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| Author | : David Bevington |
| Publisher | : University of Chicago Press |
| Total Pages | : 256 |
| Release | : 2009-05 |
| Genre | : Drama |
| ISBN | : 0226044793 |
This study examines how Shakespeare's plays have been transformed for the stage by the demands of theatrical spaces and staging conventions.
| Author | : Simon Smith |
| Publisher | : Cambridge University Press |
| Total Pages | : 307 |
| Release | : 2022-03-17 |
| Genre | : Art |
| ISBN | : 1108489052 |
Offers a new, interdisciplinary account of early modern drama through the lens of playing and playgoing.
| Author | : Richard Wilson |
| Publisher | : Manchester University Press |
| Total Pages | : 368 |
| Release | : 2016-05-16 |
| Genre | : Literary Criticism |
| ISBN | : 1526111047 |
Free Will: Art and power on Shakespeare’s stage is a study of theatre and sovereignty that situates Shakespeare’s plays in the contraflow between two absolutisms of early modern England: the aesthetic and the political. Starting from the dramatist’s cringing relations with his princely patrons, Richard Wilson considers the ways in which this ‘bending author’ identifies freedom in failure and power in weakness by staging the endgames of a sovereignty that begs to be set free from itself. The arc of Shakespeare’s career becomes in this comprehensive new interpretation a sustained resistance to both the institutions of sacred kingship and literary autonomy that were emerging in his time. In a sequence of close material readings, Free Will shows how the plays instead turn command performances into celebrations of an art without sovereignty, which might ‘give delight’ but ‘hurt not’, and ‘leave not a rack behind’. Free Will is a profound rereading of Shakespeare, art and power that will contribute to thinking not only about the plays, but also about aesthetics, modernity, sovereignty and violence.
| Author | : Paul Yachnin |
| Publisher | : Routledge |
| Total Pages | : 254 |
| Release | : 2017-05-15 |
| Genre | : Literary Criticism |
| ISBN | : 1317056493 |
Theatrical performance, suggest the contributors to this volume, can be an unpredictable, individual experience as well as a communal, institutional or cultural event. The essays collected here use the tools of theatre history in their investigation into the phenomenology of the performance experience, yet they are also careful to consider the social, ideological and institutional contingencies that determine the production and reception of the living spectacle. Thus contributors combine a formalist interest in the affective and aesthetic dimensions of language and spectacle with an investment in the material cultures that both produced and received Shakespeare's plays. Six of the chapters focus on early modern cultures of performance, looking specifically at such topics as the performance of rusticity; the culture of credit; contract and performance; the cultivation of Englishness; religious ritual; and mourning and memory. Building upon and interrelating with the preceding essays, the last three chapters deal with Shakespeare and performance culture in modernity. They focus on themes including literary and theatrical performance anxiety; cultural iconicity; and the performance of Shakespearean lateness. This collection strives to bring better understanding to Shakespeare's imaginative investment in the relationship between theatrical production and the emotional, intellectual and cultural effects of performance broadly defined in social terms.
| Author | : William E. Engel |
| Publisher | : Springer Nature |
| Total Pages | : 353 |
| Release | : 2022-05-05 |
| Genre | : Literary Criticism |
| ISBN | : 3030884902 |
This is the first book to view Shakespeare’s plays from the prospect of the premodern death arts, not only the ars moriendi tradition but also the plurality of cultural expressions of memento mori, funeral rituals, commemorative activities, and rhetorical techniques and strategies fundamental to the performance of the work of dying, death, and the dead. The volume is divided into two sections: first, critically nuanced examinations of Shakespeare’s corpus and then, second, of Hamlet exclusively as the ultimate proving ground of the death arts in practice. This book revitalizes discussion around key and enduring themes of mortality by reframing Shakespeare’s plays within a newly conceptualized historical category that posits a cultural divide—at once epistemological and phenomenological—between premodernity and the Enlightenment.
| Author | : Jane Hwang Degenhardt |
| Publisher | : Oxford University Press |
| Total Pages | : 257 |
| Release | : 2022-08-25 |
| Genre | : English drama |
| ISBN | : 0198867921 |
How were understandings of chance, luck, and fortune affected by early capitalist developments such as the global expansion of English trade and colonial exploration? And how could the recognition that fortune wielded a powerful force in the world be squared with Protestant beliefs about theall-controlling hand of divine providence? Was everything pre-determined, or was there room for chance and human agency? Globalizing Fortune addresses these questions by demonstrating how English economic expansion and global transformation produced a new philosophy of fortune oriented arounddiscerning and optimizing unexpected opportunities. The popular theater played an influential role in dramatizing the new prospects and dangers opened up by nascent global economics and fostering a set of ethical practices for engaging with fortunes unpredictable turns. While largely derided as asinful, earthly distraction in the Boethian tradition of the Middle Ages, fortune made a comeback on the English Renaissance stage as a force associated with valiant risks, ennobling adventures, and purposeful action. The early modern stage also reveals how a new philosophy of fortune led toeconomic exploitation and racialized exclusions.Offering in-depth discussions of plays by Shakespeare, Marlowe, Heywood, Dekker, and others, Globalizing Fortune demonstrates how the history of the English commercial theaterlike that of English seaborne expansionwas also a history of fortune. The public theater not only shaped popularunderstandings of fortunes role in a culture undergoing economic transformation, but also addressed this transformation from a unique position because of its own implication in London commerce, its reliance on paying customers, and its vulnerability to the risks and contingencies of liveperformance. Drawing attention to an archive of plays dramatizing maritime travel, trade, and adventure, this book shows how the popular stage shaped evolving understandings of fortune by cultivating new viewing practices and mechanisms of theatrical wonder, as well as modeling proper ways of actingin the face of unknown outcomes and contingency. In short, Globalizing Fortune demonstrates how the public theater offered the first modern understanding of fortune as a globalizing commercial and ethical phenomenon.
| Author | : Jan Wozniak |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 305 |
| Release | : 2016-03-10 |
| Genre | : Drama |
| ISBN | : 1474234852 |
What is the value of performing Shakespeare's plays for young people? Using interviews with theatre workers, rehearsal observations and workshops with young people, this book argues that, rather than promoting a range of pre-determined textual understandings of the plays, it is by trusting young people's experience of performances that they might gain most benefit. It argues that by privileging the meanings young people make of Shakespeare, new and exciting interpretations of his work might be found. Drawing on case studies from theatre companies such as the Royal Shakespeare Company, The Hip-Hop Shakespeare Company, Tiny Ninja Theatre Company and Company of Angels Theatre Company, Jan Wozniak shows how the collaboration and materiality of performance is central to empowering young people to engage with, enjoy and challenge Shakespeare.
| Author | : Andrew Bozio |
| Publisher | : Oxford University Press |
| Total Pages | : 226 |
| Release | : 2020-02-06 |
| Genre | : Literary Criticism |
| ISBN | : 019258572X |
Thinking Through Place on the Early Modern English Stage argues that environment and embodied thought continually shaped one another in the performance of early modern English drama. It demonstrates this, first, by establishing how characters think through their surroundings — not only how they orient themselves within unfamiliar or otherwise strange locations, but also how their environs function as the scaffolding for perception, memory, and other forms of embodied thought. It then contends that these moments of thinking through place theorise and thematise the work that playgoers undertook in reimagining the stage as the setting of the dramatic fiction. By tracing the relationship between these two registers of thought in such plays as The Malcontent, Dido Queen of Carthage, Tamburlaine, King Lear, The Knight of the Burning Pestle, and Bartholomew Fair, this book shows that drama makes visible the often invisible means by which embodied subjects acquire a sense of their surroundings. It also reveals how, in doing so, theatre altered the way that playgoers perceived, experienced, and imagined place in early modern England.
| Author | : David Roberts |
| Publisher | : Cambridge University Press |
| Total Pages | : 271 |
| Release | : 2010-06-17 |
| Genre | : Drama |
| ISBN | : 1107310512 |
Restoration London's leading actor and theatre manager Thomas Betterton has not been the subject of a biography since 1891. He worked with all the best-known playwrights of his age and with the first generation of English actresses; he was intimately involved in the theatre's responses to politics, and became a friend of leading literary men such as Pope and Steele. His innovations in scenery and company management, and his association with the dramatic inheritance of Shakespeare, helped to change the culture of English theatre. David Roberts's entertaining study unearths new documents and draws fresh conclusions about this major but shadowy figure. It contextualizes key performances and examines Betterton's relationship to patrons, colleagues and family, as well as to significant historical moments and artefacts. The most substantial study available of any seventeenth-century actor, Thomas Betterton gives one of England's greatest performing artists his due on the tercentenary of his death.
| Author | : David Bevington |
| Publisher | : Oxford University Press |
| Total Pages | : 103 |
| Release | : 2010-06 |
| Genre | : |
| ISBN | : 0199811199 |
This ebook is a selective guide designed to help scholars and students of Islamic studies find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated related. This ebook is a static version of an article from Oxford Bibliographies Online: Renaissance and Reformation, a dynamic, continuously updated, online resource designed to provide authoritative guidance through scholarship and other materials relevant to the study of European history and culture between the 14th and 17th centuries. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.oxfordbibliographies.com.
