The Jungian Strand in Transatlantic Modernism

The Jungian Strand in Transatlantic Modernism
Author: Jay Sherry
Publisher: Springer
Total Pages: 168
Release: 2018-06-27
Genre: History
ISBN: 1137557745

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In studies of psychology’s role in modernism, Carl Jung is usually relegated to a cameo appearance, if he appears at all. This book rethinks his place in modernist culture during its formative years, mapping Jung’s influence on a surprisingly vast transatlantic network of artists, writers, and thinkers. Jay Sherry sheds light on how this network grew and how Jung applied his unique view of the image-making capacity of the psyche to interpret such modernist icons as James Joyce and Pablo Picasso. His ambition to bridge the divide between the natural and human sciences resulted in a body of work that attracted a cohort of feminists and progressives involved in modern art, early childhood education, dance, and theater.

Kabbalah in America

Kabbalah in America
Author: Brian Ogren
Publisher: BRILL
Total Pages: 421
Release: 2020-05-06
Genre: Religion
ISBN: 9004428143

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Kabbalah in America includes chapters from leading experts in a variety of fields and is the first-ever comprehensive treatment of the title subject from colonial times until the present. As the first of its kind, it will set the tone for all future scholarship on the subject.

How the New World Became Old

How the New World Became Old
Author: Caroline Winterer
Publisher: Princeton University Press
Total Pages: 368
Release: 2024-10-01
Genre: Science
ISBN: 0691265453

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How the idea of deep time transformed how Americans see their country and themselves During the nineteenth century, Americans were shocked to learn that the land beneath their feet had once been stalked by terrifying beasts. T. rex and Brontosaurus ruled the continent. North America was home to saber-toothed cats and woolly mammoths, great herds of camels and hippos, and sultry tropical forests now fossilized into massive coal seams. How the New World Became Old tells the extraordinary story of how Americans discovered that the New World was not just old—it was a place rooted in deep time. In this panoramic book, Caroline Winterer traces the history of an idea that today lies at the heart of the nation’s identity as a place of primordial natural beauty. Europeans called America the New World, and literal readings of the Bible suggested that Earth was only six thousand years old. Winterer takes readers from glacier-capped peaks in Yosemite to Alabama slave plantations and canal works in upstate New York, describing how naturalists, explorers, engineers, and ordinary Americans unearthed a past they never suspected, a history more ancient than anyone ever could have imagined. Drawing on archival evidence ranging from unpublished field notes and letters to early stratigraphic diagrams, How the New World Became Old reveals how the deep time revolution ushered in profound changes in science, literature, art, and religion, and how Americans came to realize that the New World might in fact be the oldest world of all.

Transatlantic Modernism

Transatlantic Modernism
Author: Martin Klepper
Publisher: Universitatsverlag Winter
Total Pages: 344
Release: 2001
Genre: Art
ISBN:

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Modernism in Europe and modernism in the United States - at first glance these two concepts seem to be quite different if not opposing. European modernism, it appears, is innovative and even iconoclastic (Joyce, Schonberg, Gropius, Schwitters). American modernism, it would seem, is rather reconciliatory and even conservative (Fitzgerald, Gershwin, Wright and Hopper). The collection of essays in Transatlantic Modernism disproves this point. Transatlantic Modernism tackles the modes of transfer, translation, cross-fertilization and reinterpretation which actually characterize the complex relations between European and American cultures within the period of modernism. The essays collected in this volume cover a broad array of forms of cultural expression: literature (Doblin, Dos Passos, Faulkner etc.), philosophy (Bergson, James, Dewey), painting (Gleizes, Stella, Shahn), photography (Ray, Steichen, Sheeler), fashion (Poiret, Delaunay, Schiaparelli), film (Fox, Stroheim, Lubitsch), architecture (Bauhaus, Johnson, Hitchcock) and opera (Thomson, Stein).

Carl Gustav Jung

Carl Gustav Jung
Author: J. Sherry
Publisher: Springer
Total Pages: 483
Release: 2010-10-25
Genre: History
ISBN: 0230113907

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Carl Gustav Jung has always been a popular but never a fashionable thinker. His ground-breaking theories about dream interpretation and psychological types have often been overshadowed by allegations that he was anti-Semitic and a Nazi sympathizer. Most accounts have unfortunately been marred by factual errors and quotes taken out of context; this has been due to the often partisan sympathies of those who have written about him. This book provides a more accurate and comprehensive account of Jung's controversial opinions about art, politics, and race.

The Cambridge History of Modernism

The Cambridge History of Modernism
Author: Vincent Sherry
Publisher: Cambridge University Press
Total Pages: 1579
Release: 2017-01-11
Genre: Literary Criticism
ISBN: 1316720535

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This Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories series. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances of modernized life as the ground and warrant for an art that becomes 'modernist' by virtue of its demonstrably self-conscious involvement in this modern condition. Following this sensibility from the end of the nineteenth century to the middle of the twentieth, tracking its manifestations across pan-European and transatlantic locations, the forty-three chapters offer a remarkable combination of breadth and focus. Prominent scholars of modernism provide analytical narratives of its literature, music, visual arts, architecture, philosophy, and science, offering circumstantial accounts of its diverse personnel in their many settings. These historically informed readings offer definitive accounts of the major work of twentieth-century cultural history and provide a new cornerstone for the study of modernism in the current century.

The New Woman

The New Woman
Author: Emma Heaney
Publisher:
Total Pages: 345
Release: 2017
Genre: Gender identity in literature
ISBN: 9780810135536

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Emma Heaney's The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory traces the evolution of the "trans feminine" as an allegorical figure from its origins in the late nineteenth century to contemporary Queer Theory.

Noise, Water, Meat

Noise, Water, Meat
Author: Douglas Kahn
Publisher: MIT Press
Total Pages: 467
Release: 2001-08-24
Genre: Design
ISBN: 0262311623

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An examination of the role of sound in twentieth-century arts. This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it—to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries. Focusing on Europe in the first half of the century and the United States in the postwar years, Douglas Kahn explores aural activities in literature, music, visual arts, theater, and film. Placing aurality at the center of the history of the arts, he revisits key artistic questions, listening to the sounds that drown out the politics and poetics that generated them. Artists discussed include Antonin Artaud, George Brecht, William Burroughs, John Cage, Sergei Eisenstein, Fluxus, Allan Kaprow, Michael McClure, Yoko Ono, Jackson Pollock, Luigi Russolo, and Dziga Vertov.

Modernism and Morality

Modernism and Morality
Author: M. Halliwell
Publisher: Springer
Total Pages: 266
Release: 2001-09-12
Genre: Fiction
ISBN: 0230502733

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Modernism and Morality discusses the relationship between artistic and moral ideas in European and American literary modernism. Rather than reading modernism as a complete rejection of social morality, this study shows how early twentieth-century writers like Conrad, Faulkner, Gide, Kafka, Mann and Stein actually devised new aesthetic techniques to address ethical problems. By focusing on a range of decadent, naturalist, avant-garde and expatriate writers between 1890 and the late 1930s this book reassesses the moral trajectory of transatlantic fiction.