Third Cinema, World Cinema and Marxism

Third Cinema, World Cinema and Marxism
Author: Ewa Mazierska
Publisher: Bloomsbury Publishing USA
Total Pages: 303
Release: 2020-09-17
Genre: Performing Arts
ISBN: 1501348299

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Third Cinema, World Cinema and Marxism offers an analysis of Third Cinema and World Cinema from the perspective of Marxism. Its starting point is an observation that of all cinematic phenomena none is as intimately related to Marxism as Third Cinema, which decries neoliberalism, the capitalist system, and the Hollywood model of cinema as mere entertainment to make money. This is largely to do with the fact that both Marxism and Third Cinema are preoccupied with inequalities resulting from capital accumulation, of which colonialism is the most extreme manifestation. Third Cinema also defines cinematic modes in terms of representing interest of different classes, with First Cinema expressing imperialist, capitalist, bourgeois ideas, Second Cinema the aspirations of the middle stratum, the petit bourgeoisie and Third Cinema is a democratic, popular cinema.

Third Cinema, World Cinema and Marxism

Third Cinema, World Cinema and Marxism
Author: Ewa Mazierska
Publisher: Bloomsbury Publishing USA
Total Pages: 303
Release: 2020-09-17
Genre: Performing Arts
ISBN: 1501348280

Download Third Cinema, World Cinema and Marxism Book in PDF, Epub and Kindle

Third Cinema, World Cinema and Marxism offers an analysis of Third Cinema and World Cinema from the perspective of Marxism. Its starting point is an observation that of all cinematic phenomena none is as intimately related to Marxism as Third Cinema, which decries neoliberalism, the capitalist system, and the Hollywood model of cinema as mere entertainment to make money. This is largely to do with the fact that both Marxism and Third Cinema are preoccupied with inequalities resulting from capital accumulation, of which colonialism is the most extreme manifestation. Third Cinema also defines cinematic modes in terms of representing interest of different classes, with First Cinema expressing imperialist, capitalist, bourgeois ideas, Second Cinema the aspirations of the middle stratum, the petit bourgeoisie and Third Cinema is a democratic, popular cinema.

Third Cinema in the Third World

Third Cinema in the Third World
Author: Teshome Habte Gabriel
Publisher:
Total Pages: 168
Release: 1982
Genre: Performing Arts
ISBN:

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Political Film

Political Film
Author: Mike Wayne
Publisher: Pluto Press
Total Pages: 178
Release: 2001-06-20
Genre: Performing Arts
ISBN: 9780745316697

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Wayne (Brunel U.) analyzes The Battle of Algiers as an example of films that fall within the body of theory and filmmaking practice committed to social and cultural emancipation that emerged a decade after and was influenced by the 1959 Cuban Revolution. Then he traces the changing dialectics of the First, Second, and Third Cinema movements. Distributed in the US by Stylus. Annotation copyrighted by Book News, Inc., Portland, OR

Marxism Goes to the Movies

Marxism Goes to the Movies
Author: Mike Wayne
Publisher: Routledge
Total Pages: 208
Release: 2019-11-28
Genre: Performing Arts
ISBN: 1317194799

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Introducing the key concepts and thinkers within the Marxist tradition, Marxism Goes to the Movies demonstrates their relevance to film theory and practice past and present. Author Mike Wayne argues that Marxist filmmaking has engaged with and transformed this popular medium, developing its potential for stimulating revolutionary consciousness. As the crisis of capitalism deepens, this history and these resources are vital for a better future. Marxism is one of the few approaches that can bring together political, economic, formal and cultural analysis into a unified approach of studying film, and how films in turn can help us understand and even critically interrogate these forces. The book examines how filmmakers, who have been influenced by Marxism, have made some of the most significant contributions to film culture globally, and provides historical perspective on the development of Marxism and film. Each chapter covers a broad theme that is broken down into sections that are cross-referenced throughout, providing helpful navigation of the material. Clear and concise in its arguments, this is an ideal introduction for students of Marxism and film, inviting readers to deepen their knowledge and understanding of the subject.

Neoliberalism and Global Cinema

Neoliberalism and Global Cinema
Author: Jyotsna Kapur
Publisher: Routledge
Total Pages: 362
Release: 2011-05-09
Genre: Art
ISBN: 1136701486

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In this edited volume, an international ensemble of scholars looks at how the world’s various cinemas, including Asia, Africa, Latin America, Europe, and the U.S., have variously performed, contested, and reinforced the worldwide transition to neoliberalism. Grounded in Marxist theory, the volume considers how the contradictions of capital, both as culture and commerce, have played out globally in contemporary media culture.

Marxism and Film Activism

Marxism and Film Activism
Author: Ewa Mazierska
Publisher: Berghahn Books
Total Pages: 290
Release: 2015-07-01
Genre: Performing Arts
ISBN: 1782386432

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In Theses on Feuerbach, Marx writes, “The philosophers have only interpreted the world differently; the point is to change it.” This collection examines how filmmakers have tried to change the world by engaging in emancipatory politics through their work, and how audiences have received them. It presents a wide spectrum of case studies, covering both film and digital technology, with examples from throughout cinematic history and around the world, including Soviet Russia, Palestine, South America, and France. Discussions range from the classic Marxist cinema of Aleksandr Medvedkin, Chris Marker, and Jean-Luc Godard, to recent media such as 5 Broken Cameras (2010), the phenomena of video-blogging, and bicycle activism films.

The Hidden Foundation

The Hidden Foundation
Author: David E. James
Publisher: U of Minnesota Press
Total Pages: 314
Release: 1996
Genre: Art
ISBN: 9780816627042

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Ranging from the earliest days of the cinema to the present, The Hidden Foundation reestablishes class as a fundamental aspect of film history. Featuring prominent film scholars and historians, this volume is unique in its international scope, diversity of perspectives and methodologies, and the sweep of its analysis. The Hidden Foundation begins with a review of the history of class in social and political thought, going on to chronicle its disappearance from film and cultural studies. Subsequent essays consider topics ranging from American and Soviet silent film through Chinese and American film in the fifties, to the restructuring of the working class that was a feature of films of the 1980s in both the United States and Great Britain.

Third Cinema in Third World

Third Cinema in Third World
Author: Teshome Habte Gabriel
Publisher:
Total Pages: 522
Release: 1979
Genre: Motion picture plays
ISBN:

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Ghostlife of Third Cinema

Ghostlife of Third Cinema
Author: Glen M. Mimura
Publisher: U of Minnesota Press
Total Pages: 219
Release: 2009
Genre: Performing Arts
ISBN: 0816648301

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Asian American filmmakers and video artists have created a substantial, diverse, and challenging body of work that reimagines the cultural and political representation of Asian Americans. Yet much of this work remains unknown. Ghostlife of Third Cinema examines such potent issues as diasporic identity, historical memory, and queer sexuality through sophisticated readings of a wide range of film and video projects, includingTrinh T. Minh-ha's experimental documentary Surname Viet Given Name Nam;avant-garde works by Japanese American filmmakers Rea Tajiri, Lise Yasui, andJanice Tanaka; and queer videos exploring the intersection of race, nation, andsexuality by Pablo Bautista, Ming-Yuen Ma, and Nguyen Tan Hoang.