The Life of James McNeill Whistler
Author | : Elizabeth Robins Pennell |
Publisher | : |
Total Pages | : 526 |
Release | : 1908 |
Genre | : Painters |
ISBN | : |
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Author | : Elizabeth Robins Pennell |
Publisher | : |
Total Pages | : 526 |
Release | : 1908 |
Genre | : Painters |
ISBN | : |
Author | : Daniel E. Sutherland |
Publisher | : Yale University Press |
Total Pages | : 452 |
Release | : 2014-03-04 |
Genre | : Biography & Autobiography |
ISBN | : 0300203462 |
A biography of James McNeill Whistler (1834-1903) that dispels the popular notion of Whistler as merely a combative, eccentric and unrelenting publicity seeker, a man as renowned for his public feuds with Oscar Wilde and John Ruskin as for the iconic portrait of his mother.
Author | : Elizabeth Robins Pennell |
Publisher | : |
Total Pages | : 510 |
Release | : 1908 |
Genre | : Artists |
ISBN | : |
Author | : Elizabeth Robins Pennell |
Publisher | : DigiCat |
Total Pages | : 656 |
Release | : 2023-11-12 |
Genre | : Fiction |
ISBN | : |
"The Life of James McNeill Whistler" by Elizabeth Robins Pennell, Joseph Pennell. Published by DigiCat. DigiCat publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each DigiCat edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author | : James McNeill Whistler |
Publisher | : |
Total Pages | : 370 |
Release | : 1904 |
Genre | : Aesthetics |
ISBN | : |
Author | : Daniel E. Sutherland |
Publisher | : Yale University Press |
Total Pages | : 32 |
Release | : 2018-03-27 |
Genre | : Biography & Autobiography |
ISBN | : 0300229682 |
Discover the extraordinary woman behind one of the most famous images of motherhood in Western art Judged by the portrait Arrangement in Gray and Black No. 1 (1871), painted by her son James McNeill Whistler, Anna Whistler (1804-1881) appears to have been a pious, unassuming, domestic woman. This characterization, however, is far from the whole truth. Anna was born in the slaveholding South, raised principally in Brooklyn, New York, and resided for many years in both Russia and Great Britain, and her life was filled with adventure and excitement. The authors' unprecedented use of her private diaries and correspondence results in a crisp biographical rendering that reveals a resilient, vibrant, bright, and deeply engaged woman. In her writings, Anna made shrewd observations about the social, cultural, artistic, and political issues of her era, which was one of enormous and near-constant change. She knew and interacted with an astonishing array of people, from Russian peasants and American farmers to Robert E. Lee and Giuseppe Mazzini. She also raised one of the finest artists of the nineteenth century. As her son made his way in the art world, Anna became his unofficial agent, promoting his work, managing his finances, and advising him on the best opportunities for success. That he, in turn, should immortalize her as a global celebrity and international icon of motherhood was only appropriate.
Author | : Elizabeth Robins Pennell |
Publisher | : PHILADELPHIA J. B. LIPPINCOTT COMPANY LONDON: WILLIAM HEINEMANN |
Total Pages | : 407 |
Release | : 2014-12-18 |
Genre | : |
ISBN | : |
Mr. and Mrs. Pennell's authorised Life of James McNeill Whistler appeared in two volumes in October 1908, and has had to be reprinted in that form three times since then. Its sale even in that comparatively expensive form has been an unexpectedly large one, proving without doubt that interest in Whistler's life is alive and growing. During the three years since its first publication much new material has come into the hands of the authors, and a complete revision of the book has therefore become necessary. The present volume is, to all intents and purposes, a new one. Many of the older illustrations in the earlier editions have been superseded by new ones, a number of which are reproduced for the first time. For the new material included in this edition the authors and the publisher are indebted to friends and numerous sympathetic correspondents, and they wish to express their indebtedness especially to Mr. John W. Beatty, Director of the Carnegie Institute in Pittsburgh; Mr. E. D. Brooks; Mr. Clifford Gore Chambers; Mr. E. T. Cook; Mr. Leon Dabo; Mr. Frederick Dielmann; Messrs. Dowdeswell; M. Théodore Duret; Mr. A. J. Eddy; Mrs. Wickham Flower; Right Hon. Jonathan Hogg; Mr. H. S. Hubbell; Mr. Will H. Low; Mr. Burton Mansfield; Judge Parry; Mr. H. Reinhardt; Mr. H. S. Ridings; Mr. Albert Rouiller; Miss Alice Rouiller; Mr. William Scott; M. Ströhlen; Mr. Ross Turner; Mr. C. F. G. Turner; Mr. C. Howard Walker; Mr. J. H. Wrenn.
Author | : Sadakichi Hartmann |
Publisher | : |
Total Pages | : 412 |
Release | : 1910 |
Genre | : Artists |
ISBN | : |
Author | : Margaret F. MacDonald |
Publisher | : Yale University Press |
Total Pages | : 233 |
Release | : 2020-11-24 |
Genre | : Art |
ISBN | : 0300254504 |
A fascinating look at the partnership of artist James McNeill Whistler and his chief model, Joanna Hiffernan, and the iconic works of art resulting from their life together “[A] lavish volume. . . . Illuminating. . . . MacDonald’s deep research has . . . unearthed important new facts.”—Gioia Diliberto, Wall Street Journal In 1860 James McNeill Whistler (1834–1903) and Joanna Hiffernan (1839–1886) met and began a significant professional and personal relationship. Hiffernan posed as a model for many of Whistler’s works, including his controversial Symphony in White paintings, a trilogy that fascinated and challenged viewers with its complex associations with sex and morality, class and fashion, academic and realist art, Victorian popular fiction, aestheticism and spiritualism. This luxuriously illustrated volume provides the first comprehensive account of Hiffernan’s partnership with Whistler throughout the 1860s and 1870s—a period when Whistler was forging a reputation as one of the most innovative and influential artists of his generation. A series of essays discusses how Hiffernan and Whistler overturned artistic conventions and sheds light on their interactions with contemporaries, including Gustave Courbet, for whom she also modeled. Packed with new insights into the creation, marketing, and cultural context of Whistler’s iconic works, this study also traces their resonance for his fellow artists, including Dante Gabriel Rossetti, Edgar Degas, John Singer Sargent, and Gustav Klimt.
Author | : Patrick Chaleyssin |
Publisher | : Parkstone International |
Total Pages | : 160 |
Release | : 2011-07-01 |
Genre | : Art |
ISBN | : 1780423047 |
Whistler suddenly shot to fame like a meteor at a crucial moment in the history of art, a field in which he was a pioneer. Like the impressionists, with whom he sided, he wanted to impose his own ideas. Whistler’s work can be divided into four periods. The first may be called a period of research in which he was influenced by the Realism of Gustave Courbet and by Japanese art. Whistler then discovered his own originality in the Nocturnes and the Cremorne Gardens series, thereby coming into conflict with the academics who wanted a work of art to tell a story. When he painted the portrait of his mother, Whistler entitled it Arrangement in Grey and Black and this is symbolic of his aesthetic theories. When painting the Cremorne Pleasure Gardens it was not to depict identifiable figures, as did Renoir in his work on similar themes, but to capture an atmosphere. He loved the mists that hovered over the banks of the Thames, the pale light, and the factory chimneys which at night turned into magical minarets. Night redrew landscapes, effacing the details. This was the period in which he became an adventurer in art; his work, which verged on abstraction, shocked his contemporaries. The third period is dominated by the full-length portraits that brought him his fame. He was able to imbue this traditional genre with his profound originality. He tried to capture part of the souls of his models and placed the characters in their natural habitats. This gave his models a strange presence so that they seem about to walk out of the picture to physically encounter the viewer. By extracting the poetic substance from individuals he created portraits described as “mediums” by his contemporaries, and which were the inspiration for Oscar Wilde’s The Picture of Dorian Gray. Towards the end of his life, the artist began painting landscapes and portraits in the classical tradition, strongly influenced by Velázquez. Whistler proved to be extremely rigorous in ensuring his paintings coincided with his theories. He never hesitated in crossing swords with the most famous art theoreticians of his day. His personality, his outbursts, and his elegance were a perfect focus for curiosity and admiration. He was a close friend of Stéphane Mallarmé, and admired by Marcel Proust, who rendered homage to him in A La Recherche du Temps Perdu. He was also a provocative dandy, a prickly socialite, a demanding artist, and a daring innovator.