World War One British Poets

World War One British Poets
Author: Candace Ward
Publisher: Courier Corporation
Total Pages: 83
Release: 2012-03-05
Genre: Poetry
ISBN: 048611323X

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DIVRich selection of powerful, moving verse includes Brooke's "The Soldier," Owen's "Anthem for Doomed Youth," "In Flanders Fields," by Lieut. Col. McCrae, more by Hardy, Kipling, many others. /div

Encyclopedia of British Poetry, 1900 to the Present

Encyclopedia of British Poetry, 1900 to the Present
Author: James Persoon
Publisher: Infobase Learning
Total Pages: 2054
Release: 2015-04-22
Genre: English poetry
ISBN: 1438140746

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Presents a comprehensive A to Z reference with approximately 450 entries providing facts about contemporary British poets, including their major works of poetry, concepts and movements.

A Poet's Guide to Britain

A Poet's Guide to Britain
Author: Owen Sheers
Publisher: Penguin UK
Total Pages: 413
Release: 2009-10-29
Genre: Poetry
ISBN: 0141957042

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Introduced and selected by the poet-presenter Owen Sheers, A Poet's Guide to Britain is a major poetry anthology that ties in with the BBC series of the same name. Owen Sheers passionately believes that poems, and particularly poems of place, not only affect us as individuals, but can have the power to mark and define a collective experience - our identities, our country, our land. He has chosen six powerful poems, all personal favourites, and all poems that have become part of the way we see our landscape. The anthology follows a similar format to the BBC series itself, while also offering paper chains of poems about the landscape and nature of Britain, transcripts of contemporary poet interviews, and a short introduction to each lead poem.

British Women Poets of the Long Eighteenth Century

British Women Poets of the Long Eighteenth Century
Author: Paula R. Backscheider
Publisher: JHU Press
Total Pages: 957
Release: 2009-10-30
Genre: Literary Criticism
ISBN: 0801892775

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This anthology gathers 368 poems by 80 British women poets of the long eighteenth century. Few of these poems have been reprinted since originally published, and all are crucial to understanding fully the literary history of women writers. Paula R. Backscheider and Catherine E. Ingrassia demonstrate the enormous diversity of poetry produced during this time by organizing the poems in three broad and deliberately overlapping categories: by genre, establishing that women wrote in all of the forms that men did with equal mastery and creativity; by theme, offering a revisionary look at the range of topics these writers addressed, including war, ecology, friendship, religion, and the stages of life; and by the poems’ more specific focus on the women’s experiences as writers. Backscheider and Ingrassia have selected poems that represent the best work of skilled poets, creating a wonderful mix of canonical and little-known pieces. They include the complete texts of longer poems that are abridged or omitted in other collections. Their substantial part introductions, textual notes, bibliographical information, and biographical sketches situate the poets and their writings within the cultural and political milieu in which they appeared. To generate further scholarship on this subject, this essential anthology puts primary texts in front of students, scholars, and general readers. It fills the persistent need to document women’s poetic expression during the long eighteenth century and to rewrite the literary history of the period, a history from which women have largely been excluded.

Poetry and the Thought of Song in Nineteenth-century Britain

Poetry and the Thought of Song in Nineteenth-century Britain
Author: Elizabeth K. Helsinger
Publisher:
Total Pages: 0
Release: 2015
Genre: English poetry
ISBN: 9780813938004

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In arguing for the crucial importance of song for poets in the long nineteenth century, Elizabeth Helsinger focuses on both the effects of song on lyric forms and the mythopoetics through which poets explored the affinities of poetry with song. Looking in particular at individual poets and poems, Helsinger puts extensive close readings into productive conversation with nineteenth-century German philosophic and British scientific aesthetics. While she considers poets long described as "musical"--Alfred, Lord Tennyson, Gerard Manly Hopkins, Emily Brontë, and Algernon Charles Swinburne--Helsinger also examines the more surprising importance of song for those poets who rethought poetry through the medium of visual art: Dante Gabriel Rossetti, William Morris, and Christina Rossetti. In imitating song's forms and sound textures through lyric's rhythm, rhyme, and repetition, these poets were pursuing song's "thought" in a double sense. They not only asked readers to think of particular kinds of song as musical sound in social performance (ballads, national airs, political songs, plainchant) but also invited readers to think like song: to listen to the sounds of a poem as it moves minds in a different way from philosophy or science. By attending to the formal practices of these poets, the music to which the poets were listening, and the stories and myths out of which each forged a poetics that aspired to the condition of music, Helsinger suggests new ways to think about the nature and form of the lyric in the nineteenth century.

New British Poetry

New British Poetry
Author: Don Paterson
Publisher:
Total Pages: 236
Release: 2004-04
Genre: Poetry
ISBN:

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From established poets such as Andrew Motion and James Fenton, to mid-career poets such as Glyn Maxwell and Kathleen Jamie, to recent T.S. Eliot Prize-winner Alice Oswald, the work is fiercely intelligent, often irreverent, and engaged with traditional forms and an exhilirating range of styles. --Graywolf Press.

Contemporary British Poetry

Contemporary British Poetry
Author: James Acheson
Publisher: State University of New York Press
Total Pages: 430
Release: 1996-09-12
Genre: Biography & Autobiography
ISBN: 0791494217

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Devoted to close readings of poets and their contexts from various postmodern perspectives, this book offers a wide-ranging look at the work of feminists and "post feminist" poets, working class poets, and poets of diverse cultural backgrounds, as well as provocative re-readings of such well-established and influential figures as Donald Davie, Ted Hughes, Geoffrey Hill, and Craig Raine. Contributors include many respected theorists and critics, such as Antony Easthope, C.L. Innes, John Matthias, Edward Larrissy, Linda Anderson, Eric Homberger, Alastair Niven, R.K. Meiners, and Cairns Craig, in addition to new writers working from new theoretical perspectives. Their approaches range from cultural theory to poststructuralism; each essayist addresses a general audience while engaging in debates of interest to postgraduates and specialists in the fields of twentieth-century poetry and cultural studies. The book's strength lies in its diversity at every level.

The Poetry and Poets of Britain

The Poetry and Poets of Britain
Author: Daniel Scrymgeour
Publisher:
Total Pages: 596
Release: 1850
Genre: English poetry
ISBN:

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British Women Poets of the Romantic Era

British Women Poets of the Romantic Era
Author: Paula R. Feldman
Publisher: JHU Press
Total Pages: 924
Release: 2001-01-19
Genre: Literary Collections
ISBN: 9780801866401

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This groundbreaking volume not only documents the richness of their literary contributions but changes our thinking about the poetry of the English Romantic period.