The Inventory of Paintings of Cardinal Pietro Ottobini (1667-1740)

The Inventory of Paintings of Cardinal Pietro Ottobini (1667-1740)
Author: Edward J. Olszewski
Publisher: Peter Lang Incorporated, International Academic Publishers
Total Pages: 466
Release: 2004
Genre: Art
ISBN:

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The Inventory of Paintings of Cardinal Pietro Ottoboni (1667-1740) is the study of the inventory of more than 500 art works, assembled on the death of Cardinal Pietro Ottoboni who had been vice-chancellor of the Church for fifty years. The cardinal's commissions are distinguished from the 387 paintings inherited from his great-uncle, Pope Alexander VIII, in 1691. The cardinal's taste and patronage are characterized from approximately 100 works identified in modern collections. Other archival information, diary accounts, artists' biographies, testaments, and guidebooks are consulted for insights into the cardinal's collecting habits.

Cardinal Pietro Ottoboni (1667-1740) and the Vatican Tomb of Pope Alexander VIII

Cardinal Pietro Ottoboni (1667-1740) and the Vatican Tomb of Pope Alexander VIII
Author: Edward J. Olszewski
Publisher: American Philosophical Society
Total Pages: 372
Release: 2004
Genre: Art
ISBN: 9780871692528

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Examines the commission of the Vatican tomb of Pope Alexander VIII Ottoboni by his great-nephew Cardinal Pietro Ottoboni. Although neglected for centuries, the Ottoboni monument occupies the most strategic liturgical position in the complex of tombs in the Vatican basilica. It is impressive in scale, & offers a commanding presence on the path from the papal entryway to the apse & main altar, with a majestic papal effigy, a visually compelling narrative relief carving, & symbolically important allegories. Using unpublished archival documents in the Vatican & Lateran archives, this study discusses in detail the 30-year campaign for the construction of the tomb & identifies the artists & artisans responsible for the project. The monograph is comprehensive in its stylistic analysis, exploration of iconography, discussion of liturgical practice, & consideration of studio procedures beginning with patron & artist, architect & sculptors, & sculptor & artisans. reveals why the project required three decades to complete. "A well-written, informative, & important monograph. And, in the process, he has expanded our understanding of contemporary workshop practice and art making in the Rome of the later Baroque period. There are sections where the author's meticulous care & insightful reconstruction of events gives the reader a sense of ""being there"" in the day-to-day process of work on the site. These parts make for especially exciting and engaging reading." -- "An absolutely wonderful piece of work."

Getty Research Journal, No. 11

Getty Research Journal, No. 11
Author: Gail Feigenbaum
Publisher: Getty Publications
Total Pages: 240
Release: 2019-03-05
Genre: Art
ISBN: 1606066080

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The Getty Research Journal features the work of art historians, museum curators, and conservators from around the world as part of the Getty’s mission to promote the presentation, conservation, and interpretation of the world’s artistic legacy. Articles present original scholarship related to the Getty’s collections, initiatives, and research. This issue features essays on the culture of display in eighteenth-century Venetian palaces, the influence of prehistoric cave paintings on American abstract artists, the life and writings of Pauline Gibling Schindler, an unrealized project by Sam Francis and Walter Hopps for a contemporary art venue in 1960s Los Angeles, Harald Szeemann’s early plans for the documenta 5 exhibition, and the notebooks and manuscripts that led to Aldo Rossi’s Scientific Autobiography. Shorter texts include notices on Felipe Guaman Poma de Ayala’s illustrations accompanying a tale in Martín de Murúa’s Historia general del Piru, copperplate prints depicting the Qing army’s invasion of Nepal in 1792, the Nazi-era business records of the Gustav Cramer gallery in The Hague, Netherlands, and a proposal for the integration of provenance research into all aspects of museum activities, including a call for cross-institutional databases and international collaborations.

European Furniture in The Metropolitan Museum of Art

European Furniture in The Metropolitan Museum of Art
Author: Daniëlle O. Kisluk-Grosheide,
Publisher: Metropolitan Museum of Art
Total Pages: 300
Release: 2006-05-30
Genre: Design
ISBN: 0300104847

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This beautifully produced volume is the first to survey the Metropolitan Museum's world-renowned collection of European furniture. One hundred and three superb examples from the Museum's vast holdings are featured. They originated in workshops in England, France, Germany, Italy, the Netherlands, Austria, Russia, or Spain and date from the Renaissance to the late nineteenth century. A number of them belonged to such important historical figures as Pope Urban VIII, Louis XIV, Madame de Pompadour, and Napoleon. The selection includes chairs, tables, beds, cabinets, commodes, settees and sofas, bookcases and standing shelves, desks, fire screens, athéniennes, coffers, chests, mirrors and frames, showcases, and lighting equipment. There is also one purely decorative piece, a superb vase made for a Russian noble family who, according to one awestruck viewer, "owned all the malachite mines in the world." The makers of some of the objects are unknown, but most of the pieces can be identified by label, documentation, or style as the work of an outstanding European designer-craftsman, such as André-Charles Boulle, Thomas Chippendale, David Roentgen, or Karl Friedrich Schinkel.

A Companion to the Early Modern Cardinal

A Companion to the Early Modern Cardinal
Author: Mary Hollingsworth
Publisher: BRILL
Total Pages: 723
Release: 2019-12-30
Genre: Religion
ISBN: 9004415440

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The first comprehensive overview of its subject in any language. Its thirty-five essays explain who cardinals were, what they did in Rome and beyond, for the Church and for wider society.

Italy’s Eighteenth Century

Italy’s Eighteenth Century
Author: Paula Findlen
Publisher: Stanford University Press
Total Pages: 785
Release: 2009-01-09
Genre: History
ISBN: 0804787549

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In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.

Art, Patronage, and Nepotism in Early Modern Rome

Art, Patronage, and Nepotism in Early Modern Rome
Author: Karen J. Lloyd
Publisher: Taylor & Francis
Total Pages: 396
Release: 2022-08-19
Genre: Art
ISBN: 1000636984

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Drawing on rich archival research and focusing on works by leading artists including Guido Reni and Gian Lorenzo Bernini, Karen J. Lloyd demonstrates that cardinal nephews in seventeenth-century Rome – those nephews who were raised to the cardinalate as princes of the Church – used the arts to cultivate more than splendid social status. Through politically savvy frescos and emotionally evocative displays of paintings, sculptures, and curiosities, cardinal nephews aimed to define nepotism as good Catholic rule. Their commissions took advantage of their unique position close to the pope, embedding the defense of their role into the physical fabric of authority, from the storied vaults of the Vatican Palace to the sensuous garden villas that fused business and pleasure in the Eternal City. This book uncovers how cardinal nephews crafted a seductively potent dialogue on the nature of power, fuelling the development of innovative visual forms that championed themselves as the indispensable heart of papal politics. The book will be of interest to scholars working in art history, early modern studies, religious history, and political history.

Diplomacy and the Aristocracy as Patrons of Music and Theatre in the Europe of the Ancien Régime

Diplomacy and the Aristocracy as Patrons of Music and Theatre in the Europe of the Ancien Régime
Author: Iskrena Yordanova
Publisher: Hollitzer Wissenschaftsverlag
Total Pages: 894
Release: 2019-11-15
Genre: Music
ISBN: 3990127705

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This volume explores the dense networks created by diplomatic relationships between European courts and aristocratic households in the early modern age, with the emphasis on celebratory events and the circulation of theatrical plots and practitioners promoted by political and diplomatic connections. The offices of plenipotentiary ministers were often outposts providing useful information about cultural life in foreign countries. Sometimes the artistic strategies defined through the exchanges of couriers were destined to leave a legacy in the history of arts, especially of music and theatre. Ministers favored or promoted careers, described or made pieces of repertoire available to new audiences, and even supported practitioners in their difficult travels by planning profitable tours. They stood behind extraordinary artists and protected many stage performers with their authority, while carefully observing and transmitting precious information about the cultural and musical life of the countries where they resided.

Artistic Circulation between Early Modern Spain and Italy

Artistic Circulation between Early Modern Spain and Italy
Author: Kelley Helmstutler Di Dio
Publisher: Routledge
Total Pages: 511
Release: 2020-01-27
Genre: Art
ISBN: 042988611X

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This collection of essays by major scholars in the field explores how the rich intersections between Italy and Spain during the early modern period resulted in a confluence of cultural ideals. Various means of exchange and convergence are explored through two main catalysts: humans—their trips or resettlements—and objects—such as books, paintings, sculptures, and prints. The visual and textual evidence of the transmission of ideas, iconographies and styles are examined, such as triumphal ephemera, treatises on painting, the social status of the artist, collections and their display, church decoration, and funerary monuments, providing a more nuanced understanding of the exchanges of styles, forms and ideals across southern Europe.