The Lady's Realm
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Total Pages | : 756 |
Release | : 1898 |
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Author | : |
Publisher | : |
Total Pages | : 756 |
Release | : 1898 |
Genre | : |
ISBN | : |
Author | : Georgina Coleridge |
Publisher | : |
Total Pages | : 0 |
Release | : 1972 |
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ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 654 |
Release | : 1897 |
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Author | : H.W. Hutchinson & Co |
Publisher | : |
Total Pages | : 4 |
Release | : 1906 |
Genre | : Book industries and trade |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 736 |
Release | : 1898 |
Genre | : Women's periodicals, English |
ISBN | : |
The fourth volume of The Lady's Realm consists of articles about various topics including society news, foreign travel destinations, prominent women, fashion, short stories and interior design. This volume also includes a chapter entitled 'Ladies of the Harem' in which the author relays her accounts of travelling in Egypt, and the stories of Turkish and Arabic women met there who discussed their 'harem life'. There is also an index provided at the front.
Author | : Faith Binckes |
Publisher | : Edinburgh University Press |
Total Pages | : 488 |
Release | : 2019-04-10 |
Genre | : British periodicals |
ISBN | : 1474450652 |
New perspectives on women's contributions to periodical culture in the era of modernismThis collection highlights the contributions of women writers, editors and critics to periodical culture in the late nineteenth and early twentieth centuries. It explores women's role in shaping conversations about modernism and modernity across varied aesthetic and ideological registers, and foregrounds how such participation was shaped by a wide range of periodical genres. The essays focus on well-known publications and introduce those as yet obscure and understudied - including middlebrow and popular magazines, movement-based, radical papers, avant-garde titles and classic Little Magazines. Examining neglected figures and shining new light on familiar ones, the collection enriches our understanding of the role women played in the print culture of this transformative period.Key FeaturesHelps recover neglected women writers and cast new light on canonical onesHighlights the geographical diversity of modern British print cultureEmphasises the interdisciplinary nature of modernism, including essays on modernist dance, music, cinema, drama and architecture Includes a section on social movement periodicals
Author | : Mona Caird |
Publisher | : Feminist Press at CUNY |
Total Pages | : 548 |
Release | : 1989 |
Genre | : Fiction |
ISBN | : 9781558610156 |
"...Follows the lives of two sisters in a wealthy Scots family. One escapes to a profession in London and eventually a decent marriage while the heroine, Hadria, vows to become a composer in Paris, but is thwarted"--Goodreads.com.
Author | : Annette Federico |
Publisher | : University of Virginia Press |
Total Pages | : 222 |
Release | : 2000 |
Genre | : History |
ISBN | : 9780813919157 |
Despite the ridicule of reviewers, Marie Corelli (1855-1924) was the most popular novelist of her time. Federico (English, James Madison University) points out the creative, combative and contradictory nature of Corelli's participation in the culture, and argues that her attempts to create her own image illuminate continuing debates about literary value, class hegemony, and gender politics. Annotation copyrighted by Book News, Inc., Portland, OR
Author | : Lou Taylor |
Publisher | : Routledge |
Total Pages | : 340 |
Release | : 2009-07-15 |
Genre | : History |
ISBN | : 1135228426 |
First published in 1983, Mourning Dress chronicles the development of European and American mourning dress and etiquette from the middle ages to the present day, highlighting similarities and differences in practices between the different social strata. The result is a book which is not only of major importance to students of the history of dress but also to anyone who enjoys social history.
Author | : Maria Quirk |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 249 |
Release | : 2019-05-16 |
Genre | : Art |
ISBN | : 1501343076 |
Women, Art and Money in England establishes the importance of women artists' commercial dealings to their professional identities and reputations in the late nineteenth and early twentieth centuries. Grounded in economic, social and art history, the book draws on and synthesises data from a broad range of documentary and archival sources to present a comprehensive history of women artists' professional status and business relationships within the complex and changing art market of late-Victorian England. By providing new insights into the routines and incomes of women artists, and the spaces where they created, exhibited and sold their art, this book challenges established ideas about what women had to do to be considered 'professional' artists. More important than a Royal Academy education or membership to exhibiting societies was a woman's ability to sell her work. This meant that women had strong incentive to paint in saleable, popular and 'middlebrow' genres, which reinforced prejudices towards women's 'naturally' inferior artistic ability prejudices that continued far into the twentieth century. From shining a light on the difficult to trace pecuniary arrangements of little researched artists like Ethel Mortlock to offering new and direct comparisons between the incomes earned by male and female artists, and the genres, commissions and exhibitions that earned women the most money, Women, Art and Money is a timely contribution to the history of women's working lives that is relevant to a number of scholarly disciplines.