The Portable Art of Mesolithic Europe

The Portable Art of Mesolithic Europe
Author: Tomasz Płonka
Publisher: Wdawn. Uniwersytetu Wrocawskiego
Total Pages: 620
Release: 2003
Genre: History
ISBN:

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Exchange, Status and Mobility

Exchange, Status and Mobility
Author: George Nash
Publisher: British Archaeological Reports Oxford Limited
Total Pages: 226
Release: 1998
Genre: Art
ISBN:

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Nash investigates the relationship between artistic representation, ideology, and the social relations of production in Mesolithic hunter/fisher/gather societies of Denmark and southern Sweden. From a selective analysis of the literature, he produces a broad structuralist perspective from which to analyse portable art.

Mesolithic Europe

Mesolithic Europe
Author: Geoff Bailey
Publisher: Cambridge University Press
Total Pages: 0
Release: 2008-02-18
Genre: History
ISBN: 0521855039

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A pan-European overview of the archaeology of hunter-gatherer societies, written by experts in each region.

Prehistoric Art in Europe

Prehistoric Art in Europe
Author: Nancy K. Sandars
Publisher: Yale University Press
Total Pages: 520
Release: 1995-01-01
Genre: Art
ISBN: 9780300052862

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Until around 10,000 BC art in Europe appears to have been in advance of the rest of the world and throws light on the total history of early man. The great masterpieces of cave-painting at Lascaux are well known, and one tradition of early sculpture is from the first surprizingly classical. With the shelter paintings of the Spanish Levant and the clay modelling and painted pottery of eastern Europe in the fourth and third millennia BC fresh artistic problems were tackled. Later still evolved the high technical accomplishment of the metal-workers, and this study concludes with an account of the new departures of Celtic La Tene art of the last four centuries BC.

A Comparative Study of Rock Art in Later Prehistoric Europe

A Comparative Study of Rock Art in Later Prehistoric Europe
Author: Richard Bradley
Publisher: Cambridge University Press
Total Pages: 154
Release: 2020-10-22
Genre: Social Science
ISBN: 1108887872

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The Element summarises the state of knowledge about four styles of prehistoric rock art in Europe current between the late Mesolithic period and the Iron Age. They are the Levantine, Macroschematic and Schematic traditions in the Iberian Peninsula; the Atlantic style that extended between Portugal, Spain, Britain and Ireland; Alpine rock art; and the pecked and painted images found in Fennoscandia. They are interpreted in relation to the landscapes in which they were made. Their production is related to monument building, the decoration of portable objects, trade and long distance travel, burial rites, and warfare. A final discussion considers possible connections between these separate traditions and the changing subject matter of rock art in relation to wider developments in European prehistoric societies.

Ancient Scandinavia

Ancient Scandinavia
Author: Theron Douglas Price
Publisher: Oxford University Press, USA
Total Pages: 521
Release: 2015
Genre: History
ISBN: 0190231971

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Ancient Scandinavia provides a comprehensive overview of the archaeological history of Denmark, Norway, and Sweden.

Smakkerup Huse

Smakkerup Huse
Author: Anne Birgitte Gebauer
Publisher: Aarhus Universitetsforlag
Total Pages: 352
Release: 2003-11-01
Genre: Social Science
ISBN: 8779348912

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The archaeological site of Smakkerup Huse is located at the headwaters of a former fjord known as the SaltbAek Vig on the northwest coast of the island of Zealand, Denmark. Excavations took place in 1989 and again from 1995 to 1997 by a team of Danish and American archaeologists. The site is important for a number of reasons, including the 1000-year record of cultural deposits and the preservation of abundant subsistence remains and wooden objects. Smakkerup Huse documents some of the oldest domestic cattle in Denmark and a new artifact type, a painted pebble, from the Mesolithic. While the settlement area of the site on land had been eroded, the waterlain deposits adjacent to the site preserved a submerged midden and an in situ fishing and boat landing area. The report on the site includes background on the Mesolithic of Southern Scandinavia, a history of research at the site, the geology and topography of the site and its environment, the layout and sequence of the excavations, stratigraphy, the finds, dating, interpretation and significance. T. Douglas Price is Weinstein Professor of European Archaeology and Director of the Laboratory for Archaeological Chemistry, Dept. of Anthropology, University of Michigan.

Chronology and Evolution within the Mesolithic of North-West Europe

Chronology and Evolution within the Mesolithic of North-West Europe
Author: Philippe Crombé
Publisher: Cambridge Scholars Publishing
Total Pages: 847
Release: 2020-06-12
Genre: Social Science
ISBN: 1527554686

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Since its development in 1949, radiocarbon dating has increasingly been used in prehistoric research in order to get a better grip on the chronology of sites, cultures and environmental changes. Refinement of the dating, sampling and calibration methods has continuously created new and challenging perspectives for absolute dating. In these proceedings the focus lies on the contribution of carbon-14 dates in current Mesolithic research in North-West Europe. Altogether 40 papers dealing with radiocarbon dates from 15 different countries are presented. Major themes are the typo-technological evolution of lithic and bone industries, changes in settlement patterns, burial practices, demography and subsistence, human impact on the Mesolithic environment and the neolithisation process. Some papers also deal with more methodological aspects of carbon-14 dating (e.g. calculation of various reservoir effects, the use of cumulative calibrated probability distributions), and related techniques (e.g. stable isotope analysis for palaeodiet reconstruction).

Prehistoric rock art in Scandinavia

Prehistoric rock art in Scandinavia
Author: Courtney Nimura
Publisher: Oxbow Books
Total Pages: 161
Release: 2015-11-30
Genre: Art
ISBN: 1785701223

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Scandinavia is home to prolific and varied rock art images among which the ship motif is prominent. Because of this, the rock art of Scandinavia has often been interpreted in terms of social ritual, cosmology, and religion associated with the maritime sphere. This comprehensive review is based on the creation of a Scandinavia-wide GIS database for prehistoric rock art and reexamines theoretical approaches and interpretations, in particular with regard to the significance of the ship and its relationship to a maritime landscape Discussion focuses on material agency as a means to understanding the role of rock art within society. Two main theories are developed. The first is that the sea was fundamental to the purpose and meaning of rock art, especially in the Bronze Age and, therefore, that sea-level/shoreline changes would have inspired a renegotiation of the relationship between the rock art sites and their intended purpose. The fundamental question posed is: would such changes to the landscape have affected the purpose and meaning of rock art for the communities that made and used these sites? Various theories from within and outside of archaeology are drawn on to examine environmental change and analyze the rock art, led to second theory: that the purpose of rock art might have been altered to have an effect on the disappearing sea. The general theory that rock art would have been affected by environmental change was discussed in tandem with existing interpretations of the meaning and purpose of rock art. Imbuing rock art with agency means that it could be intertwined in an active web of relations involving maritime landscapes, shoreline displacement and communities. Though created in stone and fixed in time and place, rock art images have propagated belief systems that would have changed over time as they were re-carved, abandoned and used by different groups of inhabitants. In the thousands of years rock art was created, it is likely that shoreline displacement would have inspired a renegotiation of the purpose and meaning of the imagery situated alongside the Scandinavian seas. This journey through a prehistoric Scandinavian landscape will lead us into a world of ancient beliefs and traditions revolving around this extraordinary art form.

Rock Art and the Wild Mind

Rock Art and the Wild Mind
Author: Ingrid Fuglestvedt
Publisher: Routledge
Total Pages: 440
Release: 2017-12-22
Genre: Social Science
ISBN: 1351610481

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Rock Art and the Wild Mind presents a study of Mesolithic rock art on the Scandinavian peninsula, including the large rock art sites in Alta, Nämforsen and Vingen. Hunters’ rock art of this area, despite local styles, bears a strong commonality in what it depicts, most often terrestrial big game in diverse confrontations with the human realm. The various types of compositions are defined as visual thematizations of the enigmatic relationship between humans and big game animals. These thematizations, here defined as motemes, are explained as being products of the Mesolithic mind ‘in action’, observed through repetitions, variations and transformations of a number of defined motemes. Through a transformational logic, the transition from ‘animic’ to ‘totemic’ rock art is observed. Totemic rock art reaches a peak during the final stages of the Late Mesolithic, and it is suggested that this can be interpreted as representing an increasing focus on human society towards the end of this era. The move from animism to totemism is explained as being part of the overall social development on the Scandinavian peninsula. This book will be of interest to students of rock art generally and scholars working on the historical developments of prehistoric hunter-gatherers in northern Europe. It will also appeal to students and academics in the fields of art history and aesthetics and to those interested in the work of Lévi-Strauss.