The Shadow Garden
Author | : Madison Julius Cawein |
Publisher | : |
Total Pages | : 276 |
Release | : 1910 |
Genre | : Drama |
ISBN | : |
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Author | : Madison Julius Cawein |
Publisher | : |
Total Pages | : 276 |
Release | : 1910 |
Genre | : Drama |
ISBN | : |
Author | : Madison Julius Cawein |
Publisher | : |
Total Pages | : 0 |
Release | : 1996 |
Genre | : |
ISBN | : |
Author | : Madison Julius Cawein |
Publisher | : |
Total Pages | : |
Release | : 2011 |
Genre | : |
ISBN | : |
Author | : Madison Cawein |
Publisher | : Forgotten Books |
Total Pages | : 268 |
Release | : 2017-12-15 |
Genre | : Poetry |
ISBN | : 9780332861821 |
Excerpt from The Shadow Garden (a Phantasy) And Other Plays But with this lowly flower right near me green! I never knew before that flowers were green. How emerald-green it is - How strange Heigh-ho! I am just born: tell me what flower thou art. The grass: I am no flower. Better than any flower, Or any tree am I; and, more than all, I am the green thought of the Earth, that cools The Sun's hot gaze: I am what flesh becomes. Johnny-jump-up Grass! -oh! - That 's next to being nobody. Thy voice is as the Wind in restless boughs. I 'll find a lordlier thing to talk to.-eh! Who 's this lank giant with a crown of rays, Head-heavy with his load of sleeping bees? A Sunflower - Well, I am too far away For any talk with him. I '11 go to sleep. Sunflower: My drowsy bees, that huddle in my hair, Are Shaken by a voice and stir in Sleep Their frowsy heads plunged deep in pollened bloom. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : Madison Julius Cawein |
Publisher | : |
Total Pages | : 0 |
Release | : 1910 |
Genre | : |
ISBN | : |
Author | : Madison Cawein |
Publisher | : Wentworth Press |
Total Pages | : 266 |
Release | : 2019-03-03 |
Genre | : Performing Arts |
ISBN | : 9780526687350 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Madison Julius Cawein |
Publisher | : |
Total Pages | : 276 |
Release | : 1910 |
Genre | : Drama |
ISBN | : |
Author | : Alexandra Burt |
Publisher | : Penguin |
Total Pages | : 370 |
Release | : 2020-07-21 |
Genre | : Fiction |
ISBN | : 0440000327 |
A wealthy woman suspects something is off about the luxurious complex she lives in . . . and she is right, in this riveting domestic-suspense novel from international bestselling author Alexandra Burt. Donna Pryor lives in the lap of luxury. She spends her days in a beautifully appointed condo. Her every whim is catered to by a dedicated staff, and she does not want for anything. Except for news of her adult daughter. Or an ex-husband who takes her calls. Donna knows something is wrong, but she can't quite put her finger on it. As her life of privilege starts to feel more and more like a prison, the facade she has depended on begins to crumble. Somewhere in the ruins is the truth, and the closer Donna Pryor gets to it, the more likely it is to destroy her.
Author | : |
Publisher | : |
Total Pages | : 328 |
Release | : 1927 |
Genre | : Drama |
ISBN | : |
Author | : James Atlas |
Publisher | : Vintage |
Total Pages | : 401 |
Release | : 2017-08-22 |
Genre | : Biography & Autobiography |
ISBN | : 1101871709 |
The biographer—so often in the shadows, kibitzing, casting doubt, proving facts—comes to the stage in this funny, poignant, endearing tale of how writers’ lives get documented. James Atlas, the celebrated chronicler of Saul Bellow and Delmore Schwartz, takes us back to his own childhood in suburban Chicago, where he fell in love with literature and, early on, found in himself the impulse to study writers’ lives. We meet Richard Ellmann, the great biographer of James Joyce and Atlas’s professor during a transformative year at Oxford. We get to know Atlas’s first subject, the “self-doomed” poet Delmore Schwartz. And we are introduced to a bygone cast of intellectuals such as Edmund Wilson and Dwight Macdonald (the “tall pines,” as Mary McCarthy once called them, cut down now, according to Atlas, by the “merciless pruning of mortality”) and, of course, the elusive Bellow, “a metaphysician of the ordinary.” Atlas revisits the lives and works of the classical biographers, the Renaissance writers of what were then called “lives,” Samuel Johnson and the obsessive Boswell, and the Victorian masters Mrs. Gaskell and Thomas Carlyle. And in what amounts to a pocket history of his own literary generation, Atlas celebrates the biographers who hoped to glimpse an image of them—“as fleeting as a familiar face swallowed up in a crowd.” (With black-and-white illustrations throughout)