The Recording Industry in Numbers 99
Author | : International Federation of the Phonographic Industry |
Publisher | : |
Total Pages | : 161 |
Release | : 1999 |
Genre | : |
ISBN | : |
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Author | : International Federation of the Phonographic Industry |
Publisher | : |
Total Pages | : 161 |
Release | : 1999 |
Genre | : |
ISBN | : |
Author | : Peter Tschmuck |
Publisher | : Springer Science & Business Media |
Total Pages | : 304 |
Release | : 2012-03-07 |
Genre | : Business & Economics |
ISBN | : 3642284302 |
Why did jazz become a dominant popular music genre in the 1920s and rock 'n' roll in the 1950s? Why did heavy metal, punk rock and hiphop find their way from sub-cultures to the established music industry? What are the effects of new communication technologies and the Internet on the creation of music in the early 21st century? These and other questions are answered by Peter Tschmuck through an integrated model of creativity and innovation that is based on an international history of music industry since Thomas A. Edison invented the phonograph in 1877. Thus, the history of the music industry is described in full detail. By discussing the historic process of music production, distribution and reception the author highlights several revolutions in the music industry that were caused by the inference of aesthetic, technological, legal, economic, social and political processes of change. On the basis of an integrated model of creativity and innovation, an explanation is given on how the processes and structures of the present music industry will be altered by the ongoing digital revolution, which totally changed the value-added network of the production, dissemination and use of music. For the second edition, the author has reworked chapter 9 in order to include all the developments which shaped the music industry in the first decade of the 21st century – from Napster to cloud-based music services and even beyond.
Author | : |
Publisher | : |
Total Pages | : 796 |
Release | : 2002 |
Genre | : Sound recording industry |
ISBN | : |
Author | : Andreas Gebesmair |
Publisher | : Routledge |
Total Pages | : 172 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351565419 |
With just four record companies controlling nearly 80 per cent of the world market in popular music, issues of globalization are evidently significant to our understanding of how and why popular music is made and distributed. As transnational industries seek to open up increasingly larger markets, the question of how local and regional music cultures can be sustained is a pressing one. To what extent does the global music market offer opportunities for the worldwide dissemination of local music within and beyond the major industry? The essays in this volume examine the structure and strategies of the transnational music industry, with its deployment of mass communication technologies including sound carriers, satellite broadcasting and the Internet. The book also explores local and individual experience of global music and this music's dissemination through migration and communities of interest, as well as the ideological and political use of different kinds of music. In contrast to recent arguments which posit an American imperialist dominance of popular music, the contributors to this volume find that the global repertoire of the major labels no longer represents the culture of a certain country but is fed by different sources. The essays here discuss how we can characterize this vast de-centered industry, and offer perspectives on the so-called 'international repertoire' that calls for a melodic structure, ballad forms, unaccented vocalisation and an image that has global recognition.
Author | : Donald S. Passman |
Publisher | : Simon and Schuster |
Total Pages | : 465 |
Release | : 2006 |
Genre | : Copyright |
ISBN | : 0743293185 |
A guide to the music business and its legal issues provides real-world coverage of a wide range of topics, including teams of advisors, record deals, songwriting and music publishing, touring, and merchandising.
Author | : Geoffrey P. Hull |
Publisher | : Psychology Press |
Total Pages | : 360 |
Release | : 2004 |
Genre | : Music trade |
ISBN | : 9780415968027 |
The Music Business and Recording Industry is a comprehensive music business textbook focused on the three income streams in the music industry: music publishing, live entertainment, and recordings. The book provides a sound foundation for understanding key issues, while presenting the latest research in the field. It covers the changes in the industry brought about by the digital age, such as changing methods of distributing and accessing music and new approaches in marketing with the Internet and mobile applications. New developments in copyright law are also examined, along with the global and regional differences in the music business.
Author | : International Federation of the Phonographic Industry |
Publisher | : |
Total Pages | : 109 |
Release | : 1998 |
Genre | : Music |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 116 |
Release | : 2000-01-08 |
Genre | : |
ISBN | : |
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author | : United Nations. Economic Commission for Europe |
Publisher | : United Nations Publications |
Total Pages | : 180 |
Release | : 2003 |
Genre | : Business & Economics |
ISBN | : |
The emergence of the knowledge-based economy has raised concerns over several areas: the management of intellectual resources, valuation of intellectual capital; commercialisation of inventions; intellectual property valuation; efficiency of the utilisation of intellectual assets; promotion of innovation. Intellectual assets have great potential , yet investment will only flow where there are clear opportunities to build and recover future value. This conference set out to help identify the most important challenges faced by public and private sectors in this area.
Author | : |
Publisher | : |
Total Pages | : 210 |
Release | : 2003 |
Genre | : Sound recording industry |
ISBN | : |