The Rape of Proserpine. An opera. The fourth edition
Author | : Mr. Theobald (Lewis) |
Publisher | : |
Total Pages | : 38 |
Release | : 1731 |
Genre | : |
ISBN | : |
Download The Rape of Proserpine. An opera. The fourth edition Book in PDF, Epub and Kindle
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Author | : Mr. Theobald (Lewis) |
Publisher | : |
Total Pages | : 38 |
Release | : 1731 |
Genre | : |
ISBN | : |
Author | : Mr. Theobald (Lewis) |
Publisher | : |
Total Pages | : |
Release | : 1727 |
Genre | : |
ISBN | : |
Author | : Inc. Fodor's Travel Publications |
Publisher | : Fodors Travel Publications |
Total Pages | : 308 |
Release | : 2010 |
Genre | : Travel |
ISBN | : 1400005000 |
This guide is notable for its ratings of sights, restaurants, shops, accommodations and attractions. It can help you plan the perfect adventure in Rome.
Author | : Berta Joncus |
Publisher | : University of Delaware |
Total Pages | : 293 |
Release | : 2011-05-13 |
Genre | : Biography & Autobiography |
ISBN | : 1611490332 |
John Rich (1692-1761) was a profoundly influential figure of the eighteenth-century London stage. As producer, manager and performer, he transformed the urban entertainment market, creating genres and promotional methods still with us today. This volume gives the first comprehensive overview of Rich's multifaceted career. Contributions by leading scholars from a range of disciplines-Dtheatre, dance, music, art, and cultural historyDprovide detailed analyses of Rich's productions and representations.
Author | : |
Publisher | : |
Total Pages | : 458 |
Release | : 1897 |
Genre | : |
ISBN | : |
Author | : Sarah Yuill McCleave |
Publisher | : University Rochester Press |
Total Pages | : 282 |
Release | : 2013 |
Genre | : Music |
ISBN | : 1580464203 |
Examines the pivotal role of dance in the Italian operas of Handel, perhaps the greatest opera composer between Monteverdi and Mozart. George Frideric Handel set himself apart from his contemporaries by employing choreographed instrumental music to complement and reinforce the emotional impact of his operas. Of his fifty-three operas, no fewer than fourteen -- including ten written for the London stage -- feature dances. Dance in Handel's London Operas explores the relationship between music, drama, and dance in these London works, dispelling the notion that dance was a largely peripheral element in Italian-language operas prior to those of Gluck. Taking a chronological approach, Sarah McCleave examines operas written throughout various periods in Handel's life, beginning with his early London operas, including his time at the Royal Music Academy and the "Sallé" operas of the 1730s, and concluding with his unstaged dramatic opera Alceste (1750). In considering the various influences on Handel (particularly the London stage), McCleave blends analysis of information from eighteenth-century treatises with that found in more modern studies, offering an informed and imaginative understanding of the role dance played in the work of this major figure --one who remained responsive throughout his career to the vital and innovative theatrical environment in which he worked. Sarah McCleave is a lecturer at The School of Creative Arts at Queen's University Belfast.
Author | : Bodleian Library |
Publisher | : |
Total Pages | : 932 |
Release | : 1843 |
Genre | : Library catalogs |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 930 |
Release | : 1843 |
Genre | : |
ISBN | : |
Author | : Robert Watt |
Publisher | : |
Total Pages | : 830 |
Release | : 1824 |
Genre | : English literature |
ISBN | : |
Author | : Bulkeley Bandinel |
Publisher | : |
Total Pages | : 936 |
Release | : 1843 |
Genre | : Library catalogs |
ISBN | : |