Trauma Narratives in Italian and Transnational Women’s Writing

Trauma Narratives in Italian and Transnational Women’s Writing
Author: Tiziana de Rogatis
Publisher: Sapienza Università Editrice
Total Pages: 376
Release: 2022-12-14
Genre: Literary Criticism
ISBN: 8893772558

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This edited volume is the first to propose new readings of Italian and transnational female-authored texts through the lens of Trauma Studies. Illuminating a space that has so far been left in the shadows, Trauma Narratives in Italian and Transnational Women’s Writing provides new insights into how the trope of trauma shapes the narrative, temporal and linguistic dimension of these works. The various contributions delineate a landscape of female-authored Italian and transnational trauma narratives and their complex textual negotiation of suffering and pathos, from the twentieth century to the present day. These zones of trauma engender a new aesthetics and a new reading of history and cultural memory as an articulation of female creativity and resistance against a dominant cultural and social order.

Trauma Narratives and Herstory

Trauma Narratives and Herstory
Author: S. Andermahr
Publisher: Springer
Total Pages: 237
Release: 2013-04-09
Genre: Literary Criticism
ISBN: 1137268352

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Featuring contributions from a wide array of international scholars, the book explores the variety of representational strategies used to depict female traumatic experiences in texts by or about women, and in so doing articulates the complex relation between trauma, gender and signification.

Woundedness and Reintegration

Woundedness and Reintegration
Author: Maria Florence Massucco
Publisher:
Total Pages: 0
Release: 2023
Genre:
ISBN:

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This project investigates the way in which the figure of the hysterical woman has been taken up and reworked by Italian women writers in the decades following WWI. The first section identifies the importance of surgical imagery in the works of Enif Robert, Goliarda Sapienza, and Elena Ferrante, and proposes that such imagery shifts characterization away from madness towards an experience of woundedness. With the help of Adriana Cavarero's feminist narrative philosophy and in dialogue with contemporary thinking on trauma, this section complicates the simplistic tendency to equate storytelling with agency and healing. The second section focuses on envied or desired wounds and wounds that cross generations, with a focus on Elsa Morante and Elena Ferrante. This analysis identifies the fervent witnessing of the wounds of others as significant for the feminist project of countering isolation; woundedness can then be understood as part of the work of a dark feminism. Taking Ferrante's call for the exploration of the dark sides of female experience as a theoretical point of departure, the third section analyzes four recent works of Italian film that explore maternity beyond the confines of traditional representation. The project identifies a strong Italian contribution to contemporary transnational feminist thought, and its connection to a long, underrecognized, pattern of carving out artistic space for darkly feminist forms of expression, particularly those that emphasize wounds as both evidence of painful experience and opportunities for deepened understanding.

Women Writing Cloth

Women Writing Cloth
Author: Mary Jo Bona
Publisher: Lexington Books
Total Pages: 159
Release: 2015-12-09
Genre: Crafts & Hobbies
ISBN: 1498525865

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Women Writing Cloth: Migratory Fictions in the American Imaginary performs a ground-breaking intervention by uncovering the relationship between literary cloth-working women and migration in a range of American novels across centuries. Bona demonstrates how four authors, Nathaniel Hawthorne, Alice Walker, Sandra Cisneros, and Adria Bernardi, innovate on pre-modern stories of weaving women in order to explore the intricate connections between handwork, resourcefulness, and mobility. Refracted through the lens of women’s migratory experiences vis-à-vis cloth-working aesthetics, Women Writing Cloth examines varied aspects of sewing—embroidering, quilting, and rebozo-making—as textual signifiers of mobility and preservation. Through authorial innovation,women’s handwork constitutes a revolt against a devaluation of cultural heritage and a distrust of the self. Women Writing Cloth argues that literary, cloth-working women inspire paradigmatic shifts in social codes due to portable skills that enabled their survival in the new world. Bona paints a complex picture of women whose migratory experiences taught them how to live within a stigmatizing culture and beneath institutional powers to control their artistry. Fabric designs assume fuller multicultural meaning when textiles cross borders and tell unspeakable stories that expose constraints typifying gender, race, and heritage. The authors examined simulate the artistic creativity of cloth-work by interrogating traditional assumptions about representation, chronology, and spatial boundaries. Women Writing Cloth breaks new ground to reveal the elaborate relationship between cloth-work expertise and women’s mobility. Variations of cloth-working women showcase a relationship between subversive artistry and institutional oppressions that compel strategies of resistance, enable survival, and, inspired by migration, construct inventive fabric creations. Women Writing Cloth engages the activity of cloth work as a means of reclamation and subversive expression represented in American literature.

Trauma and Motherhood in Contemporary Literature and Culture

Trauma and Motherhood in Contemporary Literature and Culture
Author: Laura Lazzari
Publisher: Springer Nature
Total Pages: 246
Release: 2021-11-30
Genre: Literary Criticism
ISBN: 3030774074

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Trauma and Motherhood in Contemporary Literature and Culture repositions motherhood studies through the lens of trauma theory by exploring new challenges surrounding conception, pregnancy, and postpartum experiences. Chapters investigate nine case studies of motherhood trauma and recovery in literature and culture from the last twenty years by exploring their emotional consequences through the lens of trauma, resilience, and “working through” theories. Contributions engage with a transnational corpus drawn from the five continents and span topics as rarely discussed as pregnancy denial, surrogacy, voluntary or involuntary childlessness, racism and motherhood, carceral mothering practices, surrogacy, IVF, artificial wombs, and mothering through war, genocide, and migration. Accompanied by an online creative supplement, this volume deals with silenced aspects of embodied motherhood while enhancing a better understanding of the cathartic effects of storytelling.

Natalia Ginzburg’s Global Legacies

Natalia Ginzburg’s Global Legacies
Author: Stiliana Milkova Rousseva
Publisher: Springer Nature
Total Pages: 280
Release:
Genre:
ISBN: 3031499077

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Traumatic Realism

Traumatic Realism
Author: Michael Rothberg
Publisher: U of Minnesota Press
Total Pages: 340
Release: 2000
Genre: History
ISBN: 9780816634590

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Drawing on a wide range of texts, Michael Rothberg puts forth an overarching framework for understanding representations of the Holocaust. Through close readings of such writers and thinkers as Theodor Adorno, Maurice Blanchot, Ruth Klüger, Charlotte Delbo, Art Spiegelman, and Philip Roth and an examination of films by Steven Spielberg and Claude Lanzmann, Rothberg demonstrates how the Holocaust as a traumatic event makes three fundamental demands on representation: a demand for documentation, a demand for reflection on the limits of representation, and a demand for engagement with the public.

Writing and Performing Female Identity in Italian Culture

Writing and Performing Female Identity in Italian Culture
Author: Virginia Picchietti
Publisher: Springer
Total Pages: 278
Release: 2017-01-28
Genre: Literary Criticism
ISBN: 3319408356

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This volume investigates the ways in which Italian women writers, filmmakers, and performers have represented female identity across genres from the immediate post-World War II period to the turn of the twenty-first century. Considering genres such as prose, poetry, drama, and film, these essays examine the vision of female agency and self-actualization arising from women artists’ critique of female identity. This dual approach reveals unique interpretations of womanhood in Italy spanning more than fifty years, while also providing a deep investigation of the manipulation of canvases historically centered on the male subject. With its unique coupling of generic and thematic concerns, the volume contributes to the ever expanding female artistic legacy, and to our understanding of postwar Italian women’s evolving relationship to the narration of history, gender roles, and these artists’ use and revision of generic convention to communicate their vision.

Shattered Subjects

Shattered Subjects
Author: Suzette Henke
Publisher:
Total Pages: 216
Release: 2000
Genre: Mentally ill, Writings of the
ISBN: 9780333929872

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This text explores the autobiographical testimonies of six 20th-century women authors whose writings employ narratives of scriptotherapy in order to heal the wounds of psychological trauma. This psychoanalytic study focuses on the sexual/textual inscription of traumatic narrative as the focal point of a large body of autobiographical practice representing the genre of narrative recovery. The literary testimonies of Colette, Hilda Doolittle, Anais Nin, Audre Lorde, Janet Frame, and Sylvia Fraser provide evidence of post-traumatic stress disorder precipitated by rape, incest, childhood sexual abuse, unwanted pregnancy, pregnancy loss, or a severe illness that threatens the integrity of the body. The compelling writings produced by these experiences are examined for their patterns of similarity and their points of uniqueness. The book suggests that the powerful medium of written autobiographical testimony may make the resolution or reconfiguration of the most emotionally distressing experiences possible.