The New Schwann
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Total Pages | : 574 |
Release | : 1985-12 |
Genre | : Audiotapes |
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Author | : |
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Total Pages | : 574 |
Release | : 1985-12 |
Genre | : Audiotapes |
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Total Pages | : 430 |
Release | : 1984 |
Genre | : Music |
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Total Pages | : 948 |
Release | : 1887 |
Genre | : Medicine |
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Total Pages | : 124 |
Release | : 1984-02-27 |
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New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
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Total Pages | : 932 |
Release | : 1906 |
Genre | : Encyclopedias and dictionaries |
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Author | : George Frederick Shrady |
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Total Pages | : 822 |
Release | : 1887 |
Genre | : Medicine |
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Author | : Moses Allen Starr |
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Total Pages | : 806 |
Release | : 1903 |
Genre | : Nervous system |
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Total Pages | : 1860 |
Release | : 1990 |
Genre | : Periodicals |
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A union list of serials commencing publication after Dec. 31, 1949.
Author | : Moses Allen Starr |
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Total Pages | : 872 |
Release | : 1907 |
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Author | : F. M. Scherer |
Publisher | : Princeton University Press |
Total Pages | : 277 |
Release | : 2018-06-05 |
Genre | : Music |
ISBN | : 0691188092 |
In 1700, most composers were employees of noble courts or the church. But by the nineteenth century, Chopin, Schumann, Brahms, Verdi, and many others functioned as freelance artists teaching, performing, and selling their compositions in the private marketplace. While some believe that Mozart's career marks a clean break between these two periods, this book tells the story of a more complex and interesting transition. F. M. Scherer first examines the political, intellectual, and economic roots of the shift from patronage to a freelance market. He describes the eighteenth-century cultural "arms race" among noble courts, the spread of private concert halls and opera houses, the increasing attendance of middle-class music lovers, and the founding of conservatories. He analyzes changing trends in how composers acquired their skills and earned their living, examining such impacts as demographic developments and new modes of transportation. The book offers insight into the diversity of composers' economic aspirations, the strategies through which they pursued success, the burgeoning music publishing industry, and the emergence of copyright protection. Scherer concludes by drawing some parallels to the economic state of music composition in our own times. Written by a leading economist with an unusually broad knowledge of music, this fascinating account is directed toward individuals intrigued by the world of classical composers as well as those interested in economic history or the role of money in art.