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| Author | : Jeremy Begbie |
| Publisher | : Baker Academic |
| Total Pages | : 416 |
| Release | : 2007-12 |
| Genre | : Music |
| ISBN | : 0801026954 |
A world-renowned scholar and musician helps Christians respond with theological discernment to music.
| Author | : Lawrence Kramer |
| Publisher | : Univ of California Press |
| Total Pages | : 184 |
| Release | : 2012-09-23 |
| Genre | : Music |
| ISBN | : 0520953843 |
Expression and truth are traditional opposites in Western thought: expression supposedly refers to states of mind, truth to states of affairs. Expression and Truth rejects this opposition and proposes fluid new models of expression, truth, and knowledge with broad application to the humanities. These models derive from five theses that connect expression to description, cognition, the presence and absence of speech, and the conjunction of address and reply. The theses are linked by a concentration on musical expression, regarded as the ideal case of expression in general, and by fresh readings of Ludwig Wittgenstein’s scattered but important remarks about music. The result is a new conception of expression as a primary means of knowing, acting on, and forming the world. "Recent years have seen the return of the claim that music’s power resides in its ineffability. In Expression and Truth, Lawrence Kramer presents his most elaborate response to this claim. Drawing on philosophers such as Wittgenstein and on close analyses of nineteenth-century compositions, Kramer demonstrates how music operates as a medium for articulating cultural meanings and that music matters too profoundly to be cordoned off from the kinds of critical readings typically brought to the other arts. A tour-de-force by one of musicology’s most influential thinkers."—Susan McClary, Desire and Pleasure in Seventeenth-Century Music.
| Author | : Mark Devlin |
| Publisher | : Asys Publishing |
| Total Pages | : 418 |
| Release | : 2018-01-27 |
| Genre | : Music |
| ISBN | : 9781910757987 |
In his groundbreaking book 'Musical Truth, ' DJ-turned author/ researcher Mark Devlin showed how the true nature of the corporate music industry tells a very different story to what's conveyed on its glossy, glamorous surface. The manipulations run so deep, however, that the full story couldn't be told in just that first book. Here, in Volume 2, he continues to guide readers through the dark labyrinth of machinations. Discover the world of Lifetime Actors and the crucial part they play in social engineering; delve into Heavy Rock, frequently touted as the most 'satanic' of all music genres; consider the evidence for the hip-hop scene being a cult-like fraternity on a staggering scale; reflect on the nature of sound itself and the ways it can be used to affect human behaviour; and study the striking parallels between the 1960s counter-culture and the UK's Acid House scene that kicked off 21 years later, all bearing the hallmarks of Establishment manipulation. Crucially, Volume 2 reminds readers of how the music industry's activities form only one small part of what's really going on in this reality, and how the power to bring it all to an end lies with us and us alone. It always has. We've just been programmed to forget. Amazon review excerpts for 'Musical Truth, Volume 1' "I came across this book by chance, and am so glad I did. It's very well-written and a fascinating subject. It goes far deeper than just the music, too, the first chapter explaining how music fits into the larger scheme of things is spot-on. The author explains everything he speaks about, and provides links and other resources so the reader can check all the facts for themselves... and it all checks out!" "Excellent tome! Very well-researched, engagingly presented, pithy, witty, incisive and compelling." "I was aware of much of its content already, but Mark Devlin has brought so many pieces of a puzzling jigsaw together in an immensely comprehensive and articulate way. His style of writing is very natural and readable which makes it effortless for the reader - a skill that not all writers of this genre possess." "Beautiful, easy-reading language, where his soul combined with his intellect controls the pen. I just wanted to continue reading the whole night. Important stuff about our reality."
| Author | : Caetano Veloso |
| Publisher | : |
| Total Pages | : 368 |
| Release | : 2004 |
| Genre | : Composers |
| ISBN | : 9780747571254 |
Often described inadequately as the John Lennon or Bob Dylan of Brazil, Caetano Veloso is unquestionably one of the most influential and beloved of Brazilian artists and has developed a world-wide following. Now, in his long awaited memoir, he tells the heroic story of how, in the late 60s, he and a group of friends from the north-eastern state of Bahia created tropicalismo, the movement that shook Brazilian culture and civic order and pushed a nation then on the margins of world politics and economics into the pop avant-garde. Tropical Truth recounts the story of a country, its most subversive generation, and the odyssey of a brilliant constellation of artists. By turns erudite and playful, dreamlike and confessional, Tropical Truth is a revelation of Brazil's most famous artist, one of the greatest popular composers of the past century.
| Author | : Linda Nicole Blair |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 297 |
| Release | : 2021-06-10 |
| Genre | : Music |
| ISBN | : 1793621276 |
From the poems of Anne Bradstreet, Phillis Wheatley, and Emily Dickinson emerges what the author calls FemPoetiks, a discourse of female empowerment. Situating the work of these poets in their historical eras, Linda Nicole Blair considers a sampling of their poems side-by-side with a number of song lyrics by singer-songwriters Brandi Carlile, Rhiannon Giddens, and Lucinda Williams, having found commonalities of theme, motif, and language between them. Blair argues that while FemPoetiks has continued to develop in various ways in American poetry by women, the fact that this discourse finds expression in songs by Americana female artists indicates a matrilineal line of influence from the 1630s to today. In order to show the omnipresence of this powerful feminist discourse, she closes this book with eleven interviews she conducted with female singer-songwriters from around the United States. The phenomenon of FemPoetiks is not limited to the arts but extends into all areas of American life, from the domestic to the political. FemPoetiks is a woman’s truth.
| Author | : Jeffrey Boakye |
| Publisher | : Faber & Faber |
| Total Pages | : 153 |
| Release | : 2021-06-01 |
| Genre | : Young Adult Nonfiction |
| ISBN | : 0571366503 |
Music can carry the stories of history like a message in a bottle. Lord Kitchener, Neneh Cherry, Smiley Culture, Stormzy . . . Groundbreaking musicians whose songs have changed the world. But how? This exhilarating playlist tracks some of the key shifts in modern British history, and explores the emotional impact of 28 songs and the artists who performed them. This book redefines British history, the Empire and postcolonialism, and will invite you to think again about the narratives and key moments in history that you have been taught up to now. Thrilling, urgent, entertaining and thought-provoking, this beautifully illustrated companion to modern black music is a revelation and a delight. 'Engaging and accomplished . . . perfectly judged for young readers.' Guardian
| Author | : Jade Mathieson |
| Publisher | : Bookdash |
| Total Pages | : |
| Release | : |
| Genre | : |
| ISBN | : |
Learn about the amazing life of a little girl who grew up to use her gift of singing to help bring freedom to South Africa.
| Author | : Elvis Costello |
| Publisher | : |
| Total Pages | : 689 |
| Release | : 2015 |
| Genre | : Autobiography |
| ISBN | : 0399167250 |
A personal introspective by the influential pop songwriter and performer traces his Liverpool upbringing, artistic influences, creative pursuit of original punk sounds, and emergence in the MTV world.
| Author | : K. Korta |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 259 |
| Release | : 2013-03-14 |
| Genre | : Philosophy |
| ISBN | : 9401705488 |
A speech for the defence in a Paris murder trial, a road-safety slogan, Hobbes' political theory; each appeals to reason of a kind, but it remains an oblique and rhetoricalldnd. Each relies on comparisons rather than on direct statements, and none can override or supersede the conclusions of ethical reasoning proper. Nevertheless, just as slogans may do more for road safety than the mere recital of accident statistics, or of the evidence given at coroners' inquests, so the arguments of a Hobbes or a Bentham may be of greater practical effect than the assertion of genuinely ethical or political statements, however true and relevant these may be. Stephen Toulmin, Reason in Ethics, 1950. The International Colloquium on Cognitive Science (ICCS), held in Donostia - San Sebastian every two years since 1989, has become one of the most important plazas for cognitive scientists in Europe to present the results of their research and to exchange ideas. The seventh edition, co-organized as usual by the Institute for Logic, Cognition, Language, and Information (ILCLI) and the Department of Logic and Philosophy of Science, both from the University of the Basque Country, took place from May 9 to 12, 200 1, addressing the following main topics: 1. Truth: Epistemology and Logic. 2. Rationality in a Social Setting. 3. Music, Language, and Cognition. Vlll TRUTH, RATIONALITY, COGNITION, AND MUSIC 4. The Order of Discourse: Logic, Pragmatics, and Rhetoric.
| Author | : Edward Sarath |
| Publisher | : Taylor & Francis |
| Total Pages | : 133 |
| Release | : 2023-09-13 |
| Genre | : Music |
| ISBN | : 1003804357 |
Music Studies and Its Moment of Truth: Leading Change through America’s Black Music Roots presents a new framework for racial justice discourse in the context of music studies and education. Centering on Black American Music, the book issues challenges to both the conventional music studies paradigm and decades-old reform efforts. While Black American Music ranks high among America’s contributions to world culture, and offers musicians powerful tools for musical practice and understanding, this musical legacy remains remarkably marginalized even in activist conversations. The author argues that this reflects lingering and unexamined racist patterns that persist even among the most fervent voices for anti-racist interventions, and addresses the need for a higher-order activist framework within music studies. Delving further into the transformative changes needed to pursue racial justice, the short pieces collected in this book discuss topics including a shift from multicultural ideology to a transcultural model of musical pluralism, analysis of the multi-tiered nature of musical racism, the whitewashing of music studies activism, K-12 music teacher education as the locus for paradigmatic change and the potential for a transformed model of music studies to catalyze an overarching revolution in creativity and consciousness in both education and society at large. Critiquing the failures of progressive reform efforts and conventional reaction, this book argues that major changes are needed to the discourse on racism in music studies, and envisions new paradigms for the future.
