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| Author | : Eric Csapo |
| Publisher | : Cambridge University Press |
| Total Pages | : 403 |
| Release | : 2007-01-15 |
| Genre | : Art |
| ISBN | : 0521836824 |
Publisher description
| Author | : Mary Louise Hart |
| Publisher | : Getty Publications |
| Total Pages | : 180 |
| Release | : 2010 |
| Genre | : Art |
| ISBN | : 1606060376 |
An explanation of Greek theater as seen through its many depictions in classical art
| Author | : Eric Csapo |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 590 |
| Release | : 2014-06-18 |
| Genre | : History |
| ISBN | : 311033755X |
Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.
| Author | : Eric Csapo |
| Publisher | : Cambridge University Press |
| Total Pages | : 961 |
| Release | : 2019-12-31 |
| Genre | : History |
| ISBN | : 0521765579 |
This is the second volume of A Social and Economic History of the Theatre to 300 BC and focuses exclusively on theatre culture in Attica (Rural Dionysia) and the rest of the Greek world. It presents and discusses in detail all the documentary and material evidence for theatre culture and dramatic production from the first two centuries of theatre history, namely the period c.500 to c.300 BC. The traditional assumption is laid to rest that theatre was an exclusively or primarily Athenian institution, with the inclusion of all sources of information for theatrical performances in twenty-two deme sites and over one hundred and twenty independent Greek (and some non-Greek) cities. All texts are translated and made accessible to non-specialists and specialists alike. The volume will be a fundamental work of reference for all classicists and theatre historians interested in ancient theatre and its wider historical contexts.
| Author | : David Wiles |
| Publisher | : Cambridge University Press |
| Total Pages | : 260 |
| Release | : 2000-05-25 |
| Genre | : Drama |
| ISBN | : 9780521648578 |
Specially written for students and enthusiasts, David Wiles introduces ancient Greek theatre and cultural life.
| Author | : J. R. Green |
| Publisher | : Routledge |
| Total Pages | : 262 |
| Release | : 2013-04-15 |
| Genre | : History |
| ISBN | : 1134968809 |
In Theatre in Ancient Greek Society the author examines the social setting and function of ancient Greek theatre through the thousand years of its performance history. Instead of using written sources, which were intended only for a small, educated section of the population, he draws most of his evidence from a wide range of archaeological material - from cheap, mass-produced vases and figurines to elegant silverware produced for the dining tables of the wealthy. This is the first study examining the function and impact of the theatre in ancient Greek society by employing an archaeological approach.
| Author | : Theocharis George Paterakis |
| Publisher | : Theocharis George Paterakis |
| Total Pages | : 192 |
| Release | : 2024-05-29 |
| Genre | : Art |
| ISBN | : |
Introduction to Ancient Theatre: Exploring its Origins and Enduring Significance This comprehensive e-book serves as a thorough introduction to the world of ancient theatre. Delving into the origins, development, and purpose of this venerable art form, it also explores its profound connection with ancient religious practices. Exploring Ancient Forms The e-book provides detailed insights into the genres of tragedy, comedy, and satire, offering a deep understanding of their significance. Furthermore, it presents enlightening biographies of legendary playwrights such as Aeschylus, Sophocles, and Euripides, as well as renowned comedians including Aristophanes and Menander. Historical Context and Influence Beyond mere references and summaries of these timeless works, the ebook meticulously examines the historical contexts in which they were created. It also sheds light on how these works were utilised by early Christian apologists, providing a fascinating perspective on their enduring influence. Legacy and Relevance Additionally, the ebook offers a compelling exploration of some of the most famous theaters that once hosted these renowned performances. It eloquently discusses the reasons why this ancient art continues to hold relevance in modern times, making it a compelling read for enthusiasts and scholars alike.
| Author | : Aristotle |
| Publisher | : Createspace Independent Publishing Platform |
| Total Pages | : 82 |
| Release | : 2017-03-07 |
| Genre | : |
| ISBN | : 9781544217574 |
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."
| Author | : Marianne McDonald |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2007-05-31 |
| Genre | : Drama |
| ISBN | : 1139827251 |
This series of essays by prominent academics and practitioners investigates in detail the history of performance in the classical Greek and Roman world. Beginning with the earliest examples of 'dramatic' presentation in the epic cycles and reaching through to the latter days of the Roman Empire and beyond, this 2007 Companion covers many aspects of these broad presentational societies. Dramatic performances that are text-based form only one part of cultures where presentation is a major element of all social and political life. Individual chapters range across a two thousand year timescale, and include specific chapters on acting traditions, masks, properties, playing places, festivals, religion and drama, comedy and society, and commodity, concluding with the dramatic legacy of myth and the modern media. The book addresses the needs of students of drama and classics, as well as anyone with an interest in the theatre's history and practice.
| Author | : George Harrison |
| Publisher | : BRILL |
| Total Pages | : 601 |
| Release | : 2013-03-15 |
| Genre | : Literary Criticism |
| ISBN | : 9004245456 |
Drawing on insights from various disciplines (philology, archaeology, art) as well as from performance and reception studies, this volume shows how a heightened awareness of performance can enhance our appreciation of Greek and Roman theatre.
