The Cultural Histories of Radio Luxembourg and Europe n°1

The Cultural Histories of Radio Luxembourg and Europe n°1
Author: Richard Legay
Publisher: Springer Nature
Total Pages: 293
Release: 2024-01-31
Genre: History
ISBN: 3031462505

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This book focuses on two commercial radio stations, Radio Luxembourg and Europe n°1, which were popular institutions in Western Europe throughout the Long Sixties, working across media and broadcasting transnationally. It argues that the existence of an overarching ‘dispositif ’ of commercial radio stations enabled them to operate on various dimensions and differentiated them from other broadcasters. The book therefore answers current calls in media history to look beyond national and single-medium borders and contributes to the cultural and media history of Western Europe.

Broadcasting from the High Seas

Broadcasting from the High Seas
Author: Paul Harris
Publisher: Nichols Publishing Company
Total Pages: 376
Release: 1977
Genre: Performing Arts
ISBN:

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The Cultural Histories of Radio Luxembourg and Europe n°1

The Cultural Histories of Radio Luxembourg and Europe n°1
Author: Richard Legay
Publisher: Palgrave Macmillan
Total Pages: 0
Release: 2023-12-09
Genre: History
ISBN: 9783031462498

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This book focuses on two commercial radio stations, Radio Luxembourg and Europe n°1, which were popular institutions in Western Europe throughout the Long Sixties, working across media and broadcasting transnationally. It argues that the existence of an overarching 'dispositif' of commercial radio stations enabled them to operate on various dimensions and differentiated them from other broadcasters. The book therefore answers current calls in media history to look beyond national and single-medium borders and contributes to the cultural and media history of Western Europe.

European Radio Documentary

European Radio Documentary
Author: Tereza Reková
Publisher: Springer Nature
Total Pages: 336
Release:
Genre:
ISBN: 3031571851

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Europe - On Air

Europe - On Air
Author: Suzanne Lommers
Publisher: Amsterdam University Press
Total Pages: 327
Release: 2012
Genre: History
ISBN: 9089644350

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During the interwar years, broadcast radio became a popular way for Europeans to consume local, national, and international news. The medium not only began to shape European policy and politics, but also laid the foundation for European unification and global interconnectedness. In Europe On Air, Suzanne Lommers has documented the rich and often underexposed history of broadcast radio through the lens of international European relations. She specifically explores the roles of Radio Moscow, Radio Luxembourg, Vatican Radio, and the International Broadcasting Union as institutions that played an important role in national identities and establishing standards for broadcasting. The radio also offered new opportunities to politicians, who seized upon a vibrant and more direct way to communicate with their constituents. Essential reading for scholars of technology and European history, Europe-On Air reveals broadcast radio to be a technology that revolutionized international relations during the brief respite between the chaos of war in Europe.

The History of European Jazz

The History of European Jazz
Author: Francesco Martinelli
Publisher: Popular Music History
Total Pages: 0
Release: 2018
Genre: Music
ISBN: 9781781794463

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As the first organic overview of the history of jazz in Europe and covering the subject from its inception to the present day, the volume provides a unique, authoritative addition to the musicological literature.

Broadcasting Freedom

Broadcasting Freedom
Author: Arch Puddington
Publisher: University Press of Kentucky
Total Pages: 535
Release: 2021-05-11
Genre: History
ISBN: 0813182654

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Among America's most unusual and successful weapons during the Cold War were Radio Free Europe and Radio Liberty. RFE-RL had its origins in a post-war America brimming with confidence and secure in its power. Unlike the Voice of America, which conveyed a distinctly American perspective on global events, RFE-RL served as surrogate home radio services and a vital alternative to the controlled, party-dominated domestic press in Eastern Europe. Over twenty stations featured programming tailored to individual countries. They reached millions of listeners ranging from industrial workers to dissident leaders such as Lech Walesa and Vaclav Havel. Broadcasting Freedom draws on rare archival material and offers a penetrating insider history of the radios that helped change the face of Europe. Arch Puddington reveals new information about the connections between RFE-RL and the CIA, which provided covert funding for the stations during the critical start-up years in the early 1950s. He relates in detail the efforts of Soviet and Eastern Bloc officials to thwart the stations; their tactics ranged from jamming attempts, assassinations of radio journalists, the infiltration of spies onto the radios' staffs, and the bombing of the radios' headquarters. Puddington addresses the controversies that engulfed the stations throughout the Cold War, most notably RFE broadcasts during the Hungarian Revolution that were described as inflammatory and irresponsible. He shows how RFE prevented the Communist authorities from establishing a monopoly on the dissemination of information in Poland and describes the crucial roles played by the stations as the Berlin Wall came down and the Soviet Union broke apart. Broadcasting Freedom is also a portrait of the Cold War in America. Puddington offers insights into the strategic thinking of the RFE-RL leadership and those in the highest circles of American government, including CIA directors, secretaries of state, and even presidents.

Popular Music and the Moving Image in Eastern Europe

Popular Music and the Moving Image in Eastern Europe
Author: Ewa Mazierska
Publisher: Bloomsbury Publishing USA
Total Pages: 256
Release: 2018-12-13
Genre: Performing Arts
ISBN: 150133719X

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Popular Music and the Moving Image in Eastern Europe is the first collection to discuss the ways in which popular music has been used cinematically, from musicals to music videos to documentary film, in Eastern Europe from 1945 to the present day. It argues that during the period of state socialism, moving image was an important tool of promoting music in the respective countries and creating popular cinema. Yet despite this importance, filmmakers who specialized in musicals lacked the social prestige of leading 'auteurs' and received little critical attention. The resulting scholarly prejudice towards pop culture created a severe shortage of critical studies of the genre. With the fall of state socialism - and with it, the need for economically viable film and media industries - brought about an unprecedented upsurge of films utilizing popular music, and a greater recognition of popular cinema as a legitimate object of study. Popular Music and the Moving Image in Eastern Europe fills the gap and demonstrates why the popular music-cinema interface needs to be theorized with respect to the political, ideological, and social forces invested in popular culture.

The Role of Music in European Integration

The Role of Music in European Integration
Author: Albrecht Riethmüller
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 381
Release: 2017-08-07
Genre: Music
ISBN: 3110477556

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The volume focuses on music during the process of European integration since the Second World War. Often music in Europe is defined by its relation to the concept of Occidentalism (Musik im Abendland; western music). The emphasis here turns rather to recent manifestations of its evolvement in ensembles, events, musical organisations and ideas; questions of unity and diversity from Bergen to Tel Aviv, from Lisbon to Baku; and deals with the tension between local, regional and national music within the larger confluence of European music. The status of classical and avante-garde music, and to a degree rock and pop, during Europe's development the past sixty years are also reviewed within the context of eurocentrism – the domination of European music within world music, a term propagated by anthropologists and ethnomusicologists several decades ago and based on multiculturalism. Conversely, the search for a musical European identity and the ways in which this search has in turn been influenced by multiculturalism is an ongoing, dynamic process.

The Making of European Music in the Long Eighteenth Century

The Making of European Music in the Long Eighteenth Century
Author: D R M Irving
Publisher: Oxford University Press
Total Pages: 353
Release: 2024
Genre: Music
ISBN: 0197632181

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In this book, author D. R. M. Irving traces the emergence of such large-scale categories as "European music" and "Western music," showing how they originate from self-fashioning in contexts of intercultural comparison outside the European continent rather than the resolution of national aesthetic differences within it. Taken as a whole, this study demonstrates how reductive labels for the musics of a continent or a hemisphere often imply homogeneity and essentialism, and how a renewed critique of primary sources can help dismantle historiographical constructs that arose within narratives of musical pasts involving Europe.