Russian Hero in Modern Chinese Fiction
Author | : Mau-sang Ng |
Publisher | : |
Total Pages | : 320 |
Release | : 1986 |
Genre | : |
ISBN | : |
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Author | : Mau-sang Ng |
Publisher | : |
Total Pages | : 320 |
Release | : 1986 |
Genre | : |
ISBN | : |
Author | : Mau-sang Ng |
Publisher | : |
Total Pages | : 332 |
Release | : 1988 |
Genre | : Literary Criticism |
ISBN | : 9789622013582 |
Author | : Mau-sang Ng |
Publisher | : SUNY Press |
Total Pages | : 356 |
Release | : 1988-08-04 |
Genre | : Literary Criticism |
ISBN | : 9780887068812 |
The Russian influence took root in the Chinese intellectual tradition that evolved after the Literary Revolution of 1917. When the Chinese communists turned to Russia for their inspiration they also accepted the Russian version of the novels form and function in society. However, they did not accept it uncritically. Chinese understanding of the arts goes back for thousands of years and thus Chinese intellectuals brought their own kinds of tradition and intelligence to these new arts and political solutions. In this lucid study, the author demonstrates how Chinese writers, guided by Russian authors such as Chekhov, Turgenev, and Andreyev, created works of art that are both original and Chinese. However, he also shows that the familiar heroes of such famous novelists as Lu Xun, Yu Dafu, Mao Dun, and Ba Jin have a strong Russian flavor linked to prototypes in the Russian literary tradition. The author depicts the fortune of Soviet literature and the fate of the intellectual hero in the Peoples Republic of China. He believes that the humanistic May Fourth intellectual tradition, which inspired enthusiasm for classical Russian literature, has been revived with the publication of works like Dai Houyings Man ah, Man! and Zhao Zhenkais Waves.
Author | : Mark Gamsa |
Publisher | : BRILL |
Total Pages | : 444 |
Release | : 2008-08-31 |
Genre | : Literary Criticism |
ISBN | : 9047443276 |
A history of the translation, transmission and interpretation of modernist Russian literature in China during the first half of the 20th century, this book views modern Chinese literary culture from an original and revealing perspective. It is the first English-language study of the subject to draw on sources in both Russian and Chinese, and it also shows the crucial role of English, German and Japanese translations in mediating knowledge of Russian literature in China.
Author | : Sally Taylor Lieberman |
Publisher | : University of Virginia Press |
Total Pages | : 290 |
Release | : 1998 |
Genre | : Literary Criticism |
ISBN | : 9780813917900 |
A modernist icon, an object of forbidden desire, a symbol of loss and suffering, and an incorrigible survivor - the mother takes all of these forms in Chinese literature from the 1920s and 1930s. In an innovative analysis, Sally Taylor Lieberman explores the meanings the maternal figure acquired at a particular place and time and then engages those meanings in a feminist rereading of the master narratives of modern Chinese intellectual and literary history. Drawing on feminist literary criticism and the theories of Julia Kristeva, Melanie Klein, and Sigmund Freud, Lieberman breaks traditional analytical boundaries as she explores the place of the mother in the ideological struggles through which the modern Chinese canon attained its present shape.
Author | : Wendy Larson |
Publisher | : |
Total Pages | : 232 |
Release | : 1991 |
Genre | : Biography & Autobiography |
ISBN | : |
Throughout the twentieth century, Chinese writers have confronted the problem of creating a new literary tradition that both maintains the culturally unique aspects of a rich heritage and succeeds in promoting a new modernity. In the first book-length treatment of the topic, Wendy Larson examines the contradictory forms of authority at work in the autobiographical texts of modern Chinese writers and scholars and the way these conflicts helped to shape and determine the manner in which writers viewed themselves, their texts, and their work. Larson focuses on the most famous writers associated with the May Fourth Movement, a group most active in the 1920s and 1930s, and their fundamental ambivalence about writing. She analyzes how their writing paradoxically characterized textual labor as passive, negative, and inferior to material labor and the more physical political work of social progress, and she describes the ways they used textual means to devalue literary labor. The impact of China's increasing contact with the West--particularly the ways in which Western notions of "individualism" and "democracy" influenced Chinese ideologies of self and work--is considered. Larson also studies the changes in China's social structure, notably those linked to the abolition in 1905 of the educational exam system, which subsequently broke the link between the mastery of certain texts and the attainment of political power, further denigrating the cultural role of the writer.
Author | : Li-Hua Ying |
Publisher | : Rowman & Littlefield |
Total Pages | : 502 |
Release | : 2010 |
Genre | : Authors, Chinese |
ISBN | : 0810876140 |
The A to Z of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. It offers a chronology, introduction, bibliography, and over 300 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.
Author | : Mau Sang Ng |
Publisher | : |
Total Pages | : 732 |
Release | : 1984 |
Genre | : Chinese fiction |
ISBN | : |
Author | : Heekyoung Cho |
Publisher | : BRILL |
Total Pages | : 264 |
Release | : 2020-05-11 |
Genre | : History |
ISBN | : 1684175690 |
Translation’s Forgotten History investigates the meanings and functions that translation generated for modern national literatures during their formative period and reconsiders literature as part of a dynamic translational process of negotiating foreign values. By examining the triadic literary and cultural relations among Russia, Japan, and colonial Korea and revealing a shared sensibility and literary experience in East Asia (which referred to Russia as a significant other in the formation of its own modern literatures), this book highlights translation as a radical and ineradicable part—not merely a catalyst or complement—of the formation of modern national literature. Translation’s Forgotten History thus rethinks the way modern literature developed in Korea and East Asia. While national canons are founded on amnesia regarding their process of formation, framing literature from the beginning as a process rather than an entity allows a more complex and accurate understanding of national literature formation in East Asia and may also provide a model for world literature today.
Author | : Hsiao-yen PENG |
Publisher | : BRILL |
Total Pages | : 373 |
Release | : 2014-04-30 |
Genre | : Literary Criticism |
ISBN | : 9004270221 |
In Modern China and the West: Translation and Cultural Mediation, the authors investigate the significant role translation plays in the act of cultural mediation. They pay attention to transnational organizations that bring about cross-cultural interactions as well as regulating authorities, in the form of both nation-states and ideologies, which dictate what, and even how, to translate. Under such circumstances, is there room for individual translators or mediators to exercise their free will? To what extent are they allowed to do so? The authors see translation as a "shaping force." While intending to shape, or reshape, certain concepts through the translating act, translators and cultural actors need to negotiate among multifarious institutional powers that coexist, including traditional and foreign. Contributors include: Françoise Kreissler, Angel Pino, Shan Te-hsing, Nicolai Volland, Joyce C. H. Liu, Huang Ko-wu, Isabelle Rabut, Xiaomei Chen, Zhang Yinde, Peng Hsiao-yen, Sebastian Hsien-hao Liao, and Pin-chia Feng.