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| Author | : Ida B. WELLS |
| Publisher | : |
| Total Pages | : 81 |
| Release | : 1893 |
| Genre | : African Americans |
| ISBN | : |
| Author | : Ida B. Wells-Barnett |
| Publisher | : University of Illinois Press |
| Total Pages | : 136 |
| Release | : 1999 |
| Genre | : African Americans |
| ISBN | : 9780252067846 |
Expressly intended to demonstrate America's national progress toward utopia, the 1893 World's Columbian Exposition in Chicago pointedly excluded the contributions of African Americans. For them, being left outside the gates of the "White City" merely underscored a more general exclusion from America's bright future. Exhibits at the fair were controlled by all-white committees, and those that acknowledged African Americans at all, such as the famous Aunt Jemima pancake exhibit, ridiculed and denigrated them. Many African Americans saw the racist policies of the World's Columbian Exposition as mirroring, framing, and reinforcing the larger horrors confronting blacks throughout the United States, where white supremacy meant segregation, second-class citizenship, and sometimes mob violence and lynching. In response to the politics of exclusion that governed the fair, and of its larger implications, several prominent African Americans resolved to publish a pamphlet that would catalog the achievements of African Americans since the abolition of slavery while articulating the persistent political economy of apartheid in the American South. The authors of this remarkable document included the antilynching crusader Ida B. Wells, the former slave and abolitionist Frederick Douglass, the educator Irvine Garland Penn, and the lawyer and newspaper publisher Ferdinand L. Barnett. An eloquent statement of protest and pride, The Reason Why the Colored American Is Not in the World's Columbian Exposition reminds us that struggles over cultural representation are nothing new in American life. Robert Rydell's introduction provides insight into the sometimes conflicting strategies employed by African Americans as they strove to represent themselves at a cultural event that was widely regarded as a defining moment in American history.
| Author | : Ida B. Wells-Barnett |
| Publisher | : |
| Total Pages | : 81 |
| Release | : 1893 |
| Genre | : African American authors |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 81 |
| Release | : 1894 |
| Genre | : |
| ISBN | : |
| Author | : Claudia Tate |
| Publisher | : Oxford University Press |
| Total Pages | : 313 |
| Release | : 1993-01-07 |
| Genre | : Literary Criticism |
| ISBN | : 019536080X |
Why did African-American women novelists use idealized stories of bourgeois courtship and marriage to mount arguments on social reform during the last decade of the nineteenth century, during a time when resurgent racism conditioned the lives of all black Americans? Such stories now seem like apolitical fantasies to contemporary readers. This is the question at the center of Tate's examination of the novels of Pauline Hopkins, Emma Kelley, Amelia Johnson, Katherine Tillman, and Frances Harper. Domestic Allegories of Political Desire is more than a literary study; it is also a social and intellectual history--a cultural critique of a period that historian Rayford W. Logan called "the Dark Ages of recent American history." Against a rich contextual framework, extending from abolitionist protest to the Black Aesthetic, Tate argues that the idealized marriage plot in these novels does not merely depict the heroine's happiness and economic prosperity. More importantly, that plot encodes a resonant cultural narrative--a domestic allegory--about the political ambitions of an emancipated people. Once this domestic allegory of political desire is unmasked in these novels, it can be seen as a significant discourse of the post-Reconstruction era for representing African-Americans' collective dreams about freedom and for reconstructing those contested dreams into consummations of civil liberty.
| Author | : Frederick Douglass |
| Publisher | : Oxford University Press |
| Total Pages | : 641 |
| Release | : 2022-06-30 |
| Genre | : Literary Criticism |
| ISBN | : 0192572210 |
'It will be seen in these pages that I have lived several lives in one: first, the life of slavery; secondly, the life of a fugitive from slavery; thirdly, the life of comparative freedom; fourthly, the life of conflict and battle; and, fifthly, the life of victory, if not complete, at least assured.' First published in 1892, Life and Times of Frederick Douglass Written By Himself is the final autobiography written by Frederick Douglass (1818-1895), a man who was born into slavery in Talbot County, Maryland. Securing his self-liberation at twenty years of age in 1838, he went on to become the most renowned antislavery activist, social justice campaigner, author, orator, philosopher, essayist, historian, intellectual, statesman, and liberator in U.S. history. A powerful literary work, Douglass' final autobiography shares the stories of his 'several lives in one.' Beginning with his war against 'the hell-black system of human bondage,' Douglass bears witness to his personal experiences of mind-body-and soul-destroying tragedies. Living a new life as a 'fugitive from slavery,' he tells his audiences of his decades-long labours as a world-leading freedom-fighter. Ever vigilant in his protest against the discriminatory persecutions endured by millions of 'my people,' he testifies to the terrible reality that his 'life of comparative freedom' necessitated a lifelong fight against the inhumane injustices of 'American prejudice against colour.' Living a death-defying 'life of conflict and battle' during the Civil War, Douglass celebrates the 'life of victory' promised by post-war civil rights legislation only to condemn the failures of the U.S. nation either to exterminate slavery or secure equal rights for all. All too painfully aware that the 'conflict between the spirit of liberty and the spirit of slavery' was far from over and would become the unending struggle for 'aftercoming generations' in the ongoing war against white supremacy, Douglass remained a fearless fighter against the 'infernal and barbarous spirit of slavery' 'wherever I find it' to the day that he died. This new edition examines Douglass' memorialization of his own and his mother Harriet Bailey's first-hand experiences of enslavement and of their 'mental' liberation through a 'love of letters'; his representation of Civil War Black combat heroism; his conviction that 'education means emancipation'; and finally, his 'unending battle' with white publishers for the freedom to 'tell my story.' This volume reproduces Frederick Douglass' emotionally powerful and politically hard-hitting anti-lynching speech, Lessons of the Hour, published in 1894. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
| Author | : Abigail M. Markwyn |
| Publisher | : University of Nebraska Press |
| Total Pages | : 386 |
| Release | : 2021-03-01 |
| Genre | : History |
| ISBN | : 1496224906 |
When the more than eighteen million visitors poured into the Panama-Pacific International Exposition in San Francisco in 1915, they encountered a vision of the world born out of San Francisco’s particular local political and social climate. By seeking to please various constituent groups ranging from the government of Japan to local labor unions and neighborhood associations, fair organizers generated heated debate and conflict about who and what represented San Francisco, California, and the United States at the world’s fair. The Panama-Pacific International Exposition encapsulated the social and political tensions and conflicts of pre–World War I California and presaged the emergence of San Francisco as a cosmopolitan cultural and economic center of the Pacific Rim. Empress San Francisco offers a fresh examination of this, one of the largest and most influential world’s fairs, by considering the local social and political climate of Progressive Era San Francisco. Focusing on the influence exerted by women, Asians and Asian Americans, and working-class labor unions, among others, Abigail M. Markwyn offers a unique analysis both of this world’s fair and the social construction of pre–World War I America and the West.
| Author | : Frederick Douglass |
| Publisher | : Yale University Press |
| Total Pages | : 814 |
| Release | : 2021-01-01 |
| Genre | : Literary Collections |
| ISBN | : 0300246811 |
The journalism and personal writings of the great American abolitionist and reformer Frederick Douglass Launching the fourth series of The Frederick Douglass Papers, designed to introduce readers to the broadest range of Frederick Douglass's writing, this volume contains sixty-seven pieces by Douglass, including articles written for North American Review and the New York Independent, as well as unpublished poems, book transcriptions, and travel diaries. Spanning from the 1840s to the 1890s, the documents reproduced in this volume demonstrate how Douglass's writing evolved over the five decades of his public life. Where his writing for publication was concerned mostly with antislavery advocacy, his unpublished works give readers a glimpse into his religious and personal reflections. The writings are organized chronologically and accompanied by annotations offering biographical information as well as explanations of events mentioned and literary or historical allusions.
| Author | : Sarah Wasserman |
| Publisher | : U of Minnesota Press |
| Total Pages | : 312 |
| Release | : 2020-10-20 |
| Genre | : Literary Criticism |
| ISBN | : 1452964157 |
A comprehensive study of ephemera in twentieth-century literature—and its relevance to the twenty-first century “Nothing ever really disappears from the internet” has become a common warning of the digital age. But the twentieth century was filled with ephemera—items that were designed to disappear forever—and these objects played crucial roles in some of that century’s greatest works of literature. In The Death of Things, author Sarah Wasserman delivers the first comprehensive study addressing the role ephemera played in twentieth-century fiction and its relevance to contemporary digital culture. Representing the experience of perpetual change and loss, ephemera was central to great works by major novelists like Don DeLillo, Ralph Ellison, and Marilynne Robinson. Following the lives and deaths of objects, Wasserman imagines new uses of urban space, new forms of visibility for marginalized groups, and new conceptions of the marginal itself. She also inquires into present-day conundrums: our fascination with the durable, our concerns with the digital, and our curiosity about what new fictional narratives have to say about deletion and preservation. The Death of Things offers readers fascinating, original angles on how objects shape our world. Creating an alternate literary history of the twentieth century, Wasserman delivers an insightful and idiosyncratic journey through objects that were once vital but are now forgotten.
| Author | : British Museum. Department of Printed Books |
| Publisher | : |
| Total Pages | : 934 |
| Release | : 1905 |
| Genre | : English literature |
| ISBN | : |
