The Supernatural in Modern English Fiction

The Supernatural in Modern English Fiction
Author: Dorothy Scarborough
Publisher:
Total Pages: 352
Release: 1917
Genre: History
ISBN:

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The Supernatural in Modern English Fiction by Dorothy. Scarborough, first published in 1917, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.

The Supernatural in Modern English Fiction

The Supernatural in Modern English Fiction
Author: Dorothy Scarborough
Publisher: Literary Licensing, LLC
Total Pages: 340
Release: 2014-03
Genre:
ISBN: 9781497830882

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This Is A New Release Of The Original 1917 Edition.

The Supernatural in Modern English Fiction

The Supernatural in Modern English Fiction
Author: Dorothy Scarborough
Publisher:
Total Pages: 238
Release: 2020-04-15
Genre:
ISBN:

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THE real precursor of supernaturalism in modern English literature was the Gothic novel. That odd form might be called a brief in behalf of banished romance, since it voiced a protest against the excess of rationalism and realism in the early eighteenth century. Too great correctness and restraint must always result in proportionate liberty. As the eternal swing of the pendulum of literary history, the ebb and flow of fiction inevitably bring a reaction against any extreme, so it was with the fiction of the period. The mysterious twilights of medievalism invited eyes tired of the noonday glare of Augustan formalism. The natural had become familiar to monotony, hence men craved the supernatural. And so the Gothic novel came into being. Gothic is here used to designate the eighteenth-century novel of terror dealing with medieval materials.

The Supernatural in Modern English Fiction

The Supernatural in Modern English Fiction
Author: Dorothy Scarborough
Publisher:
Total Pages: 238
Release: 2020-04-15
Genre:
ISBN:

Download The Supernatural in Modern English Fiction Book in PDF, Epub and Kindle

THE real precursor of supernaturalism in modern English literature was the Gothic novel. That odd form might be called a brief in behalf of banished romance, since it voiced a protest against the excess of rationalism and realism in the early eighteenth century. Too great correctness and restraint must always result in proportionate liberty. As the eternal swing of the pendulum of literary history, the ebb and flow of fiction inevitably bring a reaction against any extreme, so it was with the fiction of the period. The mysterious twilights of medievalism invited eyes tired of the noonday glare of Augustan formalism. The natural had become familiar to monotony, hence men craved the supernatural. And so the Gothic novel came into being. Gothic is here used to designate the eighteenth-century novel of terror dealing with medieval materials.

The Supernatural in Modern English Fiction

The Supernatural in Modern English Fiction
Author: Dorothy Scarborough
Publisher: Theclassics.Us
Total Pages: 104
Release: 2013-09
Genre: English fiction
ISBN: 9781230302904

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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1917 edition. Excerpt: ... CHAPTER VII Supernatural Science THE application of modern science to supernaturalism, or of the supernatural to modern science, is one of the distinctive features of recent literature. Ghostly fiction took a new and definite turn with the rapid advance in scientific knowledge and investigation in the latter part of the nineteenth century, for the work of Darwin, Spencer, Huxley, and their co-laborers did as much to quicken thought in romance as in other lines. Previous literature had made but scant effort to reflect even the crude science of the times, and what was written was so unconvincing that it made comparatively little impress. Almost the only science that Gothic fiction dealt with, to any noticeable extent, was associated with alchemy and astrology. The alchemist sought the philosopher's stone and the elixir of life while the astrologer tried to divine human destiny by the stars. Zofloya dabbled in diabolic chemistry, and Frankenstein created a man-monster that was noteworthy as an incursion into supernatural biology, yet they are almost isolated instances. Now each advance in science has had its reflection in supernatural fiction and each phase of research contributes plot material, while some of the elements once considered wholly of the devil are now scientific. The sorcerer has given place to the bacteriologist and the botanist, the marvels of discovery have displaced miracles as basis for unearthly plot material, and it is from the laboratory that the ghostly stories are now evolved, rather than from the vault and charnel-room as in the past. Science not only furnishes extraordinary situations for curdling tales, but it is an excellent hook to hang supernatural tales upon, for it gives an excuse for believing anything, ..

Supernatural Fiction in Early Modern Drama and Culture

Supernatural Fiction in Early Modern Drama and Culture
Author: Ryan Curtis Friesen
Publisher: Liverpool University Press
Total Pages: 261
Release: 2019-07-01
Genre: Drama
ISBN: 1837641587

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Brings together authors of fiction with philosophers and academics in Early Modern England and compares their ways of describing and understanding the world; Explores popular culture as well as the culture of the learned and elite; Examines the intellectual consequences of the Reformation and compares the spiritual and doctrinal practices of the occult to those of orthodoxy. Magic and the supernatural are common themes in the philosophy and fiction of the sixteenth and seventeenth centuries. Supernatural Fiction in Early Modern Drama and Culture explores varieties of scepticism and belief exhibited by a selection of philosophers and playwrights, including Heinrich Cornelius Agrippa, Giordano Bruno, John Dee, Christopher Marlowe, William Shakespeare, Ben Jonson, and Thomas Middleton, explicating how each author defines the supernatural, whether he assumes magic to operate in the world, and how he uses occult principles to explain what can be known and what is ethical. Beliefs and claims concerning impossible phenomena and superhuman agency require literary historians to determine whether an occult system of magical operation is being described in a given text. Each chapter in this volume evaluates whether a chosen early modern author is endorsing magic as efficacious or divinely sanctioned, or criticizing it for being fraudulent or unholy. By examining works of fiction, it is possible to explore fantastic settings which were not intended to be synonymous with the early modern audiences everyday experience, settings where magic exists and operates according to the playwrights designs. This book also sets out to determine what historical sources provided given authors with knowledge of the occult and speculates on how aware an audience would have been of academic, classical, or popular contexts surrounding the text at hand.

The Rise of Supernatural Fiction, 1762-1800

The Rise of Supernatural Fiction, 1762-1800
Author: E. J. Clery
Publisher: Cambridge University Press
Total Pages: 241
Release: 1995-02-16
Genre: Literary Criticism
ISBN: 052145316X

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A genre of supernatural fiction was among the more improbable products of the Age of Enlightenment. This book charts the troubled entry of the supernatural into fiction, and questions the historical reasons for its growing popularity in the late eighteenth century. Beginning with the notorious case of the Cock Lane ghost, a performing poltergeist who became a major attraction in London in 1762, and with Garrick's spellbinding and paradigmatic performance as the ghost-seeing Hamlet, it moves on to look at the Gothic novels of Horace Walpole, Ann Radcliffe, M. G. Lewis, and others, in unexpected new lights. The central thesis concerns the connection between fictions of the supernatural and the growth of consumerism: not only are ghost stories successful commodities in the rapidly commercialising book market, they are also considered here as reflections on the disruptive effects of this socio-economic transformation.

The Wind

The Wind
Author: Dorothy Scarborough
Publisher: Univ of TX + ORM
Total Pages: 279
Release: 2011-05-18
Genre: Fiction
ISBN: 0292758839

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This is the story of Letty, a delicate girl who is forced to move from lush Virginia to desolate West Texas. The numbing blizzards, the howling sand storms, and the loneliness of the prairie all combine to undo her nerves. But it is the wind itself, a demon personified, that eventually drives her over the brink of madness.

The Supernatural in Short Fiction of the Americas

The Supernatural in Short Fiction of the Americas
Author: Dana Del George
Publisher: Bloomsbury Publishing USA
Total Pages: 172
Release: 2001-08-30
Genre: Literary Criticism
ISBN: 0313073996

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The continuing cultural encounters of the Americas, between European and indigenous cultures, and between scientific materialism and premodern supernaturalism, have originated new narrative forms. While supernatural short fiction of the Americas belongs to the broad category of the fantastic, which is generally approached synchronically, reading audiences of the past 200 years have shifted their beliefs about the supernatural several times. While nineteenth-century readers understood science as real and the supernatural as imaginary, modern audiences recognize both as inaccurate, a shift which allows authors of supernatural fiction to celebrate premodern indigenous beliefs which were once disdained by a materialist culture. This book situates supernatural short fiction of the Americas within the changing cultural and epistemological contexts of the last 200 years and explores how authors have drawn upon a wealth of indigenous traditions. The book begins with a discussion of theories of the supernatural and the fantastic. It then looks at some of the first encounters of European and Native American supernatural beliefs and points to the common elements of these early traditions. The volume next focuses on American literature of the nineteenth century, which has a complex fusion of materialist biases and metaphysical fascinations. The final portion of the book gives greater attention to Spanish-American literature and the blending of the supernatural with attitudes of nostalgia and uncertainty.