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| Author | : Garo Z. Antreasian |
| Publisher | : Los Angeles : Tamarind Lithography Workshop |
| Total Pages | : 474 |
| Release | : 1971 |
| Genre | : Art |
| ISBN | : |
| Author | : Marjorie Devon |
| Publisher | : ABRAMS |
| Total Pages | : 328 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : |
This comprehensive text covers all facets of fine art lithography, from setting up a workshop of any size to pulling a successful edition. It ofers complete, illustrated step-by-step instructions for all techniques in use.
| Author | : Garo Z. Antreasian |
| Publisher | : |
| Total Pages | : 463 |
| Release | : 1970 |
| Genre | : Lithography |
| ISBN | : |
| Author | : Kathleen Stewart Howe |
| Publisher | : |
| Total Pages | : 132 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : |
This collection of essays, Volume 17 of "The Tamarind Papers and the third to be produced in book form, describes the intersections of lithography, photography, and established printmaking techniques. Considering topics from William Henry Fox Talbot's botanical illustrations and the Lemerciers' invention of photolithography to the sociopolitical prints of Ben Shahn and Walton Ford's incorporation of the photograph in contemporary lithography, these nine essays mark the two hundredth anniversary of the lithographic process and expand the history of graphic processes in the nineteenth and twentieth centuries. The connections between lithography and photography are many and varied. This volume expands the reader's knowledge of the history of printmaking and underscores the enduring beauty of prints.
| Author | : Garo Z. Antreasian |
| Publisher | : UNM Press |
| Total Pages | : 369 |
| Release | : 2016-01-15 |
| Genre | : Art |
| ISBN | : 0826355420 |
Garo Z. Antreasian (b. 1922) belongs to the great generation of innovators in mid-twentieth-century American art. While influenced by a variety of European artists in his early years, it was his involvement with Tamarind Lithography Workshop starting in 1960 that transformed his work. As Tamarind’s founding technical director, he revolutionized the medium of lithography. He discovered how to manipulate the spontaneous possibilities of lithography in the manner of the Abstract Expressionist painters. In addition to reflecting on his work, he writes movingly about his Armenian heritage and its importance in his art, his teaching, and his love affair with all sorts of artistic media. Illustrating his drawings, paintings, and prints, this book reveals Antreasian as a major American artist. This book was made possible in part by generous contributions from the Frederick Hammersley Foundation and Gerald Peters Gallery.
| Author | : Trudy V. Hansen |
| Publisher | : |
| Total Pages | : 296 |
| Release | : 1995-09 |
| Genre | : Art |
| ISBN | : |
The years from 1960 to 1990 witnessed an extraordinary outburst of creative activity among American printmakers. A number of important new workshops were founded, from such influential studios as Universal Limited Art Editions as Long Island and the Tamarind Lithography Workshop in Los Angeles to small presses throughout the country. In contrast to traditional European ateliers, where professional printers reproduced artists' designs for commercial edition printing, the new American workshops stressed collaboration, and emphasized radical experimentation with medium and process. The work produced in these studios often owed as much to the imaginative gifts of the printer as the conception of the artist.
| Author | : Norton Simon Museum (Pasadena, Calif.) |
| Publisher | : J Paul Getty Museum Publications |
| Total Pages | : 259 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 9781606060933 |
Published in conjunction with an exhibition held at the Norton Simon Museum, Pasadena, Calif., Oct. 1, 2011-Apr. 2, 2012.
| Author | : Beth Grabowski |
| Publisher | : McGraw-Hill Humanities, Social Sciences & World Languages |
| Total Pages | : 0 |
| Release | : 1994 |
| Genre | : Prints |
| ISBN | : 9780697144898 |
| Author | : Phil Sanders |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2021 |
| Genre | : ART |
| ISBN | : 9781616898182 |
"An exploration of historical and contemporary fine art printmaking, with an emphasis on the roles and processes of the artist, master printer, and publisher"--
| Author | : Robert P. Conway |
| Publisher | : |
| Total Pages | : 486 |
| Release | : 2007 |
| Genre | : |
| ISBN | : |
Since her first solo exhibition in 1935 at the age of seventeen, June Wayne has achieved legendary status among twentieth-century American artists. Best known today for her work in and influence on printmaking and fine-art lithography, one of her most renowned achievements was the founding of the Tamarind Lithography Workshop in 1959. Under her direction, this workshop became one of the most important focal points of a general revival of printmaking in the United States - a revival that gave many other famous artists, including Willem de Kooning, Louise Nevelson, and Ed Ruscha, an opportunity to experiment in this format. Her own spectacular prints earned her the estimable title the incontestable pioneer of contemporary lithography. But Wayne's artistic accomplishments are even richer than that. Throughout her career, she boldly explored a variety of media and aesthetic concepts.
