“The” MGM Labels
Author | : Michel Ruppli |
Publisher | : |
Total Pages | : 816 |
Release | : 1998 |
Genre | : |
ISBN | : 9780313307805 |
Download “The” MGM Labels Book in PDF, Epub and Kindle
Download The Mgm Labels Additional Recordings full books in PDF, epub, and Kindle. Read online free The Mgm Labels Additional Recordings ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Michel Ruppli |
Publisher | : |
Total Pages | : 816 |
Release | : 1998 |
Genre | : |
ISBN | : 9780313307805 |
Author | : Michel Ruppli |
Publisher | : Greenwood |
Total Pages | : 866 |
Release | : 1998 |
Genre | : Juvenile Nonfiction |
ISBN | : |
A complete discographical compilation listing all the recordings issued by the MGM Record Company throughout its long and illustrious recording history from 1946 to 1982. It includes music specially recorded by MGM as well as recordings leased or purchased from other sources such as Musicraft, Joe Davis, and German Polydor. All music genres from jazz and country to popular and classical are covered, but the strongest feature may be the extensive recordings of films and musicals. Volume 1 covers the period 1946 through 1960, while Volume 2 covers the 1961 through 1982 period. Volume 3 lists additional recordings in various fields--popular artists, film soundtracks, foreign recordings, classical material-- and provides a complete record listing by media (singles, albums, compact discs) as well as indexes for composers, special subjects, and artists. This is an essential resource for any one interested in recorded music after the Second World War.
Author | : Michel Ruppli |
Publisher | : Greenwood |
Total Pages | : 866 |
Release | : 1998 |
Genre | : Juvenile Nonfiction |
ISBN | : |
A complete discographical compilation listing all the recordings issued by the MGM Record Company throughout its long and illustrious recording history from 1946 to 1982. It includes music specially recorded by MGM as well as recordings leased or purchased from other sources such as Musicraft, Joe Davis, and German Polydor. All music genres from jazz and country to popular and classical are covered, but the strongest feature may be the extensive recordings of films and musicals. Volume 1 covers the period 1946 through 1960, while Volume 2 covers the 1961 through 1982 period. Volume 3 lists additional recordings in various fields--popular artists, film soundtracks, foreign recordings, classical material-- and provides a complete record listing by media (singles, albums, compact discs) as well as indexes for composers, special subjects, and artists. This is an essential resource for any one interested in recorded music after the Second World War.
Author | : Michel Ruppli |
Publisher | : Greenwood |
Total Pages | : 0 |
Release | : 1998 |
Genre | : Music |
ISBN | : 9780313300523 |
This complete discographical compilation lists all the recordings issued by the MGM Record Company throughout its long and illustrious recording history from 1946 to 1982. It includes music specially recorded by MGM and recordings leased or purchased from other sources such as Musicraft, Joe Davis, and German Polydor. All music genres from jazz and country to popular and classical are covered, but the strongest feature may be the extensive recordings of films and musicals. Volume 1 covers the period 1946 through 1960, while Volume 2 covers 1961 through 1982. Volume 3 lists additional recordings in various fields--popular artists, film soundtracks, foreign recordings, classical material--and provides a complete listing by recording media (singles, albums, compact discs) as well as indexes for composers, special subjects, and artists. This is an essential resource for anyone interested in recorded music after the Second World War.
Author | : Michel Ruppli |
Publisher | : Greenwood |
Total Pages | : 1020 |
Release | : 1998 |
Genre | : Juvenile Nonfiction |
ISBN | : |
A complete discographical compilation listing all the recordings issued by the MGM Record Company throughout its long and illustrious recording history from 1946 to 1982. It includes music specially recorded by MGM as well as recordings leased or purchased from other sources such as Musicraft, Joe Davis, and German Polydor. All music genres from jazz and country to popular and classical are covered, but the strongest feature may be the extensive recordings of films and musicals. Volume 1 covers the period 1946 through 1960, while Volume 2 covers the 1961 through 1982 period. Volume 3 lists additional recordings in various fields--popular artists, film soundtracks, foreign recordings, classical material-- and provides a complete record listing by media (singles, albums, compact discs) as well as indexes for composers, special subjects, and artists. This is an essential resource for any one interested in recorded music after the Second World War.
Author | : Michel Ruppli |
Publisher | : Greenwood |
Total Pages | : 986 |
Release | : 1998 |
Genre | : Music |
ISBN | : |
A complete discographical compilation listing all the recordings issued by the MGM Record Company throughout its long and illustrious recording history from 1946 to 1982. It includes music specially recorded by MGM as well as recordings leased or purchased from other sources such as Musicraft, Joe Davis, and German Polydor. All music genres from jazz and country to popular and classical are covered, but the strongest feature may be the extensive recordings of films and musicals. Volume 1 covers the period 1946 through 1960, while Volume 2 covers the 1961 through 1982 period. Volume 3 lists additional recordings in various fields--popular artists, film soundtracks, foreign recordings, classical material-- and provides a complete record listing by media (singles, albums, compact discs) as well as indexes for composers, special subjects, and artists. This is an essential resource for any one interested in recorded music after the Second World War.
Author | : |
Publisher | : A&C Black |
Total Pages | : 833 |
Release | : 2003-01-30 |
Genre | : Music |
ISBN | : 0826463215 |
‘This is an extraordinary achievement and it will become an absolutely vital and trusted resource for everyone working in the field of popular music studies. Even more broadly, anyone interested in popular music or popular music culture more generally will enjoy - and find many uses for - the wealth of information and insight captured in this volume.' Lawrence Grossberg, Morris Davis Professor of Communication Studies and Cultural Studies, University of North Carolina at Chapel Hill The first comprehensive reference work on popular music of the world Contributors are the world's leading popular music scholars Includes extensive bibliographies, discographies, sheet music listings and filmographies. Popular music has been a major force in the world since the nineteenth century. With the advent of electronic and advanced technology it has become ubiquitous. This is the first volume in a series of encyclopedic works covering popular music of the world. Consisting of some 500 entries by 130 contributors from around the world. Entries range between 250 and 5000 words, and is arranged in two Parts: Part 1: Social and Cultural Dimensions, covering the social phenomena of relevance to the practice of popular music. Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided. For more information visit the website at: www.continuumpopmusic.com
Author | : Mark Marrington |
Publisher | : Routledge |
Total Pages | : 453 |
Release | : 2021-03-30 |
Genre | : Music |
ISBN | : 1351371401 |
Recording the Classical Guitar charts the evolution of classical guitar recording practice from the early twentieth century to the present day, encompassing the careers of many of the instrument’s most influential practitioners from acoustic era to the advent of the CD. A key focus is on the ways in which guitarists’ recorded repertoire programmes have shaped the identity of the instrument, particularly where national allegiances and musical aesthetics are concerned. The book also considers the ways in which changing approaches to recording practice have conditioned guitarists’ conceptions of the instrument’s ideal representation in recorded form and situates these in relation to the development of classical music recording aesthetics more generally. An important addition to the growing body of literature in the field of phonomusicology, the book will be of interest to guitarists and producers as well as students of record production and historians of classical music recording.
Author | : Michael Brocken |
Publisher | : Routledge |
Total Pages | : 268 |
Release | : 2016-05-23 |
Genre | : Music |
ISBN | : 1317084888 |
At times it appears that a whole industry exists to perpetuate the myth of origin of the Beatles. There certainly exists a popular music (or perhaps 'rock') origin myth concerning this group and the city of Liverpool and this draws in devotees, as if on a pilgrimage, to Liverpool itself. Once 'within' the city, local businesses exist primarily to escort these pilgrims around several almost iconic spaces and places associated with the group. At times it all almost seems 'spiritual'. One might argue however that, like any function myth, the music history of the Liverpool in which the Beatles grew and then departed is not fully represented. Beatles historians and businessmen-alike have seized upon myriad musical experiences and reworked them into a discourse that homogenizes not only the diverse collective articulations that initially put them into place, but also the receptive practices of those travellers willing to listen to a somewhat linear, exclusive narrative. Other Voices therefore exists as a history of the disparate and now partially hidden musical strands that contributed to Liverpool's musical countenance. It is also a critique of Beatles-related institutionalized popular music mythology. Via a critical historical investigation of several thus far partially hidden popular music activities in pre- and post-Second World War Liverpool, Michael Brocken reveals different yet intrinsic musical and socio-cultural processes from within the city of Liverpool. By addressing such 'scenes' as those involving dance bands, traditional jazz, folk music, country and western, and rhythm and blues, together with a consideration of partially hidden key places and individuals, and Liverpool's first 'real' record label, an assemblage of 'other voices' bears witness to an 'other', seldom discussed, Liverpool. By doing so, Brocken - born and raised in Liverpool - asks questions about not only the historicity of the Beatles-Liverpool narrative, but also about the absence o