Theory, Analysis and Meaning in Music

Theory, Analysis and Meaning in Music
Author: Anthony Pople
Publisher: Cambridge University Press
Total Pages: 248
Release: 2006-11-02
Genre: Music
ISBN: 9780521028301

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There have been far-reaching changes in the way music theorists and analysts view the nature of their disciplines. Encounters with structuralist and post-structuralist critical theory, and with linguistics and cognitive sciences, have brought the theory and analysis of music into the orbit of important developments in intellectual history. This book presents the work of a group of scholars who, without seeking to impose an explicit redefinition of either theory or analysis, explore the limits of both in this context. Essays on the languages of analysis and theory, and on practical issues such as decidability, ambiguity and metaphor, combine with studies of works by Debussy, Schoenberg, Birtwistle and Boulez, together making a major contribution to an important debate in the growth of musicology.

Everything in Its Right Place

Everything in Its Right Place
Author: Brad Osborn
Publisher: Oxford University Press
Total Pages: 249
Release: 2017
Genre: Music
ISBN: 0190629231

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Everything in its Right Place identifies the secret to Radiohead's immense commercial and critical success in the band's ability to navigate a sweet spot between expectation and surprise. The author uses tools from musical perception, semiotics, and music theory to demonstrate this reconciliation of extremes, and analyzes musical meaning with lyrics, biographical details, and intertextual relationships.

A Theory of Musical Narrative

A Theory of Musical Narrative
Author: Byron Almén
Publisher: Indiana University Press
Total Pages: 263
Release: 2017-09-04
Genre: Music
ISBN: 0253030285

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Byron Almén proposes an original synthesis of approaches to musical narrative from literary criticism, semiotics, historiography, musicology, and music theory, resulting in a significant critical reorientation of the field. This volume includes an extensive survey of traditional approaches to musical narrative illustrated by a wide variety of musical examples that highlight the range and applicability of the theoretical apparatus. Almén provides a careful delineation of the essential elements and preconditions of musical narrative organization, an eclectic analytical model applicable to a wide range of musical styles and repertoires, a classification scheme of narrative types and subtypes reflecting conceptually distinct narrative strategies, a wide array of interpretive categories, and a sensitivity to the dependence of narrative interpretation on the cultural milieu of the work, its various audiences, and the analyst. A Theory of Musical Narrative provides both an excellent introduction to an increasingly important conceptual domain and a complex reassessment of its possibilities and characteristics.

Studies in Music with Text

Studies in Music with Text
Author: David Lewin
Publisher: Oxford University Press
Total Pages: 423
Release: 2006-01-05
Genre: Music
ISBN: 0198040180

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Throughout his career, David Lewin labored to make even the most abstract theory speak to the experience of the ordinary listener. This book combines many of Lewin's classic articles on song and opera with newly drafted chapters on songs of Brahms, Robert Schumann, Clara Schumann, and Milton Babbitt. Bound together by Lewin's cogent insight, the resulting collection constitutes a major statement concerning the methodological problems associated with interpretation of texted music.

Performative Analysis

Performative Analysis
Author: Jeffrey Swinkin
Publisher: Boydell & Brewer
Total Pages: 273
Release: 2016
Genre: Music
ISBN: 1580465269

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This book proposes a new model for understanding the musical work, which includes interpretation -- both analysis- and performance-based -- as an integral component.

Musical Meaning in Beethoven

Musical Meaning in Beethoven
Author: Robert S. Hatten
Publisher: Indiana University Press
Total Pages: 374
Release: 2004-10-20
Genre: Music
ISBN: 9780253217110

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Award-winning examination of Beethoven's music.

Music, Politics, and the Academy

Music, Politics, and the Academy
Author: Pieter C. van den Toorn
Publisher: University of California Press
Total Pages: 252
Release: 1996-01-01
Genre: Biography & Autobiography
ISBN: 9780520201163

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Advocates of "new musicology" claim that technical methods of music analysis are conservative, elitist, positivist, and emotionally arid. Pieter C. van den Toorn challenges those claims, asking why cultural, sociopolitical, or gender-studies approaches to music should be deemed more democratic or expressive of music's content or impact. Why should music analysis be thought incapable of serving larger aesthetic ends? Van den Toorn confronts Susan McClary, Leo Treitler, and Joseph Kerman in particular, arguing that hands-on music analysis can penetrate the complexity of music and speak to our experience of it. He criticizes new musicologists for retreating from issues of musical immediacy by focusing on cultural issues. In later chapters van den Toorn defends Schenkerian methods and demonstrates the usefulness of technical analysis in the appreciation of Beethoven, Debussy, Schoenberg, and Stravinsky.

The Topos of Music

The Topos of Music
Author: Guerino Mazzola
Publisher: Birkhäuser
Total Pages: 1310
Release: 2012-12-06
Genre: Mathematics
ISBN: 303488141X

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With contributions by numerous experts

Musical Motives

Musical Motives
Author: Brent Auerbach
Publisher: Oxford University Press
Total Pages: 336
Release: 2021-04-21
Genre: Music
ISBN: 0197526047

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All music fans harbor in their memories vivid fragments of their favorite works. The starting guitar solo of "Satisfaction" by the Rolling Stones, the da-da-da-DUM gesture that opens Beethoven's Fifth Symphony, the lush swelling chords of a beloved movie soundtrack: hearing the briefest snippet of any of these is enough to transport listeners into the piece's sonic and emotional world. But what makes musical motives so powerful? In Musical Motives, author Brent Auerbach looks at the ways that motives the small-scale pitch and rhythm shapes that are ever-present in music unify musical compositions and shape our experiences of them. Motives serve both to communicate basic musical meaning and to tie together sound space like the motifs in visual art. They present in all genres from classical and popular to jazz and world music, making them ideally suited for analysis. Musical Motives opens with a general introduction to these fundamental building blocks, then lays out a comprehensive theory and method to account for music's structure and drama in motivic terms. Aimed at both amateur and expert audiences, the book offers a tiered approach that progresses from Basic to Complex Motivic Analysis. The methods are illustrated by small- and large-scale analyses of pieces by Mozart, Beethoven, Handel, Chaminade, Verdi, Radiohead, and many more.

Focal Impulse Theory

Focal Impulse Theory
Author: John Paul Ito
Publisher: Indiana University Press
Total Pages: 398
Release: 2021-01-05
Genre: Music
ISBN: 0253049946

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Music is surrounded by movement, from the arching back of the guitarist to the violinist swaying with each bow stroke. To John Paul Ito, these actions are not just a visual display; rather, they reveal what it really means for musicians to move with the beat, organizing the flow of notes from beat to beat and shaping the sound produced. By developing "focal impulse theory," Ito shows how a performer's choices of how to move with the meter can transform the music's expressive contours. Change the dance of the performer's body, and you change the dance of the notes. As Focal Impulse Theory deftly illustrates, bodily movements carry musical meaning and, in a very real sense, are meaning.