African American Music

African American Music
Author: Earl L. Stewart
Publisher: Cengage Learning
Total Pages: 416
Release: 1998
Genre: Education
ISBN:

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African American Music provides an introduction to all of the richness and diversity of African American musical styles, focusing on the distinct characte4istics and development of each genre. This book is divided into four parts: folk traditions; the jazz aesthetic; black popular styles since 1940; and black theatrical and classical music. Using brief musical examples, the author illustrates and explains the basic concepts that unite all African American styles before discussing each style individually. Among the many types of music explored in individual chapters are spirituals, blues, gospel, ragtime, jazz, pop and classical. Biographical portraits of major musicians and composers, as well as detailed stylistic analyses of each musical genre, make this book not only required reading for any introduction to the field, but a pleasure to read for anyone interested in all of the different styles that comprise African American music. Includes information on Louis Armstrong, Count Basie, bebop, Chuck Berry, blues, boogie woogie, James Brown, call and response, classical music, classic jazz, Sam Cooke, cool jazz, William Levi Dawson, doo wop, Antonin Dvorak, Duke Ellington, free jazz, gospel music, Isaac Hayes, jazz, James Weldon Johnson, Motown Records, Charlie Parker, rags and ragtime, rap music, rhythm and blues, soul music, spirituals, swing, etc. [Publisher description]

African American Music

African American Music
Author: Mellonee V. Burnim
Publisher: Routledge
Total Pages: 544
Release: 2014-11-13
Genre: Music
ISBN: 1317934423

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American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.

Lift Every Voice

Lift Every Voice
Author: Burton William Peretti
Publisher: Rowman & Littlefield
Total Pages: 241
Release: 2009
Genre: History
ISBN: 9780742558113

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Looks at the history of African American music from its roots in Africa and slavery to the present day and examines its place within African American communities and the nation as a whole.

Issues in African American Music

Issues in African American Music
Author: Portia Maultsby
Publisher: Taylor & Francis
Total Pages: 433
Release: 2016-10-26
Genre: Music
ISBN: 1315472082

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Issues in African American Music: Power, Gender, Race, Representation is a collection of twenty-one essays by leading scholars, surveying vital themes in the history of African American music. Bringing together the viewpoints of ethnomusicologists, historians, and performers, these essays cover topics including the music industry, women and gender, and music as resistance, and explore the stories of music creators and their communities. Revised and expanded to reflect the latest scholarship, with six all-new essays, this book both complements the previously published volume African American Music: An Introduction and stands on its own. Each chapter features a discography of recommended listening for further study. From the antebellum period to the present, and from classical music to hip hop, this wide-ranging volume provides a nuanced introduction for students and anyone seeking to understand the history, social context, and cultural impact of African American music.

A Celebration of Black History through Music

A Celebration of Black History through Music
Author: Blair Bielawski
Publisher: Milliken Publishing Company
Total Pages: 44
Release: 2010-09-01
Genre: Music
ISBN: 1429115033

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Introduce your students to the rich history of African-American music with "A Celebration of Black History through Music"from spirituals to hip-hop. Featuring some of the most important musicians of each style of music covered, "A Celebration of Black History through Music" highlights how the roots of African-American music can be traced from the slave songs of the 1700s through hip-hop music of the 1970s and 80s, and demonstrates how this music has influenced and shaped the music of the world. Words alone will not do justice to any of the music described in this book. An enhanced CD containing audio examples of the featured music styles is included to allow your students to hear the music in the lessons. In addition, a discography, reproducible worksheets, extension activities, and a complete PowerPoint presentation are all included for use with your class.

Black American Music

Black American Music
Author: Hildred Roach
Publisher:
Total Pages: 0
Release: 1994
Genre: African Americans
ISBN: 9780894648700

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This text introduces the various types of Pan-African music, from Africa to the Americas. With an emphasis upon the African American composer, this survey uses musical examples and illustrations to pinpoint influences, the slave era, the emergence of the black professional, and contemporary trends.

Race Music

Race Music
Author: Guthrie P. Ramsey
Publisher: Univ of California Press
Total Pages: 296
Release: 2004-11-22
Genre: Music
ISBN: 0520243331

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Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music.

The Music in African American Fiction

The Music in African American Fiction
Author: Robert H. Cataliotti
Publisher: Taylor & Francis
Total Pages: 272
Release: 1995
Genre: History
ISBN: 9780815323303

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First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

The Story of African American Music

The Story of African American Music
Author: Andrew Pina
Publisher: Greenhaven Publishing LLC
Total Pages: 106
Release: 2017-07-15
Genre: Juvenile Nonfiction
ISBN: 1534560742

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The influence of African Americans on music in the United States cannot be overstated. A large variety of musical genres owe their beginnings to black musicians. Jazz, rap, funk, R&B, and even techno have roots in African American culture. This volume chronicles the history of African American music, with spotlights on influential black musicians of the past and present. Historical and contemporary photographs, including primary sources, contribute to an in-depth look at this essential part of American musical history.

Music of the Common Tongue

Music of the Common Tongue
Author: Christopher Small
Publisher: Wesleyan University Press
Total Pages: 512
Release: 2012-01-01
Genre: Music
ISBN: 081957225X

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In clear and elegant prose, Music of the Common Tongue, first published in 1987, argues that by any reasonable reckoning of the function of music in human life the African American tradition, that which stems from the collision between African and European ways of doing music which occurred in the Americas and the Caribbean during and after slavery, is the major western music of the twentieth century. In showing why this is so, the author presents not only an account of African American music from its origins but also a more general consideration of the nature of the music act and of its function in human life. The two streams of discussion occupy alternate chapters so that each casts light on the other. The author offers also an answer to what the Musical Times called the "seldom posed though glaringly obtrusive" question: "why is it that the music of an alienated, oppressed, often persecuted black minority should have made so powerful an impact on the entire industrialized world, whatever the color of its skin or economic status?"