The Pocket Lawyer for Filmmakers

The Pocket Lawyer for Filmmakers
Author: Thomas A. Crowell
Publisher: Taylor & Francis
Total Pages: 448
Release: 2012-11-12
Genre: Performing Arts
ISBN: 1136067493

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* How can you use a state's film tax credits to fund your film? SEE PAGE 63. * You have an idea you want to pitch to a production company; how do you safeguard your concept? SEE PAGE 77. * How can you fund your production with product placement? SEE PAGE 157. * How do you get a script to popular Hollywood actors and deal with their agents? SEE PAGE 222. Find quick answers to these and hundreds of other questions in this new edition of The Pocket Lawyer for Filmmakers. This no-nonsense reference provides fast answers in plain English-no law degree required! Arm yourself with the practical advice of author Thomas Crowell, a TV-producer-turned-entertainment-lawyer. This new edition features: * New sections on product placement, film tax credits and production incentive financing, Letters of Intent, and DIY distribution (four-walling, YouTube, Download-to-own, Amazon.com, iTunes, and Netflix) * Updated case law * Even more charts and graphics to help you find the information you need even more quickly. This book is the next best thing to having an entertainment attorney on retainer!

The Pocket Lawyer for Filmmakers

The Pocket Lawyer for Filmmakers
Author: Thomas A. Crowell, Esq.
Publisher: Taylor & Francis
Total Pages: 530
Release: 2022-08-30
Genre: Performing Arts
ISBN: 1000605949

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This no-nonsense reference helps independent filmmakers recognize and solve the critical legal issues they might face throughout the course of making a film. Author Thomas A. Crowell, TV producer turned entertainment lawyer, will help you to understand and negotiate crucial production contracts, handle actors and their agents, and navigate the perils of copyright infringement and other lawsuits. Updated throughout to address important changes to the law, and incorporating discussion of online distribution, crowd funding, social media marketing, and international productions, this expanded third edition will provide you with the skills to: Protect the copyright to your work. Finance your film and watch out for common financing traps. Understand how tax credits and other incentives are used in film financing. Work with other screenwriters, and protect your script ideas. Adapt a book or comic into a screenplay. Know how to spot the difference between copyright infringement and fair use. Hire crew members, actors, and post-production staff. Draft a production services agreement or a license to use someone else’s work. License music for soundtracks. Negotiate a distribution agreement or understand how to distribute your film alone. Learn how to best position your film for Netflix. Make money from YouTube. And much more! Written for accessibility and ease of reference, this book is a vital resource for any student or independent filmmaker wanting their films to be successful and free of legal disasters.

The Pocket Lawyer for Comic Book Creators

The Pocket Lawyer for Comic Book Creators
Author: Thomas A. Crowell
Publisher:
Total Pages: 485
Release: 2014-07-02
Genre: Art
ISBN: 9780415661805

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"Since the publication of its first edition in 2007, "The Pocket Lawyer for Filmmakers" has quickly become one of the best-selling legal guides for independent filmmakers. Now in its second edition, "The Pocket Lawyer for Filmmakers" is used as a textbook in film and law schools across the country, and graces the desks of indie filmmakers and studio executives alike. Backstage Magazine calls it "An [an] excellent, potentially career-saving resource." The book's hands-on, straightforward style demystifies the complex world of contracts and copyrights so critical to the business success of any independent film. Its revolutionary combination of graphics, cross-referencing, and step-by-step explanations have been praised by filmmakers for helping them find the information they need at a glance without having to read the book cover to cover"--

The Pocket Lawyer for Filmmakers

The Pocket Lawyer for Filmmakers
Author: Thomas A. Crowell
Publisher: Taylor & Francis
Total Pages: 362
Release: 2012-10-02
Genre: Performing Arts
ISBN: 1136067418

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* You have an idea you want to pitch to a production company; how do you safeguard your concept? * There's a painting in the background of your independent film; is it necessary to clear the rights? * The screenplay you and a friend wrote gets optioned; how do you split the proceeds fairly? * How do you get a script to popular Hollywood actors or deal with their agents? Find quick answers to these and hundreds of other questions in The Pocket Lawyer for Film and Video, the next best thing to having an entertainment attorney at your beck and call. Written by a TV-producer-turned-entertainment-lawyer, this no-nonsense reference provides fast answers in plain English: no law degree required! The Pocket Lawyer is designed to help producers reduce legal costs by providing the vital information needed to make informed decisions on the legal aspects of film, video, and TV productions. Film and video production is a litigation lighting rod: actors get hurt, copyrights are infringed, and contracts are broken. Big-budget producers have lawyers on retainer, but many independent filmmakers are left legally exposed. Arm yourself with the practical advice in this book. You will not only avoid common pitfalls, but become empowered in your daily work. Too many otherwise competent producers turn over every aspect of the deal negotiations to their lawyers and agents. This book explains the principal deals common to every production, putting producers back in the co-pilot seat with their representatives. The format is carefully designed for quick reference, so you get the answers you need, fast. Features include: * Clause Companion: explains the meaning and impact of typical contract clauses, taking the headache out of reading them. * F.A.Qs: instantly answers the most commonly asked legal questions. * Warnings: alerts you to critical areas and common mistakes. * Pro-Tips: advice on unions, escrow accounts, etc. for producers who want to distribute their video widely.

The Pocket Lawyer for Comic Book Creators

The Pocket Lawyer for Comic Book Creators
Author: Thomas A. Crowell
Publisher:
Total Pages:
Release: 2014
Genre: Comic books, strips, etc
ISBN: 9781135943448

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"Since the publication of its first edition in 2007, "The Pocket Lawyer for Filmmakers" has quickly become one of the best-selling legal guides for independent filmmakers. Now in its second edition, "The Pocket Lawyer for Filmmakers" is used as a textbook in film and law schools across the country, and graces the desks of indie filmmakers and studio executives alike. Backstage Magazine calls it "An [an] excellent, potentially career-saving resource." The book's hands-on, straightforward style demystifies the complex world of contracts and copyrights so critical to the business success of any independent film. Its revolutionary combination of graphics, cross-referencing, and step-by-step explanations have been praised by filmmakers for helping them find the information they need at a glance without having to read the book cover to cover"--

The Independent Film Producers Survival Guide: A Business and Legal Sourcebook

The Independent Film Producers Survival Guide: A Business and Legal Sourcebook
Author: Gunnar Erickson
Publisher: Schirmer Trade Books
Total Pages: 419
Release: 2011-08-01
Genre: Business & Economics
ISBN: 0857124986

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In this comprehensive guidebook, three experienced entertainment lawyers tell you everything you need to know to produce and market an independent film from the development process to deal making, financing, setting up the production, hiring directors and actors, securing location rights, acquiring music, calculating profits, digital moving making, distribution, and marketing your movie.

Scheduling and Budgeting Your Film

Scheduling and Budgeting Your Film
Author: Paula Landry
Publisher: Taylor & Francis
Total Pages: 325
Release: 2017-06-26
Genre: Performing Arts
ISBN: 1315454831

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Budgeting and scheduling are easy in principle but hard in practice. The successful producer has a solid plan for juggling dozens of activities and costs while retaining the flexibility to cope with those inevitable last-minute changes and stay on course. Preplanning the budget and schedule of any media project is absolutely essential, and the 2nd edition of Scheduling and Budgeting Your Film: A Panic-Free Guide shows you the intricacies of handling both budgeting and scheduling successfully. This new and updated edition explains the fundamentals of line producing in an easy-to-understand style, and includes tips and techniques that apply no matter what kind of scheduling or budgeting software you’re using. Author Paula Landry includes detailed examples of breakdown forms, organizing resources, distribution expenses, and hidden costs, and discusses how to set realistic priorities and find industry and state tax incentives. The new edition also includes discussions of transmedia and multi-purpose shooting, special considerations for VR, 4K and 3D shooting, new web platforms and mobile technology, crowd funding, film festivals, and much more. Each chapter is filled with handy checklists, tips, practical advice, and anecdotes, showing how scheduling and budgeting are done in the real world; Principles apply to any type of media project: film, video, music video, projects hosted online, and corporate and educational videos; An accompanying eResources page offers downloadable forms and templates, and other essential resources.

Exposure

Exposure
Author: Robert Bilott
Publisher: Atria Books
Total Pages: 400
Release: 2020-07-14
Genre: Biography & Autobiography
ISBN: 1501172824

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“For Erin Brockovich fans, a David vs. Goliath tale with a twist” (The New York Times Book Review)—the incredible true story of the lawyer who spent two decades building a case against DuPont for its use of the hazardous chemical PFOA, uncovering the worst case of environmental contamination in history—affecting virtually every person on the planet—and the conspiracy that kept it a secret for sixty years. The story that inspired Dark Waters, the major motion picture from Focus Features starring Mark Ruffalo and Anne Hathaway, directed by Todd Haynes. 1998: Rob Bilott is a young lawyer specializing in helping big corporations stay on the right side of environmental laws and regulations. Then he gets a phone call from a West Virginia farmer named Earl Tennant, who is convinced the creek on his property is being poisoned by runoff from a neighboring DuPont landfill, causing his cattle and the surrounding wildlife to die in hideous ways. Earl hasn’t even been able to get a water sample tested by any state or federal regulatory agency or find a local lawyer willing to take the case. As soon as they hear the name DuPont—the area’s largest employer—they shut him down. Once Rob sees the thick, foamy water that bubbles into the creek, the gruesome effects it seems to have on livestock, and the disturbing frequency of cancer and other health problems in the area, he’s persuaded to fight against the type of corporation his firm routinely represents. After intense legal wrangling, Rob ultimately gains access to hundreds of thousands of pages of DuPont documents, some of them fifty years old, that reveal the company has been holding onto decades of studies proving the harmful effects of a chemical called PFOA, used in making Teflon. PFOA is often called a “forever chemical,” because once in the environment, it does not break down or degrade for millions of years, contaminating the planet forever. The case of one farmer soon spawns a class action suit on behalf of seventy thousand residents—and the shocking realization that virtually every person on the planet has been exposed to PFOA and carries the chemical in his or her blood. What emerges is a riveting legal drama “in the grand tradition of Jonathan Harr’s A Civil Action” (Booklist, starred review) about malice and manipulation, the failings of environmental regulation; and one lawyer’s twenty-year struggle to expose the truth about this previously unknown—and still unregulated—chemical that we all have inside us.

Crowdsourcing for Filmmakers

Crowdsourcing for Filmmakers
Author: Richard Botto
Publisher: Taylor & Francis
Total Pages: 253
Release: 2017-09-11
Genre: Art
ISBN: 1317533038

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Whether you’re a producer, screenwriter, filmmaker, or other creative, you probably have a project that needs constant exposure, or a product to promote. But how do you rise above the noise? In Crowdsourcing for Filmmakers: Indie Film and the Power of the Crowd, Richard Botto explains how to put crowdsourcing to use for your creative project, using social media, networking, branding, crowdfunding, and an understanding of your audience to build effective crowdsourcing campaigns, sourcing everything from film equipment to shooting locations. Botto covers all aspects of crowdsourcing: how to create the message of your brand, project, or initiative; how to mold, shape, and adjust it based on mass response; how to broadcast a message to a targeted group and engage those with similar likes, beliefs, or interests; and finally, how to cultivate those relationships to the point where the message is no longer put forth solely by you, but carried and broadcasted by those who have responded to it. Using a wealth of case studies and practical know-how based on his years of experience in the industry and as founder of Stage 32—the largest crowdsourced platform for film creatives—Richard Botto presents a comprehensive and hands-on guide to crowdsourcing creatively and expertly putting your audience to work on your behalf.