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| Author | : Mary Prince |
| Publisher | : Courier Corporation |
| Total Pages | : 82 |
| Release | : 2012-04-26 |
| Genre | : History |
| ISBN | : 0486146936 |
Prince — a slave in the British colonies — vividly recalls her life in the West Indies, her rebellion against physical and psychological degradation, and her eventual escape in 1828 in England.
| Author | : Julius Lester |
| Publisher | : |
| Total Pages | : |
| Release | : 2002-04-01 |
| Genre | : |
| ISBN | : 9780786824212 |
| Author | : William L. Andrews |
| Publisher | : Library of America |
| Total Pages | : 1066 |
| Release | : 2000-01-15 |
| Genre | : History |
| ISBN | : 159853212X |
This collection of landmark slave narratives demonstrates how a diverse group of writers challenged the conscience of a nation and laid the foundations of the African American literary tradition No literary genre speaks as directly and as eloquently to the brutal contradictions in American history as the slave narrative. The works collected in this volume present unflinching portrayals of the cruelty and degradation of slavery while testifying to the African-American struggle for freedom and dignity. They demonstrate the power of the written word to affirm a person’s—and a people’s—humanity in a society poisoned by racism. Slave Narratives shows how a diverse group of writers challenged the conscience of a nation and, through their expression of anger, pain, sorrow, and courage, laid the foundations of the African-American literary tradition. This volume collects ten works published between 1772 and 1864: • Narratives by James Albert Ukawsaw Gronniosaw (1772) and Olaudah Equiano (1789) recount how they were taken from Africa as children and brought across the Atlantic to British North America. • The Confessions of Nat Turner (1831) provides unique insight into the man who led the deadliest slave uprising in American history. • The widely read narratives by the fugitive slaves Frederick Douglass (1845), William Wells Brown (1847), and Henry Bibb (1849) strengthened the abolitionist cause by exposing the hypocrisies inherent in a slaveholding society ostensibly dedicated to liberty and Christian morality. • The Narrative of Sojourner Truth (1850) describes slavery in the North while expressing the eloquent fervor of a dedicated woman. • Running a Thousand Miles for Freedom (1860) tells the story of William and Ellen Craft’s subversive and ingenious escape from Georgia to Philadelphia. • Incidents in the Life of a Slave Girl (1861) is Harriet Jacobs’s complex and moving story of her prolonged resistance to sexual and racial oppression. • The narrative of the “trickster” Jacob Green (1864) presents a disturbing story full of wild humor and intense cruelty. Together, these works fuse memory, advocacy, and defiance into a searing collective portrait of American life before emancipation. Slave Narratives contains a chronology of events in the history of slavery, as well as biographical and explanatory notes and an essay on the texts.
| Author | : Rebecca Peabody |
| Publisher | : University of California Press |
| Total Pages | : 216 |
| Release | : 2021-02-23 |
| Genre | : Art |
| ISBN | : 0520383338 |
In Consuming Stories, Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist’s book and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker’s production: her commitment to examining narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker’s sustained visual engagement with literary genres such as the romance novel, the neo-slave narrative, and the fairy tale and with internationally known stories including Roots, Beloved, and Uncle Tom’s Cabin. Walker’s interruption of these familiar works , along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race, especially when aligned with power and desire. Breaking these implicit rules makes them visible—and, in turn, highlights viewers’ reliance on them for narrative legibility. As this study reveals, Walker’s engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture. Peabody also shows how Walker uses her tools and strategies to unsettle cultural histories abroad when she works outside the United States. These stories, Peabody reminds us, not only change the way people remember history but also shape the entertainment industry. Ultimately, Consuming Stories shifts the critical conversation away from the visual legacy of historical racism toward the present-day role of the entertainment industry—and its consumers—in processes of racialization.
| Author | : Russell Banks |
| Publisher | : Vintage Canada |
| Total Pages | : 381 |
| Release | : 2010-01-08 |
| Genre | : Fiction |
| ISBN | : 0307375641 |
Chappie is a punked-out teenager rejected by his mother and abusive stepfather. Out of school and in trouble with the police, he drifts through crash pads, doper squats, and malls until he finally settles in an abandoned school bus with Rose, a seven-year-old child, and I-Man, an exiled Rastafarian who will dramatically change his life. Together they begin an amazing journey...
| Author | : Agnes Lugo-Ortiz |
| Publisher | : Cambridge University Press |
| Total Pages | : 489 |
| Release | : 2013-09-30 |
| Genre | : History |
| ISBN | : 1107354781 |
Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.
| Author | : Sterling Lecater Bland Jr. |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 349 |
| Release | : 2016-06-13 |
| Genre | : Social Science |
| ISBN | : |
African American slave narratives of the 19th century recorded the grim realities of the antebellum South; they also provide the foundation for this compelling and revealing work on African American history and experiences. Naturally, it is not possible to really know what being a slave during the antebellum period in America was like without living the experience. But students CAN get eye-opening insight into what it was like through the gripping stories of bravery, courage, persistence, and resiliency in this collection of annotated slave narratives from the period. Each of the collected narratives includes an introduction that provides readers with key historical context on the particular life examined. Moreover, each narrative is accompanied by annotations that broaden the reader's comprehension of that primary document. The primary source documents in this volume tell enthralling stories, such as how slave woman Ellen Craft utilized her particularly pale complexion to pose as a free white man overseeing his slaves to free herself and her husband, and how Henry Brown successfully shipped himself to freedom in a box measuring scarcely 3 feet by two feet by six inches deep-despite being more than six feet tall.
| Author | : John Ernest |
| Publisher | : Oxford Handbooks |
| Total Pages | : 497 |
| Release | : 2014 |
| Genre | : Literary Collections |
| ISBN | : 0199731489 |
This volume approaches the history of slave testimony in three ways: by prioritising the broad tradition over individual authors; by representing inter-disciplinary approaches to slave narratives; and by highlighting emerging scholarship on slave narratives, concerning both established debates over concerns of authorship and agency, for example, and developing concerns like eco-critical readings of slave narratives.
| Author | : Henry Louis Gates |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 385 |
| Release | : 1985 |
| Genre | : American prose literature |
| ISBN | : 0195066561 |
The autobiographical narratives of black ex-slaves published in the eighteenth and nineteenth centuries constitute the largest body of literature produced by slaves in human history. Black slaves in the New World created a veritable "literature of escape" depicting the overwhelming horrors of human bondage. These narratives served the abolitionist movement not only as evidence of the slaves' degradation but also of their "intellectual capacity." Accordingly, this literature has elicited a wealth of analysis- and controversy- from its initial publication right up to our day. This volume charts the response to the black slave's narrative from 1750 to the present. The book consists of three sections: selected reviews of slave narratives, dating from 1750 to 1861; essays examining how such narratives serve as historical material; and essays exploring the narratives as literary artifacts.
| Author | : Devon W. Carbado |
| Publisher | : Beacon Press |
| Total Pages | : 273 |
| Release | : 2012-08-21 |
| Genre | : History |
| ISBN | : 0807069124 |
In this groundbreaking compilation of first-person accounts of the runaway slave phenomenon, editors Devon W. Carbado and Donald Weise have recovered twelve narratives spanning eight decades—more than half of which have been long out of print. Told in the voices of the runaway slaves themselves, these narratives reveal the extraordinary and often innovative ways that these men and women sought freedom and demanded citizenship. Also included is an essay by UCLA history professor Brenda Stevenson that contextualizes these narratives, providing a brief yet comprehensive history of slavery, as well as a look into the daily life of a slave. Divided into four categories—running away for family, running inspired by religion, running by any means necessary, and running to be free—these stories are a testament to the indelible spirit of these remarkable survivors. The Long Walk to Freedom presents excerpts from the narratives of well-known runaway slaves, like Frederick Douglass and Harriet Jacobs, as well as from the narratives of lesser-known and virtually unknown people. Several of these excerpts have not been published for more than a hundred years. But they all portray the courageous and sometimes shocking ways that these men and women sought their freedom and asserted power, often challenging many of the common assumptions about slaves’ lack of agency. Among the remarkable and inspiring stories is the tense but triumphant tale of Henry Box Brown, who, with a white abolitionist’s help, shipped himself in a box—over a twenty-seven-hour train ride, part of which he spent standing on his head—to freedom in Philadelphia. And there’s the story of William and Ellen Craft, who fled across thousands of miles, with Ellen, who was light-skinned, disguised as a white male slave-owner so she and her husband could achieve their dream of raising their children as free people. Gripping, inspiring, and captivating, The Long Walk to Freedom is a remarkable collection that celebrates those who risked their lives in pursuit of basic human rights.
