noir on international cinematic traditions and challenges prevailing film scholarship. It includes extensive bibliography and filmographies for recommended reading and viewing.

Historical Dictionary of Film Noir

Historical Dictionary of Film Noir
Author: Andrew Spicer
Publisher: Scarecrow Press
Total Pages: 533
Release: 2010-03-19
Genre: Performing Arts
ISBN: 0810873788

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Film noir_literally 'black cinema'_is the label customarily given to a group of black and white American films, mostly crime thrillers, made between 1940 and 1959. Today there is considerable dispute about what are the shared features that classify a noir film, and therefore which films should be included in this category. These problems are partly caused because film noir is a retrospective label that was not used in the 1940s or 1950s by the film industry as a production category and therefore its existence and features cannot be established through reference to trade documents. The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir. It consists of a chronology, an introductory essay, a bibliography, a filmography, and over 400 cross-referenced dictionary entries on every aspect of film noir and neo-noir, including key films, personnel (actors, cinematographers, composers, directors, producers, set designers, and writers), themes, issues, influences, visual style, cycles of films (e.g. amnesiac noirs), the representation of the city and gender, other forms (comics/graphic novels, television, and videogames), and noir's presence in world cinema. It is an essential reference work for all those interested in this important cultural phenomenon.

Classic French Noir

Classic French Noir
Author: Deborah Walker-Morrison
Publisher: Bloomsbury Publishing
Total Pages: 272
Release: 2018-10-18
Genre: Performing Arts
ISBN: 1786725185

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French film noir has long been seen as a phenomenon distinct from its Hollywood counterpart. This book - an innovative departure from conventional noir scholarship - now adopts a biocultural approach to exploring the French genre through the years 1941-1959. Chapters reveal noir as a product of the social and cultural factors at play in occupied, liberated and post-war France: marked by malaise at military defeat, Nazi collaboration and the impact of industrialisation. Furthermore, the book uncovers the evolutionary mechanisms of sexuality and reproduction beneath the national context that drive gendered behaviour on screen. During this period, for example, the emerging urgent demand for population growth, coupled with the severe shortage of eligible males, rendered the mating game particularly perilous for traditional women beginning to enter the workplace. This explains the cynical yet seductive behaviour of the femme fatale. Deborah Walker-Morrison focuses on the dangerous, often deadly, desires of an array of male and female character-types: moving past the celebrated, fatal `femme' to tragic heroines, psychopathic narcissists, fatal `hommes' and gangster anti-heroes. The book re-examines productions by directors such as Henri-Georges Clouzot, Jacques Becker and Jules Dassin and pulls together strands of sociological, biological, psychological and evolutionary science to create an illuminating study of the intense human passions underlying the cut-throat world of noir.

America Noir

America Noir
Author: David Cochran
Publisher: Smithsonian Institution
Total Pages: 295
Release: 2016-06-21
Genre: Performing Arts
ISBN: 1588345505

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In America Noir David Cochran details how ten writers and filmmakers challenged the social pieties prevalent during the Cold War, such as the superiority of the American democracy, the benevolence of free enterprise, and the sanctity of the suburban family. Rod Serling's The Twilight Zone featured victims of vast, faceless, bureaucratic powers. Jim Thompson's noir thrillers, such as The Grifters, portrayed the ravages of capitalism on those at the bottom of the social ladder. Patricia Highsmith, in The Talented Mr. Ripley, placed an amoral con man in an international setting, implicitly questioning America's fitness as leader of the free world. Charles Willeford's pulp novels, such as Wild Wives and Woman Chaser, depicted the family as a hotbed of violence and chaos. These artists pioneered a detached, ironic sensibility that radically juxtaposed cultural references and blurred the distinctions between “high” and “low” art. Their refusal to surrender to the pressures for political conformity and their unflinching portrayal of the underside of American life paved the way for the emergence of a 1960s counterculture that forever changed the way America views itself.

Film Noir

Film Noir
Author: Jennifer Fay
Publisher: Routledge
Total Pages: 303
Release: 2009-12-04
Genre: History
ISBN: 113526385X

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The term "film noir" still conjures images of a uniquely American malaise: hard-boiled detectives, fatal women, and the shadowy hells of urban life. But from its beginnings, film noir has been an international phenomenon, and its stylistic icons have migrated across the complex geo-political terrain of world cinema. This book traces film noir’s emergent connection to European cinema, its movement within a cosmopolitan culture of literary and cinematic translation, and its postwar consolidation in the US, Europe, Asia, the Middle East, and Latin America. The authors examine how film noir crosses national boundaries, speaks to diverse international audiences, and dramatizes local crimes and the crises of local spaces in the face of global phenomena like world-wide depression, war, political occupation, economic and cultural modernization, decolonization, and migration. This fresh study of film noir and global culture also discusses film noir’s heterogeneous style and revises important scholarly debates about this perpetually alluring genre.