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| Author | : Jafari S. Allen |
| Publisher | : |
| Total Pages | : 448 |
| Release | : 2022-01-04 |
| Genre | : Social Science |
| ISBN | : 9781478014591 |
Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of Black queer politics, culture, and history in the 1980s as they emerged out of radical Black lesbian activism and writing.
| Author | : Jafari S. Allen |
| Publisher | : Duke University Press |
| Total Pages | : 265 |
| Release | : 2021-11-15 |
| Genre | : Social Science |
| ISBN | : 1478021896 |
In There’s a Disco Ball Between Us, Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of what he calls “Black gay habits of mind.” In conversational and lyrical language, Allen locates this sensibility as it emerged from radical Black lesbian activism and writing during the long 1980s. He traverses multiple temporalities and locations, drawing on research and fieldwork conducted across the globe, from Nairobi, London, and Paris to Toronto, Miami, and Trinidad and Tobago. In these locations and archives, Allen traces the genealogies of Black gay politics and cultures in the visual art, poetry, film, Black feminist theory, historiography, and activism of thinkers and artists such as Audre Lorde, Marsha P. Johnson, Essex Hemphill, Colin Robinson, Marlon Riggs, Pat Parker, and Joseph Beam. Throughout, Allen renarrates Black queer history while cultivating a Black gay method of thinking and writing. In so doing, he speaks to the urgent contemporary struggles for social justice while calling on Black studies to pursue scholarship, art, and policy derived from the lived experience and fantasies of Black people throughout the world.
| Author | : Lindsey B. Green-Simms |
| Publisher | : Duke University Press |
| Total Pages | : 171 |
| Release | : 2022-02-04 |
| Genre | : Performing Arts |
| ISBN | : 1478022639 |
In Queer African Cinemas, Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century in an environment of increasing antiqueer violence, efforts to criminalize homosexuality, and other state-sanctioned homophobia. Green-Simms argues that these films not only record the fear, anxiety, and vulnerability many queer Africans experience; they highlight how queer African cinematic practices contribute to imagining new hopes and possibilities. Examining globally circulating international art films as well as popular melodramas made for local audiences, Green-Simms emphasizes that in these films queer resistance—contrary to traditional narratives about resistance that center overt and heroic struggle—is often practiced from a position of vulnerability. By reading queer films alongside discussions about censorship and audiences, Green-Simms renders queer African cinema as a rich visual archive that documents the difficulty of queer existence as well as the potentials for queer life-building and survival.
| Author | : Jafari S. Allen |
| Publisher | : Duke University Press |
| Total Pages | : 256 |
| Release | : 2011-08-12 |
| Genre | : History |
| ISBN | : 0822349507 |
DIVAn ethnography of sexual identity formation in contemporary Cuba./div
| Author | : Jeremy Atherton Lin |
| Publisher | : Little, Brown |
| Total Pages | : 262 |
| Release | : 2021-02-09 |
| Genre | : Biography & Autobiography |
| ISBN | : 0316458740 |
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY: The New York Times * NPR * Vogue * Gay Times * Artforum * “Gay Bar is an absolute tour de force.” –Maggie Nelson "Atherton Lin has a five-octave, Mariah Carey-esque range for discussing gay sex.” –New York Times Book Review As gay bars continue to close at an alarming rate, a writer looks back to find out what’s being lost in this indispensable, intimate, and stylish celebration of queer history. Strobing lights and dark rooms; throbbing house and drag queens on counters; first kisses, last call: the gay bar has long been a place of solidarity and sexual expression—whatever your scene, whoever you’re seeking. But in urban centers around the world, they are closing, a cultural demolition that has Jeremy Atherton Lin wondering: What was the gay bar? How have they shaped him? And could this spell the end of gay identity as we know it? In Gay Bar, the author embarks upon a transatlantic tour of the hangouts that marked his life, with each club, pub, and dive revealing itself to be a palimpsest of queer history. In prose as exuberant as a hit of poppers and dazzling as a disco ball, he time-travels from Hollywood nights in the 1970s to a warren of cruising tunnels built beneath London in the 1770s; from chichi bars in the aftermath of AIDS to today’s fluid queer spaces; through glory holes, into Crisco-slicked dungeons and down San Francisco alleys. He charts police raids and riots, posing and passing out—and a chance encounter one restless night that would change his life forever. The journey that emerges is a stylish and nuanced inquiry into the connection between place and identity—a tale of liberation, but one that invites us to go beyond the simplified Stonewall mythology and enter lesser-known battlefields in the struggle to carve out a territory. Elegiac, randy, and sparkling with wry wit, Gay Bar is at once a serious critical inquiry, a love story and an epic night out to remember.
| Author | : J. Vincent |
| Publisher | : Springer |
| Total Pages | : 231 |
| Release | : 2016-09-23 |
| Genre | : Social Science |
| ISBN | : 1137065656 |
Queer Lyrics fills a gap in queer studies: the lyric, as poetic genre, has never been directly addressed by queer theory. Vincent uses formal concerns, difficulty and closure, to discuss innovations specific to queer American poets. He traces a genealogy based on these queer techniques from Whitman, through Crane and Moore, to Ashbery and Spicer. Queer Lyrics considers the place of form in queer theory, while opening new vistas on the poetry of these seminal figures.
| Author | : Imani Ariana Grant |
| Publisher | : |
| Total Pages | : 26 |
| Release | : 2018-01-09 |
| Genre | : |
| ISBN | : 9781948071161 |
Disco Balls of the Universe is a fun way to learn about the eight planets in the Solar System from a child's perspective. Imani and friends meet the planets at a party in outer space.
| Author | : Eric Litwin |
| Publisher | : Scholastic Inc. |
| Total Pages | : 40 |
| Release | : 2017-09-12 |
| Genre | : Juvenile Fiction |
| ISBN | : 1338184660 |
Knock! Knock! Groovy Joe, the fun-lovin', guitar-strummin' easy goin' doggy is back and ready for a dance party with you . . . and a whole new math-lovin' doggy crew ! Groovy Joe is totally fun.He's a tail-wagging, song singing party of one!And he rocks like this:Disco party bow wow!#1 New York Times bestsellers-Eric Litwin (Pete the Cat: I Love My White Shoes) and Tom Lichtenheld (Goodnight, Goodnight, Construction Site) are back in another groovy story that will have little ones singing, dancing, and learning math to a whole new beat. In his second book, Groovy Joe has a dance party. But Oh no! More and more doggies are knocking on his door, asking to come in. Will there be enough room for everyone? Joe knows just what to do, and soon enough, he has everyone moving and grooving -- the party has only just begun! Signature rhyme, repetition, and musical writing style, combined with wild and witty illustrations infused and gentle math concepts, come together to create an unforgettable new Groovy Joe story all about positivity, creativity, math, and kindness. Groovy Joe is back, ready to get groovy!
| Author | : Jacinta Bunnell |
| Publisher | : PM Press |
| Total Pages | : 48 |
| Release | : 2020-11-03 |
| Genre | : Juvenile Fiction |
| ISBN | : 1629638242 |
A gender nonbinary protagonist named Harmon Jitney finds their joy and purpose in a magical satchel which leads to an extraordinary, previously undiscovered universe. This book features LGBTQAI+ characters seamlessly woven into a delightful, imagination-sparking story, without overtly being a lesson book about gender and sexual orientation. Follow Harmon as they unlock the key to their own inner happiness and sense of community. Praise: “It’s often been said that you can’t be it, unless you see it, but the queer youth of today are often busy being whatever it is by the time they finally see it represented out there in the world. The classification they choose or the person with whom they identify presents itself as an affirmation rather than an inspiration. A More Graceful Shaboom is a major affirmation to anyone who identifies as non-binary—and an inspiration to us all.” —James Lecesne, co-founder of the Trevor Project “A More Graceful Shaboom is what would happen if Remy Charlip and Freddy Mercury had a baby. It’s what would happen if you could live in Narnia and Woodstock at the same time. It’s what would happen if the idea of inclusiveness was taken to the outer edges of the universe. There’s room enough for everyone, plus there’s a disco ball. That’s enough for me.” —Brian Selznick, author and illustrator of The Invention of Hugo Cabret “I loved A More Graceful Shaboom! This hilarious, sweet, and witty book will open hearts and minds to the many possibilities beyond what’s expected and constrained by society. Harmon’s quest for a purse—something to hold their many treasures—will resonate with anyone who has ever searched for a way to make the world a little more beautiful.” —Jen Doll, author of Unclaimed Baggage “Jacinta Bunnell’s nonsense world—where children control the backhoes and there’s a purse for every occasion—will be uncannily familiar to kid and adult readers, since it’s the very world we live in, with a few fabulous alterations. Each time I read it I can’t wait to go back.” —Cory Silverberg, author of What Makes a Baby
| Author | : Kevin Quashie |
| Publisher | : Rutgers University Press |
| Total Pages | : 205 |
| Release | : 2012-07-25 |
| Genre | : Literary Criticism |
| ISBN | : 0813553113 |
African American culture is often considered expressive, dramatic, and even defiant. In The Sovereignty of Quiet, Kevin Quashie explores quiet as a different kind of expressiveness, one which characterizes a person’s desires, ambitions, hungers, vulnerabilities, and fears. Quiet is a metaphor for the inner life, and as such, enables a more nuanced understanding of black culture. The book revisits such iconic moments as Tommie Smith and John Carlos’s protest at the 1968 Mexico City Olympics and Elizabeth Alexander’s reading at the 2009 inauguration of Barack Obama. Quashie also examines such landmark texts as Gwendolyn Brooks’s Maud Martha, James Baldwin’s The Fire Next Time, and Toni Morrison’s Sula to move beyond the emphasis on resistance, and to suggest that concepts like surrender, dreaming, and waiting can remind us of the wealth of black humanity.
