The Malay Shadow Play as a Continuing, Changing Tradition
Author | : Ghulam Sarwar Yousof |
Publisher | : |
Total Pages | : |
Release | : 2004 |
Genre | : |
ISBN | : |
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Author | : Ghulam Sarwar Yousof |
Publisher | : |
Total Pages | : |
Release | : 2004 |
Genre | : |
ISBN | : |
Author | : GHULAM-SARWAR YOUSOF |
Publisher | : Partridge Publishing Singapore |
Total Pages | : 141 |
Release | : 2014-05-13 |
Genre | : Fiction |
ISBN | : 1482898993 |
The Trial of Hang Tuah the Great, a prize-winning play, uses an ancient story of the Malay hero, Hang Tuah, to re-examine of some of the issues connected with identity prevailing in Malaysian society over the past fifty years or so since the independence of Malaya and the establishment of Malaysia. It is an imaginative retelling of the story of Hang Tuah, associated with the Melaka Sultanate of the fifteenth century who, myth and legend maintains, never died, while historians, time and again questioning Hang Tuahs very existence, have recently declared that such a figure never actually existed. The Trial of Hang Tuah the Great takes both these theories into consideration and through them, examines the traditional idea of a hero in the Malay psyche, linking him symbolically to certain individuals, such as Maharaja Lela, and a spectrum of events, mythical, legendary and historical, based on the hypothetical question of who Hang Tuah would have been if he had lived beyond 15th century Melaka right up to our own times and even beyond the present until the year 2020. The plays text is a powerful and stunning confrontation of myth in the manner of Grotowski (Poor Theatre). In terms of staging, as envisioned by its author, The Trial of Hang Tuah the Great is based upon modern western theories and techniques, such as those of Bertolt Brecht (Epic Theatre) and Antonin Artaud (Theatre of Cruelty). In both senses, The Trial of Hang Tuah the Great is a groundbreaking Malaysian play.
Author | : Ghulam-Sarwar Yousof |
Publisher | : Partridge Publishing Singapore |
Total Pages | : 391 |
Release | : 2014-10-17 |
Genre | : Performing Arts |
ISBN | : 148282812X |
The Puppetry for All Times Seminar held in September of 2013 in Ubud, Bali, was one of the most enchanting of events of its kind held anywhere in recent years. Its success revolved around the fantastic locale, the overwhelming response from performers as well as the paper presenters, and the generous support of Rumah Topengthe House of Masks and Puppets Setiadarma. In Puppetry for All Times, editor Ghulam-Sarwar Yousof offers a unique collection of papers presented at this weeklong seminar by academicians as well as performers of various traditions of Asian puppetry. The papers cover a wide range of interests and perspectives in puppetry and theater including history and tradition; heritage, preservation, and conversation; tradition and modernity; and digital puppetry and media. Puppetry for All Times recaps a key international event in the realm of puppet theater, marking the beginning of such endeavors as Rumah Topengs maiden academic publication.
Author | : |
Publisher | : |
Total Pages | : 132 |
Release | : 2006 |
Genre | : Malay Archipelago |
ISBN | : |
Author | : Poonam Trivedi |
Publisher | : Routledge |
Total Pages | : 356 |
Release | : 2010-01-31 |
Genre | : Art |
ISBN | : 1135272255 |
In this critical volume, leading scholars in the field examine the performance of Shakespeare in Asia. Emerging out of the view that it is in "play" or performance, and particularly in intercultural / multicultural performance, that the cutting edge of Shakespeare studies is to be found, the essays in this volume pay close attention to the modes of transference of the language of the text into the alternative languages of Asian theatres; to the history and politics of the performance of Shakespeare in key locations in Asia; to the new Asian experimentation with indigenous forms via Shakespeare and the consequent revitalizing and revising of the traditional boundaries of genre and gender; and to Shakespeare as a cultural capital world wide. Focusing specifically on the work of major directors in the central and emerging areas of Asia – Japan, China, India, Korea, Taiwan, Singapore, Indonesia and the Philippines - the chapters in this volume encompass a broader and more representative swath of Asian performances and locations in one book than has been attempted till now.
Author | : Patricia Ann Matusky |
Publisher | : Oxford University Press, USA |
Total Pages | : 196 |
Release | : 1993 |
Genre | : Language Arts & Disciplines |
ISBN | : |
The ancient, time-honoured art form known as wayang kulit (literally, 'leather puppet theatre' or 'shadow puppet play') is found in many parts of South-East Asia, including the Malay Peninsula. The present book, an ethnomusicological study focusing on the musical sound and its role in the drama, explores an aspect of wayang kulit hitherto neglected by scholars. Based on interviews and recordings conducted by the author in the villages of Kelantan, as well as on her experience as a student performer in one of the finest and most skilled wayang kulit troupes in Malaysia, the book begins with a useful overview of the various types of wayang kulit in Malaysia. It then goes on to discuss the main theatrical conventions, puppet design, performance structure, musical repertoire, orchestral instruments, and characteristic features of the music of wayang kulit Siam, the most popular type of Malaysian shadow puppet theatre. Written in a pleasing, easily digestible style, this book will be of value to ethnomusicologists, sociologists, students and practitioners of the performing arts, theatre enthusiasts, and general readers interested in the arts and culture of South-East Asia.
Author | : Ghulam Sarwar Yousof |
Publisher | : |
Total Pages | : 92 |
Release | : 1997 |
Genre | : Puppets |
ISBN | : |
Author | : Rahimidin Zahari |
Publisher | : ITBM |
Total Pages | : 124 |
Release | : 2013 |
Genre | : Puppet theater |
ISBN | : 9674300023 |
Author | : A. Robert Lee |
Publisher | : Taylor & Francis |
Total Pages | : 130 |
Release | : 1999-02 |
Genre | : Performing Arts |
ISBN | : 9789057550973 |
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : GHULAM-SARWAR YOUSOF |
Publisher | : Partridge Singapore |
Total Pages | : 239 |
Release | : 2014 |
Genre | : Biography & Autobiography |
ISBN | : 1482895404 |
This book contains a selection of non-academic materials on a wide range of topics related to Malaysian culture. Several of them deal with traditional Malay theatre genres, particularly mak yong, recognised by UNESCO as an item of the Oral and Intangible Heritage of Humanity in 2005, the shadow play and bangsawan. Others record the contributions of prominent personalities as practitioners, preservers, teachers and transmitters of oral traditions. The author touches upon issues related to the precarious situation in the arts in a rapidly changing Malay society which has in general neglected traditional performing arts forms under pressures exerted by modenisation and the simultaneous wave of Islamicisation. His own involvement in teaching, research, documentation as well as preservation of many of these arts provides unique personal insights into some of the problems and pertinent issues. Other essays of a more general nature, touch upon the continuing and at times controversial relationships between Malay cultural manifestations and those in neighbouring countries, contributions of the minority Indian-Muslim community in Malaysia, and upon the role of the administration in the preservation of heritage. The brief accounts contained in this volume are presented in a direct and readable manner for the non-expert enthusiast of culture and the arts from the perspective of someone deeply and passionately involved.