Image World
Author | : Marvin Heiferman |
Publisher | : Conran Octopus |
Total Pages | : 228 |
Release | : 1989 |
Genre | : Art |
ISBN | : |
Download Image World Book in PDF, Epub and Kindle
Download The Image Of The World full books in PDF, epub, and Kindle. Read online free The Image Of The World ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Marvin Heiferman |
Publisher | : Conran Octopus |
Total Pages | : 228 |
Release | : 1989 |
Genre | : Art |
ISBN | : |
Author | : Patrick Nathan |
Publisher | : Catapult |
Total Pages | : 240 |
Release | : 2021-08-17 |
Genre | : Social Science |
ISBN | : 1640094547 |
Susan Sontag meets Hanif Abdurraqib in this fascinating exploration of the unexpected connections between how we consume images and the insidious nature of Fascism. Images come at us quickly, often without context. A photograph of Syrian children suffering in the wake of a chemical attack segues into a stranger’s pristine Instagram selfie. Before we can react to either, a new meme induces a laugh and a share. While such constant give and take might seem innocent, even entertaining, this barrage of content numbs our ability to examine critically how the world, broken down into images, affects us. Images without context isolate us, turning everything we experience into mere transactions. It is exactly this alienation that leaves us vulnerable to fascism—a reactionary politics that is destroying not only our lives and our nations, but also the planet’s very ability to sustain human civilization. Who gets to control the media we consume? Can we intervene, or at least mitigate the influence of constant content? Mixing personal anecdotes with historical and political criticism, Image Control explores art, social media, photography, and other visual mediums to understand how our culture and our actions are manipulated, all the while building toward the idea that if fascism emerges as aesthetics, then so too can anti-fascism. Learning how to ethically engage with the world around us is the first line of defense we have against the forces threatening to tear that world apart.
Author | : Peter Whitfield |
Publisher | : Pomegranate Communications |
Total Pages | : 0 |
Release | : 1997 |
Genre | : Cartography |
ISBN | : 9780764903649 |
Examines the history of world mapmaking through 70 outstanding individual examples, discussing the maps and their makers in relation to their age and placing them within the context of the wider history of ideas.
Author | : Michael Jacovides |
Publisher | : Oxford University Press |
Total Pages | : 256 |
Release | : 2017 |
Genre | : Philosophy |
ISBN | : 0198789866 |
Michael Jacovides provides an engaging account of how the scientific revolution influenced one of the foremost figures of early modern philosophy, John Locke. By placing Locke's thought in its scientific, religious, and anti-scholastic contexts, Jacovides explains not only what Locke believes but also why he believes it.
Author | : Philip Sherrard |
Publisher | : |
Total Pages | : 0 |
Release | : 2004 |
Genre | : Religion |
ISBN | : 9789607120175 |
Author | : Zeynep Devrim Gursel |
Publisher | : Univ of California Press |
Total Pages | : 425 |
Release | : 2016-04-12 |
Genre | : Social Science |
ISBN | : 0520961617 |
How does a photograph become a news image? An ethnography of the labor behind international news images, Image Brokers ruptures the self-evidence of the journalistic photograph by revealing the many factors determining how news audiences are shown people, events, and the world. News images, Zeynep Gürsel argues, function as formative fictions – fictional insofar as these images are constructed and culturally mediated, and formative because their public presence and circulation have real consequences in the world. Set against the backdrop of the War on Terror and based on fieldwork conducted at photojournalism’s centers of power, Image Brokers offers an intimate look at an industry in crisis. At the turn of the 21st century, image brokers—the people who manage the distribution and restriction of news images—found the core technologies of their craft, the status of images, and their own professional standing all changing rapidly with the digitalization of the infrastructures of representation. From corporate sales meetings to wire service desks, newsrooms to photography workshops and festivals, Image Brokers investigates how news images are produced and how worldviews are reproduced in the process.
Author | : Rachel Teukolsky |
Publisher | : Oxford University Press, USA |
Total Pages | : 481 |
Release | : 2020-08-15 |
Genre | : Art |
ISBN | : 0198859732 |
The modern media world came into being in the nineteenth century, when machines were harnessed to produce texts and images in unprecedented numbers. In the visual realm, new industrial techniques generated a deluge of affordable pictorial items, mass-printed photographs, posters, cartoons, and illustrations. These alluring objects of the Victorian parlor were miniaturized spectacles that served as portals onto phantasmagoric versions of 'the world.' Although new kinds of pictures transformed everyday life, these ephemeral items have received remarkably little scholarly attention. Picture World shines a welcome new light onto these critically neglected yet fascinating visual objects. They serve as entryways into the nineteenth century's key aesthetic concepts. Each chapter pairs a new type of picture with a foundational keyword in Victorian aesthetics, a familiar term reconceived through the lens of new media. 'Character' appears differently when considered with caricature, in the new comics and cartoons appearing in the mass press in the 1830s; likewise, the book approaches 'realism' through pictorial journalism; 'illustration' via illustrated Bibles; 'sensation' through carte-de-visite portrait photographs; 'the picturesque' by way of stereoscopic views; and 'decadence' through advertising posters. Picture World studies the aesthetic effects of the nineteenth century's media revolution: it uses the relics of a previous era's cultural life to interrogate the Victorian world's most deeply-held values, arriving at insights still relevant in our own media age.
Author | : Christiane J. Gruber |
Publisher | : Gingko Library |
Total Pages | : 0 |
Release | : 2019 |
Genre | : ART |
ISBN | : 9781909942349 |
"The images released by The Islamic State of militants smashing statues at ancient sites were a horrifying aspect of their advance across Northern Iraq and Syria during 2015-16. Their leaders justified this act of iconoclasm by arguing that such actions were divinely decreed in Islam, a notion that has remained fixed in the public consciousness. The Image Debate is a collection of thirteen essays that examine the controversy surrounding the use of images in Islamic and other religious cultures and seek to redress some of the misunderstandings that have arisen. Written by leading academics from the United States, Australia, Turkey, Israel and the United Kingdom, the book opens with an introduction by the editor Christiane Gruber, who sets the subject in context with a detailed examination of the debates over idols and the production of figural images in Islamic traditions. The book is divided into three sections: the first deals with pre-modern Islamic practices and anxieties concerned with image-making; the second addresses similar issues in Judaism, in Christianity during the Byzantine period, in pre-Islamic Iran and Central Asia, and in Hindu and Buddhist contexts in South Asia; and the third brings the reader back to Islamic lands by examining traditions of figural representation in the modern and contemporary periods." -- Publisher's website
Author | : Stephen Apkon |
Publisher | : Macmillan |
Total Pages | : 290 |
Release | : 2013-04-16 |
Genre | : Art |
ISBN | : 0374102430 |
This book describes the history of storytelling, including how each form, from scrolls to printing presses to film and social media, works on the human brain, and discusses the rules of effective visual storytelling.
Author | : Emmanuel Alloa |
Publisher | : |
Total Pages | : 384 |
Release | : 2019-04-15 |
Genre | : Art |
ISBN | : 9783110528749 |
Images are not neutral conveyors of messages that are sent around the globe in order to reach a global audience. They represent a force that can trigger very different reactions and counteract new visual tendencies towards hegemony within a global world. The volume contains a compilation of case studies from the media, art, political and religious sciences, as well as from anthropology and the natural sciences. By focusing on the power of images outside their use in the media, the authors venture into new territory: the contributions from Hans Belting, Georges Didi-Huberman, W.J.T. Mitchell and others provide proof that globalization is not the same as homogenization, and that images are very capable of opening paths towards alternative facts in order to portray the future.