Musical Courier and Review of Recorded Music
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Total Pages | : 1306 |
Release | : 1913 |
Genre | : Music |
ISBN | : |
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Author | : |
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Total Pages | : 1306 |
Release | : 1913 |
Genre | : Music |
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Author | : Robert Galois |
Publisher | : UBC Press |
Total Pages | : 458 |
Release | : 2011-11-01 |
Genre | : History |
ISBN | : 0774840013 |
Colnett's journal of this expedition is published here for the first time. Editor Robert Galois provides extensive annotations, along with an introductory essay addressing the geopolitical context of the voyage and the intellectual background that shaped the writing of the journal. Galois supplements Colnett's writings with extracts from a second journal -- also previously unpublished -- by Andrew Bracey Taylor, third mate on one of the ships under Colnett's command. Also included are illustrations from Colnett's journals and a variety of maps, both contemporary and historical.
Author | : Lauren K. Lee |
Publisher | : Williamsport, Pa. : Brodart Company |
Total Pages | : 1276 |
Release | : 1992 |
Genre | : Education |
ISBN | : 9780872720954 |
Author | : Tom Johnson |
Publisher | : McFarland |
Total Pages | : 481 |
Release | : 2016-05-01 |
Genre | : Performing Arts |
ISBN | : 1476608962 |
The career of Christopher Lee has stretched over half a century in every sort of film from comedy to horror and in such diverse roles as the Man With the Golden Gun, Frankenstein's monster, Fu Manchu and Sherlock Holmes. From Corridor of Mirrors in 1948 to Star Wars: Episode II-Attack of the Clones in 2002, this reference book covers 166 theatrical feature films: all production information, full cast and crew credits, a synopsis, and a critical analysis, with a detailed account of its making and commentary drawn from some thirty hours of interviews with Lee himself. Two appendices list Lee's television feature films and miniseries and his short films. The work concludes with an afterword by Christopher Lee himself. Photographs from the actor's private collection are included.
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Total Pages | : 872 |
Release | : 1845 |
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Author | : emma Blair |
Publisher | : |
Total Pages | : |
Release | : 1989 |
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Total Pages | : 332 |
Release | : 1900 |
Genre | : Theater |
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Total Pages | : 232 |
Release | : 1863 |
Genre | : Confederate States of America |
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Author | : New York Public Library. Music Division |
Publisher | : |
Total Pages | : 862 |
Release | : 2003 |
Genre | : Music |
ISBN | : |
Author | : John Minton |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 304 |
Release | : 2009-10-08 |
Genre | : Music |
ISBN | : 1604733276 |
When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. 78 Blues: Folksongs and Phonographs in the American South covers a revolution in artist performance and audience perception through close examination of hundreds of key “hillbilly” and “race” records released between the 1920s and World War II. In the postwar period, regional strains recorded on pioneering 78 r.p.m. discs exploded into urban blues and R&B, honky-tonk and western swing, gospel, soul, and rock 'n' roll. These old-time records preserve the work of some of America's greatest musical geniuses such as Jimmie Rodgers, Robert Johnson, Charlie Poole, and Blind Lemon Jefferson. They are also crucial mile markers in the course of American popular music and the growth of the modern recording industry. When these records first circulated, the very notion of recorded music was still a novelty. All music had been created live and tied to particular, intimate occasions. How were listeners to understand an impersonal technology like the phonograph record as a musical event? How could they reconcile firsthand interactions and traditional customs with technological innovations and mass media? The records themselves, several hundred of which are explored fully in this book, offer answers in scores of spoken commentaries and skits, in song lyrics and monologues, or other more subtle means.