Poems Of Wine & Revelry

Poems Of Wine & Revelry
Author: Jim Colville
Publisher: Routledge
Total Pages: 108
Release: 2014-01-27
Genre: Social Science
ISBN: 1317846672

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First published in 2005. Arabic literature has a distinguished tradition of bacchanals but none are so consistently entertaining or explicit or iconoclastic as those of Abu Nuwas al_hasan ibn Hani al-Hakami (c. 756-c.815), the 'bad boy' of Abbasid poetry. In his khamriyyat, Abu Nuwas offers a glimpse of the hedonistic and dissipated world he inhabited: the world of Baghdad high society at the zenith of the Abbasid caliphate. Yet there is also a modern and up-to-date feel about his poetry that makes it ideal for presentation to an English-speaking readership, some twelve centuries after his death.

Vintage Humour

Vintage Humour
Author: Alex Rowell
Publisher: Oxford University Press
Total Pages: 322
Release: 2018-05-01
Genre: Poetry
ISBN: 1849049939

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Abu Nuwas, the pre-eminent bacchic bard of the classical Arabic canon, was loved and reviled in equal measure for his lyrical celebration of Abbasid Baghdad's dissolute nightlife, his cutting satires of religion and the clergy, and the extraordinary range and virtuosity of his literary talent. Vintage Humour contains approximately 120 translations, each replicating the monorhyme scheme of the originals, with commentary where appropriate, a brief history of the poet's life and times, and a glossary of the key themes, motifs, and running jokes of the poems themselves. Based on extensive research with both Arabic and English source materials, Vintage Humour is an illuminating collection, of interest to both general and informed readers with an interest in Islamic studies, Arabic literature, and the history of Iraq and the Middle East.

Poems Of Wine & Revelry

Poems Of Wine & Revelry
Author: Jim Colville
Publisher: Routledge
Total Pages: 149
Release: 2014-01-27
Genre: Social Science
ISBN: 1317846680

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First published in 2005. Arabic literature has a distinguished tradition of bacchanals but none are so consistently entertaining or explicit or iconoclastic as those of Abu Nuwas al_hasan ibn Hani al-Hakami (c. 756-c.815), the 'bad boy' of Abbasid poetry. In his khamriyyat, Abu Nuwas offers a glimpse of the hedonistic and dissipated world he inhabited: the world of Baghdad high society at the zenith of the Abbasid caliphate. Yet there is also a modern and up-to-date feel about his poetry that makes it ideal for presentation to an English-speaking readership, some twelve centuries after his death.

The Wine Poems of Abu Nuwas (Khamriyyat)

The Wine Poems of Abu Nuwas (Khamriyyat)
Author: Abu Nuwas
Publisher: Createspace Independent Publishing Platform
Total Pages: 208
Release: 2018-02-10
Genre:
ISBN: 9781985143357

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THE WINE POEMS OF ABU NUWAS (Khamriyyat) Translation & Introduction Paul Smith Abu Nuwas (757-814) was the most famous and infamous poet who composed in Arabic of the Abbasid era. His style was extravagant and his compositions reflected the licentious manners of the upper classes of his day. His father was Arab and his mother was Persian. As a youth he was sold into slavery; a wealthy benefactor later set him free. By the time he reached manhood he had settled in Baghdad and was composing poetry. It was at this time, because of his long hair, he acquired the name Abu Nuwas (Father of Ringlets). Gradually he attracted the attention of Harun al-Rashid and was given quarters at court. His ability as a poet no doubt was one reason for Abu Nuwas' success with the caliph, but after a while he became known as a reprobate and participated in less reputable pastimes with the ruler. He spent time in Egypt but soon returned to Baghdad to live out his remaining years. It is said he lived the last part of his life as a Sufi and some of his poems reflect this. He is popular today, perhaps more so than he ever was, as a kind of comic anti-hero in many Muslim countries. His poems consist of qit'as (of which he was the first master) ghazals and qasidas. His most famous, most loved poems were his wine poems (khamriyyat) that influence many poets to come including Obeyd Zakani & the great Hafiz & other Sufi Poets (over 100 here translated). He also wrote praises, mockeries, jokes, complaints, love of men & women, laments, asceticism A selection of them are here translated. All are in the correct rhyme structure. Introduction on his Life, Times & Poetry. Large Format Paperback 7" x 10" 210 pages. COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished. " Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator works in English into Persian and knower of Hafiz's Divan off by heart. Paul Smith (b.1945) is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Mahsati, Lalla Ded, Bulleh Shah, Shah Latif, Makhfi, Iqbal, Dara Shikoh, Ghalib, Seemab, Jigar and many others, as well as his own poetry, fiction, plays, biographies, children's books and a dozen screenplays. www.newhumanitybooks.com

Vintage Humour

Vintage Humour
Author: Alex Rowell
Publisher: Oxford University Press
Total Pages: 322
Release: 2018-05-01
Genre: Poetry
ISBN: 1849049920

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Abu Nuwas, the pre-eminent bacchic bard of the classical Arabic canon, was loved and reviled in equal measure for his lyrical celebration of Abbasid Baghdad's dissolute nightlife, his cutting satires of religion and the clergy, and the extraordinary range and virtuosity of his literary talent. Vintage Humour contains approximately 120 translations, each replicating the monorhyme scheme of the originals, with commentary where appropriate, a brief history of the poet's life and times, and a glossary of the key themes, motifs, and running jokes of the poems themselves. Based on extensive research with both Arabic and English source materials, Vintage Humour is an illuminating collection, of interest to both general and informed readers with an interest in Islamic studies, Arabic literature, and the history of Iraq and the Middle East.

The Wine Song in Classical Arabic Poetry

The Wine Song in Classical Arabic Poetry
Author: Philip F. Kennedy
Publisher: Oxford Oriental Monographs
Total Pages: 324
Release: 1997
Genre: Literary Criticism
ISBN:

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The classical period of Arab civilization produced the most extensive and highly developed bacchic tradition in world literature, In this book, the author traces the history of classical Arabic wine poetry from its origins in sixth century Arabia to its heyday in Baghdad at the turn of theninth century. The focus is on the greatest and perhaps most likeable of Arabic poets, Abu Nuwas. Although wine poetry is only one of the many genres for which he is known, it is the one that has ensured his fame, and the one on which this book concentrates. The wine songs of the poet are analysedand their connections with poetics, ethics, and religion are explored. The author also puts Abu Nuwas in perspective by comparing him with his most important predecessors and contemporaries and by discussing his interaction with other poetic genres such as amatory, invective, ascetic, or gnomicverse.

Night & Horses & The Desert

Night & Horses & The Desert
Author: Robert Irwin
Publisher: ABRAMS
Total Pages: 289
Release: 2016-06-21
Genre: Literary Collections
ISBN: 1590209141

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This collection of Arabic literature is “a joy to read. . . . a journey through eleven centuries of a lost world, with a surprise on almost every page” (Financial Times). Spanning the fifth to the sixteenth centuries, from Afghanistan to Spain, Night & Horses & The Desert includes translated extracts from all the major classics in an invaluable introduction to the subject of classical Arabic literature. Robert Irwin has selected a wide range of poetry and prose in translation, from the most important and typical texts to the very obscure. Alongside the extracts, Irwin’s copious commentary and notes provide an explanatory history of the subject. What were the various genres and to what extent were they constrained by rules? What were the canons of traditional Arabic literary criticism? How were Arabic prose and poetry recited and written down? Irwin explores the literary environments of the desert, salon, mosque, and bookshop and provides brief biographies of the caliphs, princesses, warriors, scribes, dandies, and mystics who created such a rich and diverse literary culture. Night & Horses & The Desert gives western readers a unique taste of the sheer vitality and depth of the medieval Arab past. “Superb . . . . a revelation.” —The Washington Post “[A] treasure-house of a book. . . . Unequaled for scholarship and entertainment.” —The Independent

A Two-Colored Brocade

A Two-Colored Brocade
Author: Annemarie Schimmel
Publisher: UNC Press Books
Total Pages: 559
Release: 2014-02-01
Genre: Literary Criticism
ISBN: 1469616378

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Annemarie Schimmel, one of the world's foremost authorities on Persian literature, provides a comprehensive introduction to the complicated and highly sophisticated system of rhetoric and imagery used by the poets of Iran, Ottoman Turkey, and Muslim India. She shows that these images have been used and refined over the centuries and reflect the changing conditions in the Muslim world. According to Schimmel, Persian poetry does not aim to be spontaneous in spirit or highly personal in form. Instead it is rooted in conventions and rules of prosody, rhymes, and verbal instrumentation. Ideally, every verse should be like a precious stone--perfectly formed and multifaceted--and convey the dynamic relationship between everyday reality and the transcendental. Persian poetry, Schimmel explains, is more similar to medieval European verse than Western poetry as it has been written since the Romantic period. The characteristic verse form is the ghazal--a set of rhyming couplets--which serves as a vehicle for shrouding in conventional tropes the poet's real intentions. Because Persian poetry is neither narrative nor dramatic in its overall form, its strength lies in an "architectonic" design; each precisely expressed image is carefully fitted into a pattern of linked figures of speech. Schimmel shows that at its heart Persian poetry transforms the world into a web of symbols embedded in Islamic culture.

'His Pen and Ink Are a Powerful Mirror'

'His Pen and Ink Are a Powerful Mirror'
Author:
Publisher: BRILL
Total Pages: 381
Release: 2020-03-23
Genre: History
ISBN: 9004407545

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This volume is a collection of studies in the cultural history of al-Andalus in honor of Ross Brann on his 70th birthday.

Diwan of Abu Nuwas

Diwan of Abu Nuwas
Author: Abu Nuwas
Publisher: Createspace Independent Publishing Platform
Total Pages: 306
Release: 2018-02-10
Genre:
ISBN: 9781985212954

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DIWAN OF ABU NUWAS Translation & Introduction Paul Smith Abu Nuwas (757-814) was the most famous and infamous poet who composed in Arabic of the Abbasid era. His style was extravagant and his compositions reflected the licentious manners of the upper classes of his day. His father was Arab and his mother was Persian. As a youth he was sold into slavery; a wealthy benefactor later set him free. By the time he reached manhood he had settled in Baghdad and was composing poetry. It was at this time, because of his long hair, he acquired the name Abu Nuwas (Father of Ringlets). Gradually he attracted the attention of Harun al-Rashid and was given quarters at court. His ability as a poet no doubt was one reason for Abu Nuwas' success with the caliph, but after a while he became known as a reprobate and participated in less reputable pastimes with the ruler. He spent time in Egypt but soon returned to Baghdad to live out his remaining years. It is said he lived the last part of his life as a Sufi and some of his poems reflect this. He is popular today, perhaps more so than he ever was, as a kind of comic anti-hero in many Muslim countries. His poems consist of qit'as (of which he was the first master) ghazals and qasidas. His poems could be classified into: wine poems (over a 100 here translated), praises (of nobles and caliphs & famous people), mockeries, jokes, complaints, love of men and women, hunting, laments, asceticism. All forms are here in the meaning & rhyme structure, the largest in print. Introduction: Life, Times & Poetry and forms he composed in: 2 appendixes of some of the stories about him in Arabian Nights and elsewhere. Large Format Paperback 7" x 10" 307 pages. COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished. " Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator works in English into Persian and knower of Hafiz's Divan off by heart. Paul Smith (b.1945) is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Mahsati, Lalla Ded, Bulleh Shah, Shah Latif, Makhfi, Iqbal, Dara Shikoh, Ghalib, Seemab, Jigar and many others, as well as his own poetry, fiction, plays, biographies, children's books and a dozen screenplays. www.newhumanitybooks.com