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| Author | : Julius Lester |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2005 |
| Genre | : Africa |
| ISBN | : 9780803725645 |
The Old African tells the story of his original capture into slavery, and then leads a group of slaves back to the homeland.
| Author | : Katrina Hazzard-Donald |
| Publisher | : University of Illinois Press |
| Total Pages | : 251 |
| Release | : 2012-12-30 |
| Genre | : Social Science |
| ISBN | : 0252094468 |
A bold reconsideration of Hoodoo belief and practice Katrina Hazzard-Donald explores African Americans' experience and practice of the herbal, healing folk belief tradition known as Hoodoo. She examines Hoodoo culture and history by tracing its emergence from African traditions to religious practices in the Americas. Working against conventional scholarship, Hazzard-Donald argues that Hoodoo emerged first in three distinct regions she calls "regional Hoodoo clusters" and that after the turn of the nineteenth century, Hoodoo took on a national rather than regional profile. The spread came about through the mechanism of the "African Religion Complex," eight distinct cultural characteristics familiar to all the African ethnic groups in the United States. The first interdisciplinary examination to incorporate a full glossary of Hoodoo culture, Mojo Workin': The Old African American Hoodoo System lays out the movement of Hoodoo against a series of watershed changes in the American cultural landscape. Hazzard-Donald examines Hoodoo material culture, particularly the "High John the Conquer" root, which practitioners employ for a variety of spiritual uses. She also examines other facets of Hoodoo, including rituals of divination such as the "walking boy" and the "Ring Shout," a sacred dance of Hoodoo tradition that bears its corollaries today in the American Baptist churches. Throughout, Hazzard-Donald distinguishes between "Old tradition Black Belt Hoodoo" and commercially marketed forms that have been controlled, modified, and often fabricated by outsiders; this study focuses on the hidden system operating almost exclusively among African Americans in the Black spiritual underground.
| Author | : Michael W. Twitty |
| Publisher | : HarperCollins |
| Total Pages | : 504 |
| Release | : 2018-07-31 |
| Genre | : Cooking |
| ISBN | : 0062876570 |
2018 James Beard Foundation Book of the Year | 2018 James Beard Foundation Book Award Winner inWriting | Nominee for the 2018 Hurston/Wright Legacy Award in Nonfiction | #75 on The Root100 2018 A renowned culinary historian offers a fresh perspective on our most divisive cultural issue, race, in this illuminating memoir of Southern cuisine and food culture that traces his ancestry—both black and white—through food, from Africa to America and slavery to freedom. Southern food is integral to the American culinary tradition, yet the question of who "owns" it is one of the most provocative touch points in our ongoing struggles over race. In this unique memoir, culinary historian Michael W. Twitty takes readers to the white-hot center of this fight, tracing the roots of his own family and the charged politics surrounding the origins of soul food, barbecue, and all Southern cuisine. From the tobacco and rice farms of colonial times to plantation kitchens and backbreaking cotton fields, Twitty tells his family story through the foods that enabled his ancestors’ survival across three centuries. He sifts through stories, recipes, genetic tests, and historical documents, and travels from Civil War battlefields in Virginia to synagogues in Alabama to Black-owned organic farms in Georgia. As he takes us through his ancestral culinary history, Twitty suggests that healing may come from embracing the discomfort of the Southern past. Along the way, he reveals a truth that is more than skin deep—the power that food has to bring the kin of the enslaved and their former slaveholders to the table, where they can discover the real America together. Illustrations by Stephen Crotts
| Author | : James Haskins |
| Publisher | : Harper Collins |
| Total Pages | : 58 |
| Release | : 1998-01-20 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 0688102565 |
Presents an illustrated introduction to Africa's ancient empires, and includes discussion of African music and dance, art and religion, trade with Europe, and slavery and colonization.
| Author | : Heather Andrea Williams |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 264 |
| Release | : 2012-06-01 |
| Genre | : Social Science |
| ISBN | : 0807882658 |
After the Civil War, African Americans placed poignant "information wanted" advertisements in newspapers, searching for missing family members. Inspired by the power of these ads, Heather Andrea Williams uses slave narratives, letters, interviews, public records, and diaries to guide readers back to devastating moments of family separation during slavery when people were sold away from parents, siblings, spouses, and children. Williams explores the heartbreaking stories of separation and the long, usually unsuccessful journeys toward reunification. Examining the interior lives of the enslaved and freedpeople as they tried to come to terms with great loss, Williams grounds their grief, fear, anger, longing, frustration, and hope in the history of American slavery and the domestic slave trade. Williams follows those who were separated, chronicles their searches, and documents the rare experience of reunion. She also explores the sympathy, indifference, hostility, or empathy expressed by whites about sundered black families. Williams shows how searches for family members in the post-Civil War era continue to reverberate in African American culture in the ongoing search for family history and connection across generations.
| Author | : Colin M. Turnbull |
| Publisher | : Touchstone |
| Total Pages | : 251 |
| Release | : 1987 |
| Genre | : Social Science |
| ISBN | : 9780671641016 |
Biographical sketches of modern Africans from varied walks of life illustrate the individual and societal conflicts of a continent in the process of transition between two cultures
| Author | : Daniel Lainé |
| Publisher | : Ten Speed Press |
| Total Pages | : 156 |
| Release | : 2000 |
| Genre | : History |
| ISBN | : 9781580082242 |
Presents a collection of photographs of seventy African monarchs along with information on each of their tribes.
| Author | : Michael S. Bisson |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 326 |
| Release | : 2000 |
| Genre | : History |
| ISBN | : 9780742502611 |
Gold. Copper. Iron. Metal working in Africa has been the subject of both popular lore and extensive archaeological investigation. In this volume, four leading archaeologists attempt to provide a complete synthesis of current debates and understandings: When, how and where was metal first introduced to the continent? How were iron and copper tools, implements, and objects used in everyday life, in trade, in political and cultural contexts? What role did metals play in the ideological systems of precolonial African peoples? Substantive chapters address the origins of African metal working and analyze the specific uses, technology, and ideology of both copper and iron. An ethnoarchaeological account in the words of a contemporary iron worker enriches the archaeological explanations. The volume will be of great value to scholars and students of archaeology, African history, and the history of technology.
| Author | : Tricia Martineau Wagner |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 169 |
| Release | : 2007-02-01 |
| Genre | : History |
| ISBN | : 1461748429 |
The brave pioneers who made a life on the frontier were not only male—and they were not only white. The story of African-American women in the Old West is one that has largely gone untold--until now. The story of ten African-American women is reconstructed from historic documents found in century-old archives. The ten remarkable women in African American Women of the Old West were all born before 1900, some were slaves, some were free, and some lived both ways during their lifetime. Among them were laundresses, freedom advocates, journalists, educators, midwives, business proprietors, religious converts, philanthropists, mail and freight haulers, and civil and social activists.
| Author | : Peter Tosh |
| Publisher | : Akashic Books |
| Total Pages | : 30 |
| Release | : 2020-06-02 |
| Genre | : Juvenile Fiction |
| ISBN | : 1617758302 |
A beautiful children's picture book featuring the lyrics of Peter Tosh's global classic celebrating children of African descent. So don't care where you come from As long as you're a black man, you're an African No mind your nationality You have got the identity of an African African is a children's book featuring lyrics by Peter Tosh and illustrations by Jamaican artist Rachel Moss. The song "African" by Peter Tosh was originally released in 1977 on his second solo record, Equal Rights. He wrote the song during a time of civil unrest in Jamaica as a reminder to all black people that they were part of the same community. The album is considered one of the most influential reggae works of all time. A key song from the classic 1970s era of reggae Peter Tosh was one of the founding members of the iconic reggae group the Wailers "The joyful illustrations depict young and older black people of various colors, with many different hairstyles and wearing an array of clothing styles, playing, riding, dancing, and walking...The dynamic art and text work together to form a loving ode to belonging for black people of the diaspora." --Kirkus Reviews "[A] survey of Tosh's repertoire reminds us that his best works were distinctive and impactful. When the Wailers were first starting their careers at Studio One, Tosh voiced boastful classics...When the Wailers launched their own label in 1968, Tosh became the Stepping Razor, adapting a song written by the Wailers' harmony coach, Joe Higgs, and when the trio began working with visionary producer Lee 'Scratch' Perry, he recorded '400 Years,' one of the most moving explorations of the historical injustices of slavery and its lingering aftermath...His Legalize It album was far ahead of its time in demanding the decriminalization of marijuana in 1975, while Equal Rights reminded that peace will never come without justice...[He was] one of reggae's most fiery and controversial performers, whose work remains relevant." --Guardian "Tosh's first two solo records, Legalize It and Equal Rights, are not just two of the best reggae records ever, but also two of the finest records of the '70s, period. They were inventive and deeply catchy records full of songs that could be as playful as they were defiant. Peter Tosh was always outspoken, always the rebel, but it was the way he said things--that honeyed voice, those brilliant and subtly intricate compositions--that set him apart." --PopMatters
