The Illustrated London News

The Illustrated London News
Author:
Publisher:
Total Pages: 568
Release: 1842
Genre: Great Britain
ISBN:

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Dynamics of the Pictured Page

Dynamics of the Pictured Page
Author: Peter W. Sinnema
Publisher: Ashgate Publishing
Total Pages: 248
Release: 1998
Genre: History
ISBN:

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This is a study of the world's first regularly illustrated newspaper, the Illustrated London News, founded in 1842. Focusing on the first decade of this weekly, the author situates the ILN within the publishing history of periodicals.

Illustrated London News

Illustrated London News
Author:
Publisher:
Total Pages: 234
Release: 1990
Genre: Illustrated London news
ISBN: 9780646022963

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The European Illustrated Press and the Emergence of a Transnational Visual Culture of the News, 1842-1870

The European Illustrated Press and the Emergence of a Transnational Visual Culture of the News, 1842-1870
Author: Thomas Smits
Publisher: Routledge
Total Pages: 253
Release: 2019-12-05
Genre: History
ISBN: 1000767221

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This book looks at the roots of a global visual news culture: the trade in illustrations of the news between European illustrated newspapers in the mid-nineteenth century. In the age of nationalism, we might suspect these publications to be filled with nationally produced content, supporting a national imagined community. However, the large-scale transnational trade in illustrations, which this book uncovers, points out that nineteenth-century news consumers already looked at the same world. By exchanging images, European illustrated newspapers provided them with a shared, transnational, experience.

Becoming Native in a Foreign Land

Becoming Native in a Foreign Land
Author: Gillian Poulter
Publisher: UBC Press
Total Pages: 392
Release: 2010-01-01
Genre: History
ISBN: 0774816422

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How did British colonists in Victorian Montreal come to think of themselves as “native Canadian”? This richly illustrated work reveals that colonists adopted, then appropriated, Aboriginal and French Canadian activities such as hunting, lacrosse, snowshoeing, and tobogganing. In the process, they constructed visual icons that were recognized at home and abroad as distinctly “Canadian.” This new Canadian nationality mimicked indigenous characteristics but ultimately rejected indigenous players, and championed the interests of white, middle-class, Protestant males who used their newly acquired identity to dominate the political realm. English Canadian identity was not formed solely by emulating what was British; this book shows that it gained ground by usurping what was indigenous in a foreign land.