The Hammond Brothers' Folk Song Collection
Author | : Frank Purslow |
Publisher | : |
Total Pages | : 32 |
Release | : 1968 |
Genre | : Folk music |
ISBN | : 9780854180080 |
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Author | : Frank Purslow |
Publisher | : |
Total Pages | : 32 |
Release | : 1968 |
Genre | : Folk music |
ISBN | : 9780854180080 |
Author | : Steve Roud |
Publisher | : Faber & Faber |
Total Pages | : 612 |
Release | : 2017-08-15 |
Genre | : Music |
ISBN | : 0571309739 |
In Victorian times, England was famously dubbed the land without music - but one of the great musical discoveries of the early twentieth century was that England had a vital heritage of folk song and music which was easily good enough to stand comparison with those of other parts of Britain and overseas. Cecil Sharp, Ralph Vaughan Williams, Percy Grainger, and a number of other enthusiasts gathered a huge harvest of songs and tunes which we can study and enjoy at our leisure. But after over a century of collection and discussion, publication and performance, there are still many things we don't know about traditional song - Where did the songs come from? Who sang them, where, when and why? What part did singing play in the lives of the communities in which the songs thrived? More importantly, have the pioneer collectors' restricted definitions and narrow focus hindered or helped our understanding? This is the first book for many years to investigate the wider social history of traditional song in England, and draws on a wide range of sources to answer these questions and many more.
Author | : Mary-Ann Constantine |
Publisher | : Oxford University Press |
Total Pages | : 288 |
Release | : 2003-08-07 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780197262887 |
This book takes a radical approach to the study of traditional songs. Folk song scholarship was originally obsessed with notions of completeness and narrative coherence; even now long narratives hold a privileged place in most folk song canons. Yet field notebooks and recordings (and, increasingly, publications) overwhelmingly suggest that apparently 'broken' and drastically shortened versions are not perceived as incomplete by those who sing them. Dealing with a wide range of traditions and languages, this study turns the focus on these 'dog-ends' of oral tradition, and looks closely at how very short texts convey meaning in performance by working the audience's knowledge of a highly allusive idiom. What emerges is the tenacity of meaning in the connotative and metaphorical language of traditional song, and the extraordinary adaptability of songs in different cultural contexts. Such pieces have a strong metonymic force: they should not be seen as residual 'last leaves' of a once-complete tradition, but as dynamic elements in the process of oral transmission. Not all song fragments remain in their natural environment, and this book also explores relocations and dislocations as songs are adapted to new contexts: a ballad of love and death is used to count pins in lace-making, song-snippets trail subversive meanings in the novels of Charles Dickens. Because they are variable and elusive to dating, songs have had little attention from the literary establishment: the authors show both how certain critical approaches can be fruitfully applied to song texts, and how concepts from studies in oral traditions prefigure aspects of contemporary critical theory. Like the songs themselves, this book crosses and recrosses the perceived divide between the literary and the oral. Coverage includes English, Welsh, Breton, American, and Finnish songs.
Author | : Timothy Rice |
Publisher | : Routledge |
Total Pages | : 1174 |
Release | : 2017-09-25 |
Genre | : Music |
ISBN | : 1351544268 |
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : Herbert Halpert |
Publisher | : Routledge |
Total Pages | : 1175 |
Release | : 2015-02-20 |
Genre | : Social Science |
ISBN | : 1317551486 |
This collection of Newfoundland folk narratives, first published in 1996, grew out of extensive fieldwork in folk culture in the province. The intention was to collect as broad a spectrum of traditional material as possible, and Folktales of Newfoundland is notable not only for the number and quality of its narratives, but also for the format in which they are presented. A special transcription system conveys to the reader the accents and rhythms of each performance, and the endnote to each tale features an analysis of the narrator’s language. In addition, Newfoundland has preserved many aspects of English and Irish folk tradition, some of which are no longer active in the countries of their origin. Working from the premise that traditions virtually unknown in England might still survive in active form in Newfoundland, the researchers set out to discover if this was in fact the case.
Author | : Tim Laycock |
Publisher | : The History Press |
Total Pages | : 169 |
Release | : 2011-11-30 |
Genre | : Social Science |
ISBN | : 0752478656 |
These lively and entertaining folk tales from one of Britain's most ancient counties are vividly retold by local storyteller Tim Laycock. Their origins lost in the oral tradition, these thirty stories from Dorset reflect the wisdom (and eccentricities) of the county and its people.Dorset has a rich and diverse collection of tales, from the stories of some of Britain’s most famous mythical heroes, to tales of demons, dragons, boggarts and sniddlebogs. These stories, illustrated with twenty-five line drawings, bring alive the landscape of the county’s rolling hills and Jurassic coast.Tim Laycock is a professional storyteller and musician who has been working with traditional folk tales, stories and songs for over thirty-five years.
Author | : Jacqueline Simpson |
Publisher | : Oxford University Press |
Total Pages | : 1046 |
Release | : 2003-10-09 |
Genre | : Social Science |
ISBN | : 0191578525 |
This dictionary is part of the Oxford Reference Collection: using sustainable print-on-demand technology to make the acclaimed backlist of the Oxford Reference programme perennially available in hardback format. An engrossing guide to English folklore and traditions, with over 1,250 entries. Folklore is connected to virtually every aspect of life, part of the country, age group, and occupation. From the bizarre to the seemingly mundane, it is as much a feature of the modern technological age as of the ancient world. BL Oral and Performance genres-Cheese rolling, Morris dancing, Well-dressingEL BL Superstitions-Charms, Rainbows, WishbonesEL BL Characters-Cinderella, Father Christmas, Robin Hood, Dick WhittingtonEL BL Supernatural Beliefs-Devil's hoofprints, Fairy rings, Frog showersEL BL Calendar Customs-April Fool's Day, Helston Furry Day, Valentine's DayEL
Author | : David Atkinson |
Publisher | : Routledge |
Total Pages | : 328 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351544810 |
Ballads are a fascinating subject of study not least because of their endless variety. It is quite remarkable that ballads taken down or recorded from singers separated by centuries in time and by hundreds of kilometres in distance, should be both different and yet recognizably the same. In The English Traditional Ballad, David Atkinson examines the ways in which the body of ballads known in England make reference both to ballads from elsewhere and to other English folk songs. The book outlines current theoretical directions in ballad scholarship: structuralism, traditional referentiality, genre and context, print and oral transmission, and the theory of tradition and revival. These are combined to offer readers a method of approaching the central issue in ballad studies - the creation of meaning(s) out of ballad texts. Atkinson focuses on some of the most interesting problems in ballad studies: the 'wit-combat' in versions of The Unquiet Grave; variable perspectives in comic ballads about marriage; incest as a ballad theme; problems of feminine motivation in ballads like The Outlandish Knight and The Broomfield Hill; murder ballads and murder in other instances of early popular literature. Through discussion of these issues and themes in ballad texts, the book outlines a way of tracing tradition(s) in English balladry, while recognizing that ballad tradition is far from being simply chronological and linear.
Author | : |
Publisher | : |
Total Pages | : 212 |
Release | : 2008 |
Genre | : Dance |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 228 |
Release | : 1977 |
Genre | : Folk dancing |
ISBN | : |