Thirty Sonatas of Domenico Scarlatti
Author | : Domenico Scarlatti |
Publisher | : |
Total Pages | : 156 |
Release | : 1970 |
Genre | : Sonatas (Harpsichord) |
ISBN | : |
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Author | : Domenico Scarlatti |
Publisher | : |
Total Pages | : 156 |
Release | : 1970 |
Genre | : Sonatas (Harpsichord) |
ISBN | : |
Author | : W. Dean Sutcliffe |
Publisher | : Cambridge University Press |
Total Pages | : 414 |
Release | : 2008-08-28 |
Genre | : Music |
ISBN | : 1139441094 |
W. Dean Sutcliffe investigates one of the greatest yet least understood repertories of Western keyboard music: the 555 keyboard sonatas of Domenico Scarlatti. Scarlatti occupies a position of solitary splendour in musical history. The sources of his style are often obscure and his immediate influence is difficult to discern. Further, the lack of hard documentary evidence has hindered musicological activity. Dr Sutcliffe offers not just a thorough reconsideration of the historical factors that have contributed to Scarlatti's position, but also sustained engagement with the music, offering both individual readings and broader commentary of an unprecedented kind. A principal task of this book is to remove the composer from his critical ghetto (however honourable) and redefine his image. In so doing it will reflect on the historiographical difficulties involved in understanding eighteenth-century musical style.
Author | : Fabio Zanon |
Publisher | : Mel Bay Publications |
Total Pages | : 101 |
Release | : 2012-07-12 |
Genre | : Music |
ISBN | : 1619113066 |
An exact contemporary of Bach and Handel, Domenico Scarlatti was already a celebrated composer in Italy by the time he moved to Portugal. Later he traveled to Spain, where he worked as a harpsichord instructor for Princess Maria Barbara. The lessons he wrote for her are among the most imaginative and unpredictable pieces from the whole baroque period. His music translates very well to the guitar, an instrument where his style is completely at home. This set of 30 sonatas transcribed by acclaimed guitarist Fabio Zanon includes new transcriptions of all-time favorites and some rarer ones as well.
Author | : Domenico Scarlatti |
Publisher | : Courier Corporation |
Total Pages | : 141 |
Release | : 2012-01-01 |
Genre | : Music |
ISBN | : 0486486087 |
Volume I of this critically acclaimed three-part collection features introductory text and performance notes to 30 Scarlatti sonatas, from Sonata I to Sonata XXX. The works appear in chronological order and with Kirkpatrick numbers. This Urtext edition preserves the sonatas' original presentation, save for the addition of accidentals and the inversion of treble and bass clefs, in accordance with modern practices and ease of playing.
Author | : Domenico Scarlatti |
Publisher | : Courier Corporation |
Total Pages | : 161 |
Release | : 2012-01-01 |
Genre | : Music |
ISBN | : 0486486168 |
Volume II of this critically acclaimed three-part collection features introductory text and performance notes to 30 Scarlatti sonatas, from Sonata XXXI to Sonata LX. The works appear in chronological order and with Kirkpatrick numbers. This Urtext edition preserves the sonatas' original presentation, save for the addition of accidentals and the inversion of treble and bass clefs, in accordance with modern practices and ease of playing.
Author | : Domenico Scarlatti |
Publisher | : Alfred Music |
Total Pages | : 66 |
Release | : 2005-05-03 |
Genre | : Music |
ISBN | : 1457428210 |
Split into two volumes (item 29 and 107), this edition concentrates on areas of performance practice such as dynamics, expressive character, fingering, ornamentation, phrasing, rhythmic treatment and tempo. This collection has been compiled for intermediate to moderately advanced students, and to assist the teacher and performer, utilizes four levels of grading (early intermediate, intermediate, late intermediate and early advanced.)
Author | : Domenico Scarlatti |
Publisher | : Alfred Music |
Total Pages | : 132 |
Release | : 1996-08-01 |
Genre | : Music |
ISBN | : 9781457463426 |
The editor has chosen 40 keyboard sonatas from the more than 500 written by Domenico Scarlatti. These serve as a progressive initiation into Scarlatti's keyboard artistry. The sonatas generally follow the simple structure of a single movement divided into two symmetrical refrains, as in the pre-classical dance suites. Embellishments are written in regular note values for ease of playing, and dynamic indications, which were sparse for the harpsichord, are added for the modern piano. Fingerings are included as a suggested guide.
Author | : Matthew Flannery |
Publisher | : Edwin Mellen Press |
Total Pages | : 360 |
Release | : 2004 |
Genre | : Music |
ISBN | : |
This work proposes a solution to what is often considered the central problem facing Scarlatti scholarship, determining the chronological order of his keyboard sonatas. In the data-poor arena of Scarlatti research, this work, avoiding a primarily musicological or organological approach, analyzes large-scale patterns of musical characteristics over all (or parts) of a sonata sequence founded primarily on the Parma manuscript. As a result of an extensive application of this analytic approach to the sequence, this work notes that many sequence patterns seem to be chronologically structured, that none seem anti-chronological, and that a few mirror historical changes in the music of Scarlatti's time. These phenomena and other observations delimit something like a general history of Scarlatti's musical development enriched further by a variety of localized events. Among some 26 patterns observed in the sequence are a systematic rise in Scarlatti's use of the major mode, stepped increases in sonata compass that seem to accord with the sequential availability of larger keyboards, and both an increase in the rate at which the sonatas were combined into sets of two or three works and the use by Scarlatti of progressively complex techniques for doing so. This work also sketches a methodological background for the chronological proposal, including a discussion of why chronological order seems a superior interpretation of the sequence compared to the thought that it may have been reorganized, whether at random or by specific criteria. This study also discusses such subjects as the probable location of the 30 essercizi within the sonata sequence, the likely mis-location of several other sonatas, implications of chronological order from organology, a broadly dated window for the latter part of the sequence, the relationship between conservative and radical elements in Scarlatti's compositions, a late-sequence change in his approach to writing slow sonatas, and the interplay of structural integration and musical diversity in the later sonatas. It presents a new catalog of the sonatas that, while substantially congruent with Kirkpatrick's, proposes modifications to his ordering of the first hundred sonatas as well to a few other but smaller regions of the sequence.
Author | : Domenico Scarlatti |
Publisher | : Alfred Music |
Total Pages | : 66 |
Release | : 2005-05-03 |
Genre | : Music |
ISBN | : 1457444186 |
This carefully edited volume contains 19 of Scarlatti's easiest pieces, including minuets, sonatas and assorted other works. Suggestions for interpretation and a discussion of the original editions are provided. Unique to this collection is a consideration of figured bass as used in several of Scarlatti's sonatas.
Author | : Jamey Bellizzi |
Publisher | : Mel Bay Publications |
Total Pages | : 113 |
Release | : 2020-01-24 |
Genre | : Music |
ISBN | : 161911979X |
Domenico Scarlatti composed some 555 sonatas for the harpsichord. As their texture is light and the music is usually homophonic they transcribe very well for the guitar. In this book, Jamey Bellizzi presents 30 Scarlatti sonatas in standard classical guitar notation. Performance notes, facsimile reproductions of Scarlatti's original manuscripts, and a biographical sketch of the composer are an added bonus.