The Poetry and Place of Anna Wickham, 1910-1930
Author | : Jennifer Vaughan Jones |
Publisher | : |
Total Pages | : 734 |
Release | : 1994 |
Genre | : English poetry |
ISBN | : |
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Author | : Jennifer Vaughan Jones |
Publisher | : |
Total Pages | : 734 |
Release | : 1994 |
Genre | : English poetry |
ISBN | : |
Author | : Jennifer Vaughan Jones |
Publisher | : Madison Books |
Total Pages | : 396 |
Release | : 2003-06-04 |
Genre | : Biography & Autobiography |
ISBN | : 1461662737 |
Anna Wickham's life is characterized by the turbulent, burgeoning feminism of the early 20th century. A woman whose incisive mind and inquisitive nature sent her husband into jealous rages, she was forcibly committed to a mental hospital at the age of 30. Upon her release, she began a life-long quest for happiness, exhibited first and foremost through her poetry. Anna Wickham became a widely acclaimed writer whose life, at times immersed in scandal, is a story of success and sadness. Eventually leaving her husband and four sons to live in Paris's left bank, she became a confidante of D.H. Lawrence, the long-time lover of millionairess Natalie Clifford Barney, and a strong-willed literary icon, rumored to have once thrown Dylan Thomas into a snowstorm. Despite her fame and achievement, Wickham's struggles with depression and anxiety would eventually lead to her untimely death.
Author | : Anna Wickham |
Publisher | : Apollo Books |
Total Pages | : 200 |
Release | : 2017 |
Genre | : Poetry |
ISBN | : 9781742589206 |
Anna Wickham (1883-1947) was one of the most important female poets writing in English during the first half of the twentieth century. A pioneer of Modernist poetry, she was also a fierce feminist, social activist, and friend of many significant writers, including D.H. Lawrence, George Bernard Shaw, Dylan Thomas, Katherine Mansfield, Natalie Clifford Barney, Kate O'Brien, and Lawrence Durrell. She produced a daring and influential body of work while living an often tragic life, which ended with her suicide. Wickham's unconventional life provided her with a unique worldview; she drew heavily on her own experiences in her poetry while interrogating conceptions of gender roles, marriage, motherhood, sexuality, and class. While Wickham's poetry earned her a major reputation during her lifetime, and her most famous poems continue to be anthologized, most of her published work is out of print and the majority of her poems have never been published. New and Selected Poems of Anna Wickham is the first collection of Wickham's poetry to be published in over three decades. This collection republishes one hundred of Wickham's poems selected from the collections published during her lifetime, as well as poems from Selected Poems (1971) and The Writings of Anna Wickham (1984). In addition to bringing many of Wickham's greatest poems back into print, this collection publishes one hundred and fifty of her remarkable poems for the first time, significantly expanding her body of published work and demonstrating her significant poetic achievement. *** "The publication of Anna Wickham's 'New and Selected Poems' is a landmark event for poets and readers and will allow us to properly celebrate this vocational, passionate and important voice for the first time." -- Carol Ann Duffy (Series: UWAP Poetry) [Subject: Poetry]
Author | : Anna Wickham |
Publisher | : Virago Press |
Total Pages | : 404 |
Release | : 1984 |
Genre | : Poetry |
ISBN | : 9780860684824 |
Selections from the English author's prose accompany her poems about marriage, motherhood, religion, art, and freedom
Author | : Nelljean Rice |
Publisher | : Routledge |
Total Pages | : 169 |
Release | : 2013-10-11 |
Genre | : Literary Criticism |
ISBN | : 1136720014 |
Many studies of poetic modernism focus on the avatars of High Modernism, Eliot, Pound and Yeats, who created a critical coterie based on culture and class. A New Matrix for Modernism introduces a matrilineage for modernism that traces a distinct women's poetic voice from the Bronte sisters through Alice Meynell to modernists Charlotte Mew and Anna Wickham who combine feminist content with an innovative exploration of formalist prosody. Shifting emphasis from woman to child, mother to daughter, and urbs to suburb, relocating modernism's matrilingua to the boundaries of London society and culture, A NewMatrix for Modernism ranges widely among architecture, mental illness, Fabianism, Positivism, Theosophy, women's suffrage and education to a new house for modernism-a woman's place of secret joys and sorrows. Well researched yet passionate, this book will appeal to both the scholar and the generalist interested in modernism, poetry, feminism, culture and British literary history.
Author | : Laura Severin |
Publisher | : Routledge |
Total Pages | : 129 |
Release | : 2017-03-02 |
Genre | : Literary Criticism |
ISBN | : 1351910604 |
This study examines the performed poetry of Charlotte Mew, Anna Wickham, Edith Sitwell, Stevie Smith, Liz Lochhead, and Jackie Kay as an alternative radical tradition of British poetry, developed to convey women's experience. Through a historical treatment in which the poets are discussed in pairs, the chapters trace how these six women used a performative poetry to deal with difficulties regarding women's representation: from simply presenting difference in the case of Mew and Wickham, to deconstructing difference in the case of Sitwell and Smith, to avoiding the recapture of cultural imagery in the case of Lochhead and Kay. Laura Severin claims that twentieth-century British women poets have been neglected by both feminist and more traditional literary critics because they cannot be read within available literary frameworks. Feminist criticism, in particular, has overlooked the value of other poetic ancestries by locating the only radical tradition of modern poetry in fractured form. At least one alternative radical tradition can be found in a narrative and performed poetry that maximizes its transgressive potential with multiple framing devices. Though a female poet always experiences difficulty in controlling both cultural imagery and her own public presentation, these framing devices work together both to deconstruct the essentialized category of woman and to recover the multiplicity of women's experience.
Author | : Anna WICKHAM (pseud.) |
Publisher | : |
Total Pages | : |
Release | : 1936 |
Genre | : |
ISBN | : |
Author | : Jane Dowson |
Publisher | : Routledge |
Total Pages | : 284 |
Release | : 2017-03-02 |
Genre | : Poetry |
ISBN | : 135187151X |
Primarily a literary history, Women, Modernism and British Poetry, 1910-1939 provides a timely discussion of individual women poets who have become, or are becoming, well-known as their works are reprinted but about whom little has yet been written. This volume recognizes the contributions, overlooked previously, of such British poets as Anna Wickham, Nancy Cunard, Edith Sitwell, Mina Loy, Charlotte Mew, May Sinclair, Vita Sackville-West and Sylvia Townsend Warner; and the impact of such American poets as H.D., Amy Lowell, Edna St. Vincent Millay, Marianne Moore and Laura Riding on literary practice in Britain. This book primarily maps the poetry scene in Britain but identifies the significance of the network of writers between London, New York and Paris. It assesses women's participation in the diversity of modernist developments which include avant-garde experiments, quiet, but subtly challenging, formalism and assertive 'new woman' voices. It not only chronicles women's poetry but also their publications and involvement in running presses, bookshops and writing criticism. Although historically situated, it is written from the perspective of contemporary debates concerning the interface of gender and modernism. The author argues that a cohering aesthetic of the poetry is a denial of femininity through various evasions of gendered identity such as masking, male and female impersonations and the rupturing of realist modes.
Author | : |
Publisher | : |
Total Pages | : 562 |
Release | : 2005 |
Genre | : Australian literature |
ISBN | : |
Author | : Anne Vickery |
Publisher | : Salt Publishing |
Total Pages | : 412 |
Release | : 2007 |
Genre | : Literary Criticism |
ISBN | : |
Stressing the Modern: Cultural Politics in Australian Women’s Poetry is the first major study of women’s poetic careers in early twentieth-century Australia. This was a particularly prolific period for women poets as a rapidly changing social climate generated new, often still ambivalent, identities around gender, race, class, and nation. Negotiating the ‘modern’ landscape and the ‘modern’ psyche through the complex effects of Federation, the suffrage movement, World War I, increasing industrialisation and urbanisation, and advances in technology necessitated innovations in poetic form and a rethinking of authorship. This exciting study examines the increasing visibility and popularity of women as poets, their shaping of literary tastes through editing and criticism, their cross-influence and friendships, and the resulting backlash within Australian literary circles. Furthermore, it traces how these writers mediated their experiences of travel, expatriation, and transnationalism against the desire to produce a literature of difference, that is, poetry that was regionally or culturally distinct. Using extensive archival material, Stressing the Modern offers a new understanding of the emergence of literary modernism in Australia. It demonstrates the significance of poetry as both a popular and a radical site for articulating ‘modern’ lives and their concerns.